Watching that fret board go from dirty to ebony is a treat to see. The work you do is so fun to watch and hearing the results is very cool.

"Bulbous and Strange" was my nickname in high school. Good times. Thanks for the video.

I got to hear this beauty live in a bar recently, the duo was playing some very authentic old Blues tunes, when I walked in, they were playing 'Dust my Broom,' and the audience was eating it up. Utterly fantastic sound from this guitar, it did justice to all the old tunes they were playing. The man playing it was also a huge aficionado and it was like being transported back in time. Fantastic job restoring this old girl!

I had a bout with bacterial endocarditis back in 2019. Wound up in the hospital for 5 days and then on IV antibiotics for six weeks, and then had to have a mechanical heart valve replacement. I can definitely see how it would take someone out, especially back in 1916 when Orville Gibson died and didn't have the benefit of modern medicine like we do today.

I know you said in one of your earlier videos that you didn't quite understand why people wanted to hear the repaired or finished guitar. I think this is a very good example of a guitar that most people would never get to hear otherwise. Which is pretty valuable from a historical point of view. That being said, yeah the recording isn't ideal (at all), but showing more familiar type of guitars gives at least some (rough) sense of relative reference (meaning under the same kind of conditions) Nice work as always! 🙂👍

The board looked great after you were done! Really nice work on this rare beauty!

Great work with your new editing software. It's no fun learning new tools when the old ones were perfectly good. You retained the feel we all love.

What a transformation, Ted. That fretboard looks brand new. Another great display of artisanry.

Thanks for this calm pool in the middle of my chaotic world 😊😊

What a beautiful guitar and tastefully modified! Thanks for bringing us a long, Ted.

Yes, that was a bunch of work. That fretboard looks fantastic! Great job.

I love the sound of that guitar, both acoustic and with the pickup. I don't know exactly why I love it.

I’ve been watching your repairs for over a year now, and I still find each video fun and interesting. Thank you for doing what you do. It just occured to me that I enjoy watching these in much the same way I enjoy watching Bob Ross’ painting videos. This is intended as a compliment and I hope you take it as one. Cheers to you! Angus

Well done! Beautiful workmanship on this old guitar. Much respect.

Money well spent by the owner to have you weave your mojo into that beautiful old guitar. Well done sir, well done indeed! Thank you for sharing.

And now it's good for another 100 years....great job!

What a transformation! Good decisions all around; you brought it back to life. So good to see the entire fretboard improved in many ways.

I find all your videos relaxing, informative, and entertaining. Thanks, Ted!!

Doctors completely missed my friends endocarditis, despite him having had heart valve surgery and a letter being on his record stating he was at a higher risk of it. 4 different GP’s in two weeks all misdiagnosed him despite his swollen foot and other symptoms being textbook. He was 18. Still miss him.

Penetration is paramount. You're killing me. 😂

2:15 I loved that you quoted that line from "Apocalypse Now."

Hey I have been watching your videos for well a while now. It's my tradition when I get home from work everyday to see if you've uploaded something new. I've got a bunch of guitars to repair just waiting for me in my garage but rarely have the time to work on them. So I often live vicariously through your uploads pretending I'm fixing up old things lol...its therapeutic. Always fantastic content sir don't ever stop! Edit: also have to say thanks so much for the knowledge you pass on its made me much better at what I do!

These videos are such a gift. Thanks Ted!

I owned one in the early 70s, bought at a guitar shop in Kalamazoo. I needed money so I "pawned" it in the late 70s to my sister for a couple of hundred dollars. She put it in its case under a bed. 15 years later, she visited me and my now-growing family and, unexpectedly, gave it back. I opened the case and after 15 years it was in perfect tune. I needed money for kid's college tuition and sold it to a guitar shop in Lemoyne, PA for $600. Cool guitar, big neck, big heart.

Great episode! And we can always appreciate a Joseph Conrad/ Heart of Darkness quote once in a while.. “unsound” Keep the vids going!

Wow! You really do amazingly patient work with these old beauties. Thank you, Mr. Woodford.

Cool! The pickup has that ole-timey megaphone quality to it.

I’m always blown away by your craft.

Thomastik is known for their innovative quality Flatwound Strings for bowed stringed instruments. Their Jazz Acoustic/Electric Guitar strings (both Round and Flatwound types) have a lower tension because they're designed like their Bowed stringed instrument strings.

Nice guitar. I pick up tricks on your videos that are useful for repairs on other things besides guitars. You are a conservator. I worked in a luthier shop for years in my youth but not at your level of expertise. Thanks for your efforts, they are not wasted.

Working almost 60 hours a week lately has given me much less time to enjoy your videos but I got up early to watch this one today. Love your work, very inspiring and informative.

As always an amazing job and history lesson. Thank you so much for sharing your talent and wisdom.

Wow, that really turned out beautifully. What a lovely guitar.

This is why I tune in, to see gems like this one get a polish. I installed a 50's DeArmond into an old archtop, and I got the same brash sound until i experimented with the distance from the strings. Further away it'll find the mellow zone, but even closer to the strings, too close, you can get this white hot interaction, like Rev.Horton Heat hot. Fun stuff.

Really came out beautiful.

The guitar sounds great and the new video editing software is higher resolution - it’s wonderful. Thank you!

At least you take the time to describe construction of said Gibsons, you are the best at old repairs Im a violin repairman i like your work.!👍

What a beautiful piece of history

I think I all ready made a comment to the quality of your content. I mean, I'm am not even into playing acoustic, and even less of a luthier. But, just listening to your narration: all the craft knowledge, historical knowledge... it's a pleasure. Thank you.

Another great restoration! I always appreciate your work. All the best to you, Ted...

Very nice work! I really like the use of a modern style pickguard bracket rather than the old clamp kind.

Another superb job, Im always impressed with your work, ingenuity and skills, the videos, commens and insights are intetesting........for a cannuck

Such a relief to see that monstrous, gold tailpiece get replaced. Fantastic job, as always.

One of the best demos.

5:20 I have an idea for why that guitar doesnt have position dots on the fingerboard binding Its mostly a lost art today but before electric instruments, the way you held your guitar was very prevalent on musicians minds. I read in a 1903 Gibson catalogue: "The Gibson mandolin should be held at not more than three points of contact; namely, lower rim resting on limb, upper rim resting against body and supporting the right forearm. This leaves the sound-board and back-board, which are carefully graduated, free for vibration." I have a 1912 archtop L1 and tried this out for myself. And by angling the guitar more diagonally between my chest and thigh, I noticed not only that it resonated a lot better, but also that I could clearly see what notes I was holding on the fingerboard without having to lean over. Hence, fingerboard dots arent neccesary if youre holding it the way youre supposed to Just an educated guess of course

Personally, I would probably have kept the fancy Art Deco tailpiece, but it's not my guitar, so not my decision. It does sound lively once you've helped it along, and I do like the sound of an oval-hole archtop. That L3 you did a while back was similarly interesting in sound.

18:34 Thomastik Infield BB112 Jazz Bebop Light Gauge Nickel Round Wound Electric Guitar Strings with Brass plated Trebles (gauges are 12p, 16p, 20p, 26w, 36w, 50w).

I was traveling all weekend and just got home and was able to settled down and watch. Good timing!

Another great video. Love the aesthetics of these guitars. The tone is certainly different to modern flat top acoustics but it sounds great.

Man that fret board turned out beautifully. Looks amazing, I think I would have preferred the old tail piece but thats just me ha

Inspiring, and therapeutic... Thanks Ted!

I have a 1908 L-1 and I also have been building modern archtops and guitars. The old L-1 does indeed have none of the volume or projection that even early L-5's have but that's not due so much from the shape of the holes but the evolution of the top thicknesses they used. The early generations were still trying to figure out how to transition from guitar construction, which had been around for a long time, to violin inspired construction, carving from a plate into an arched pattern. I would imagine that a great fear was that 6 strings could collapse a carved top and bracing and arching thicknesses were still largely experimental and pioneering. A LOT of factours were coming into what we think of as accepted design now. Those early years were all experiments, one at a time, and even the potential of an arch top was unimagined since violins, their closest relatives, were seriously different in their being driven by a bow and needing no sustain because of that. It would indeed be interesting to take the outward dimensions of that L-1 and build it with modern knowledge of arching and thicknesses. Then we could truly figure out what the potential of that round hole small bodied design could be.

Hell yeah perfect timing of the new video

This is a thirteenth fret fingerboard. These are supposed to be quite rare, transitional from twelfth fret which pushes the soundhole and bridge lower in that very circular lower bout. Gibson were freely trying all sorts of variations, carved or sanded body bulge to neck angle, easy to do with hand built instruments.

I don't know what I enjoy more: the history and trivia lessons, the craftsmanship or Ted's charm.

I’ve played a few of those over the years and I’d pick one by the fireplace

Thanks for doing this thorough video. I own a 1919 L-1 and I wish you were closer to me in New Jersey, so I could have you refret it.

Brilliant solution on the pickup mount. Beautiful work all around.

to be totally honest, that's the best sounding archtop i've ever heard on yt

Enjoyed that. I have an L-1 from 1915, needs the tailpiece pin block replaced due to celluloid rot. I have a chunk of blackwood for that. Have been thinking about refretting her too.

What an absolutely gorgeous instrument !!! Though i love the look of a "F Hole" Archtop... they cannot beat the sound of the "Round Hole" arch.

Another masterful job Ted.

Very nice work as usual and I am sure that the customer is pleased with the results.

Gibson ! Keeping woodworkers in business since 1902 ! Break Authentic !

Another amazing job Ted; you are a true master craftsman. That guitar looks amazing, now that you’re through with it, and sounds good too. Really cool stuff!

Great work as usual! Thanks for playing it afterwards as well. It’s great to hear how they sound. I probably would have went with an K&K under the bridge on this instrument. Acoustically it sounds great.

My favourite guitar. Lovely job.

Wow! She came out like a Dream! Nicely done!

Fantastically beautiful work!

Love that someone made this ~100 year old guitar their own w/ these repairs and modifications. Period correct obsession is overrated ^ ^

This video triggered me… I had to post greetings from Thomastik-Infeld Land :) Isn’t it great how the internet brings people together? A guy from a middle european country watching a guy repairing guitars on the other side of the great pond. So, thanks for all the content you create. For me thist is like a timeout from the crazy IT stuff at work.

Another century-old guitar saved. Nice!

Well done , Maestro .....

Thanks for playing them for us Ted.

Beautiful guitar, both in look and sound! Great job Ted!

‘The never ending nature….’ Anyone who does this kind of stuff professionally will know that feeling.

There is no need to sigh Ted… it IS paramount.

Wow it does sound good. It looks good too. Sounds great for that type of music for sure

I love the sound of this guitar, thanks for the video. It was a nice surprise

Hah, funny what you used to fill in the binding. I do miniature wargaming and that's a very familiar technique - we use bits of plastic frames from model kits melted down in solvent glue to fill gaps like that - sprue goo.

Loved the Apocalypse Now reference

Always a treat. That black shirt is slimming.

Really impressive work. Thx for sharing

I had one of tese for a while in the mid '70s. I go it along with a Martin 2-17 from an American guy who , I later discovered, was smuggling guitars into the UK from the US. HM Customs & Excise caught him and confiscated my guitars for months until I made a legal statement and got them back. The Gibson was in perfect condition, complete with the original tail piece mentioned with a solid Rosewood (?) crosspiece and bridge pins. and the pick guard was fine - which I believe I still have somewhere. The finish was original -a "dun" brown satin finish not unlike a violin finish. Top only. Once I got it back it lived in my lounge but I had just bought my fist place and had to sell it and the Martin to pay the mortgage. I'd love to get that guitar back.

Please don't apologise for any delays in posting, At the risk of the "blowing smoke up yer arse " accusation The best part of 100,000 people, will, just, wait

Love that giant last fret!

Always top notch work 👍

Wow! I agree with the comment about the fretboard. It really popped. I also appreciate hearing the guitars. I’m not sure if it was the strings, the guitar or both, but that guitar sounded like something from the 20s.

I have made a few reconstructions of lyres from the 6th and 8th centuries (Trossingen lyre and Köln lyre) and from all I could find about them they were also carved from a solid piece (wich is what I did as well). Lots of work I can tell you. My next ones will probably just be made with a thin back panel and sides made from appropriately sized strips of wood (the walls are really thick compared to guitars).

Great video - and what a gorgeous guitar.

Turned out great.

I've been looking forward to this!!

Orville Gibson was the Colonel Kurtz of the guitar world

It appears to me that preserving the guitar is not a top priority, but I respect the fact that this is being played instead of being locked like a museum piece. That's just my opinion tho.

Those strings sound nice. Guitar too! Excellent work as always. I love these guitars. I've only ever played one and it was sweet.

I like how your computer crapped out so that the release would be delayed until my birthday. Thanks!

your videos are just special thanks man

Excellent work!

It reminds me of the Eastman AR804CE Archtop Acoustic-Electric Guitar.

Tinny but warm....if that makes any sense. Very unique sound. Great job on the repair, as usual! 👍