@_sonicfive 2 жыл бұрын
I applaud you for not going after 101 content. there is a plague of it. I know everyone does that because it "helps with the algorithm", instead you chose to offer content no one else is covering this deeply. I am thankful for a few golden nugget content creators like you Adam. keep up the awesome and inspiring work.
@marvindias1377 2 ай бұрын
Gotta agree. Literally THE BEST channel for intermediate to advanced players. Fcking love these guys so much.
@scottclements9029 3 жыл бұрын
Man, such great stuff here. I miss being a member with y’all. I’ve been writing your dues off as continuing education, but after the covid dry spell I just cant afford it. The free material is always appreciated. Thanks Adam.
@blevens7251 3 жыл бұрын
This is great because you're showing these triad pairs relative to the underlying chord's harmonic function in a tune. I've seen a lot of videos where someone will say "play the flat 6 over a VII chord" but not show how or where that VII chord is functioning in the tune. Here you have given tune and key context, and the "levels" provide good ideas about what to match with what. Nice video. I'm going to turn the three levels into a 12-key spreadsheet and would be happy to share if anyone's interested.
@jazztemple2 3 жыл бұрын
Rob, once you have that spreadsheet, would you mail a copy to jazztemple2@aol.com? Put "jazz" in the subject line and I will search for it. Thank you sir!
@eternalrainbow-cj3iu 3 жыл бұрын
This is Realy Cutting Edge Study!!!
@senatorkenator 3 жыл бұрын
Yes, please dm when you have them available.
@eternalrainbow-cj3iu 3 жыл бұрын
Maybe next study coud be somerhing as esgd EBG# B C# E B B# C# G# E# C# G# A Bb etx as maybe over a F7 blues to play octatonuc over Each chord( bebep or Oscarish Blues using one Lick and one chord or few licks that are going from 4ths to 3tplets to 8ths ton3plets to 16ths to even 5 on the beat the lesson could be take 1hour + no problen....
@jazznutz 3 жыл бұрын
I'd love a copy too man. Thanks so much! a.trinchera@gmail.com
@manschool4992 2 жыл бұрын
Thank you. For this and all the rest. Open Studio is the rising tide that floats all boats; for both the individual player and other content creators. As a guitarist I feel it's easier to learn from a pianist. Visually eliminating all the "guitar stuff" really helps me visualize your concepts.
@aglees2b 3 жыл бұрын
Just wanted to say that as a guitarist that's trying to figure out how to make triads work, this video has been incredibly useful. I've been struggling with the idea of using them, and this lesson has really helped break down some barriers. Thanks!
@manschool4992 2 жыл бұрын
Me too Andrew. I just commented on the same thing. Guitarists teaching guitarists is both helpful and a hindrance. Learning from a pianist really eliminates all the technical "noise" we must endure in dealing with our quirky instrument.
@jazznutz 3 жыл бұрын
Level 3 on my own I couldn't track mentally but my ears opened up to that thing where you could play almost anything!
@JacobRobot321 2 жыл бұрын
years of confusion boiled down into a digestible format. You’re doing gods work
@QobelD 3 жыл бұрын
You're bassline work is lovely
@NikolaiMusicChannel 3 жыл бұрын
Love triad pairs :-) Thanks for laying them out on a II-V-I-VI in such a hip way! Love it!
@zlatkodraskovic5532 2 жыл бұрын
Your personality… speaks volumes, as well as your prowess. Cheers Adam 🙏🏽🇦🇺
@triopardo1454 3 жыл бұрын
Je suis guitariste, et c'est la meilleure vidéo que j'ai trouvée sur les triad pairs ! Merci !
@thedearjohns 3 жыл бұрын
Your teaching is really good for me. I learn so much from you. Thank you
@theponderingplumb9790 3 жыл бұрын
This is amazing. I missed out on so much focusing solely on classical in uni
@thelonious-dx9vi 3 жыл бұрын
It's interesting you should mention that. "Jazz" functional harmony's been my bread and butter for, well, decades now, and I'm actually taking a stretch in the opposite direction. Species counterpoint by the rules, what the hell is a 6/4 chord, and so forth. It's really very enjoyable and interesting, and useful too. Cheers.
@TimBeauBennett 3 жыл бұрын
It was Cherokee that Herbie wrote the solo on - your correction instincts were right!
@rillloudmother 3 жыл бұрын
fancy meeting you here!
@monikamasker9359 7 ай бұрын
Ganz toll! Du hast den Groove :-) I like your basslines! The Triads, the sound of triads and voicing, thanks for your „half whole“ triads as well! So viel zu lernen !!! Dankeschön aus Deutschland!
@Sabowen7 3 жыл бұрын
So my take away is this: Thinking relative to the actual chord you are playing (current bass note) .... For any minor chord the triad pair is (b3maj & 4maj) OR (b7maj & 1min) For any altered chord the triad pair is (b6maj & b5maj ) OR (b7maj & 1maj) 👈this second option is not as cool or altered really but it was given as a triad pairing in his first etude And for any major chord the triad pairing is ( 5maj & 6min) OR (2maj & 3min) I'm thinking of the triad pairings relative to the chord you are currently playing and not the chord progression or the tonic key. This allows the triad pairs to be more easily translatable to any key or any song/chord progession... at least for me... which is why I took the time to write this out.
@barryoverstreet4876 2 жыл бұрын
Man, I'm just gonna keep on sayin' it...love you guys' content. So well applied as well as explained; and your playing in the background is a real help for me as a melody instrument to get some practice in. Loop, enjoy, repeat! 😁
@padouchtrips5485 3 жыл бұрын
you´re a great teacher, Adam. Its useful, its fun, I get to play with you and I can feel that i learn something. Thank you!
@yannterrer 3 жыл бұрын
Wowww! Such precious stuff and clear explanations to use triads!!! Tks a Lot
@colinburgess7728 2 жыл бұрын
great lesson. Everything is starting to come together about the whole art of playing outside
@travo6805 3 жыл бұрын
Thank you for this! I will be exploring this a lot in my practicing
@petertamblyn4168 3 жыл бұрын
Awesome. And such fun. Just the thing after a furiously busy day at work.
@HappyHackingVideoBlog 3 жыл бұрын
I think I hear some resonance on that B1 key on the piano, especially when Adam is playing that bass line at 7:36
@azombiestool 3 жыл бұрын
This is exciting. Glad I found this channel
@jackprice7828 2 жыл бұрын
Wow love your approach to the triads.
@Calbertone 3 жыл бұрын
Great teaching, great material!
@lucasgguitarrista Жыл бұрын
Man this is crazy! Thank you so much.
@gerrycappuccio4186 2 жыл бұрын
Thanks for sharing this wonderful information!
@candrabalimirage 2 жыл бұрын
Thanks a Lot for your video!!!
@enzolescure5833 Жыл бұрын
That's it. I'm a nerd for this.
@robbromhead7098 Жыл бұрын
And to think, I was just about to go to bed too. Great lesson.
@d.f.4830 Жыл бұрын
As a musician with almost no jazz training, this really helps answer a question which has often nagged at me - “why does jazz sound like that?”
@J3unG 3 жыл бұрын
Thank you. Very nice. I learned something, bro! Keep up the good work.
@GrumpyOldGuy777 3 жыл бұрын
Genius. Love it!
@mattkwest468 3 жыл бұрын
Crispy! Great stuff Adam!
@martinkelley9996 3 жыл бұрын
AWESOME! THANKS FOR SHARING.
@JonMartMusic Жыл бұрын
Thanks so much!
@hernannieto1 3 жыл бұрын
Nice video man ! encouraged me to play more triadic stuff... great
@rileymerino6340 3 жыл бұрын
Level 4 is playing C over all the changes on giant steps
@jdtoddjazz 3 жыл бұрын
Yeah, you hear that video where 'Trane is doing that? It was awesome! (lol)
@hakeemfayomi7776 3 жыл бұрын
Nice one. Really really nice. Have heard but don't know the application but now I understand. Masterfillz from Nigeria
@tristanbach4421 8 ай бұрын
Adam: "Okay, let's try this together now; play along." Me: 👁👄👁
@edmasters4454 3 жыл бұрын
Great stuff to share - thanks!
@konrid22 3 жыл бұрын
Omg, soooo good! Thanks a lot! 🤯🙏
@PabloVestory 3 жыл бұрын
Great masterclass!!
@pakiaoo7 Жыл бұрын
Thank you so much Adam, it would help if you change this: B-flat, for this: Bb
@ethanlocke3604 Жыл бұрын
Good stuff!
@JudahDaniels 3 жыл бұрын
Love the blurred background
@eternalrainbow-cj3iu 3 жыл бұрын
GREAT LESSONS
@mybiggrin 3 жыл бұрын
YES!!!!!
@vizzo7 Жыл бұрын
So basically playin g major pentatonic on the II V I VI you are good to go
@mikeg6444 10 ай бұрын
Lev 3 has a Red Clay vibe to it
@mohammaddimassi1596 3 жыл бұрын
Great leason!! If there’s a good book on this subject please recommend it.
@richardbrookens2896 2 жыл бұрын
Triad pairs by Gary Campbell
@deneisraelealine8939 2 жыл бұрын
Deus abençoe
@saxfish 3 жыл бұрын
< ! Feel SOoo gOOd...see you tomorrow! >
@francoissalace5907 3 жыл бұрын
merci trop cool!!
@robertmcdonald1664 2 жыл бұрын
Very cool
@kenjimatsui4038 3 жыл бұрын
Thank you.. This is what I wanted to know. I will practice from now. Again thank you
@WadWizard 3 жыл бұрын
First thing you played reminded me of sara by fleetwood mac
@karlmccreight8172 5 ай бұрын
❤
@SirDLee 3 жыл бұрын
When playing the Triad Pairs, does it make a difference which one you start with?
@user-ge2vc3rl1n 3 жыл бұрын
yes and no, yes because the melody can lead somewhere and the triad technically has some chord functions, but also no because you don't have to take your melody places all the time
@thomasisrael5334 2 ай бұрын
Can somebody explain to me how the G7 was change to B7 ? In level 3 Did he use modal interchange ? Or ?
@matthieubossert 3 жыл бұрын
Hi Open Studio, I think there is a typo in your title ! Great video by the way
@StevieWonderBoy39 3 жыл бұрын
A wholesome first comment, beat me to it.
@blevens7251 3 жыл бұрын
Bien evidemment ;)
@OpenStudioJazz 3 жыл бұрын
Thanks for the head's up. Fixed!
@ggck.sounds 3 жыл бұрын
Can someone explain the substitution of G7 with B7 in "level 3"? I've heard of substituting dominant chords a minor 3rd away (as a diminished kind of thing) but never heard of MAJOR 3rd away substitution on dominant. Adam kind of glosses over this and says "it happens all the time". Is that true? Any links to recordings that do this? This is a weird substitution that I think deserves a little more explanation. Thanks!
@kennethreed8746 3 жыл бұрын
It kinda comes from the altered scale I assume since B major is relative to G#/Ab minor and Ab melodic minor is basically G altered. I don't know how accurate this assumption is, but overall I've learned you shouldn't stress TOO much about functions and more about how you can release that tension in the next chord/phrase.
@ggck.sounds 3 жыл бұрын
@@kennethreed8746 Ok yea makes sense, especially about not stressing too much about function. Thinking about it a little more, I guess Balt is the same as C melodic minor, so we get a sense of minor to major resolution when Balt (C mel minor) resolves to Cmajor. If anyone else has any more (informed) input on this topic I'd love to hear it.
@kennethreed8746 3 жыл бұрын
@@ggck.sounds I was saying B major is similar to G altered
@giorgiooliviero8554 3 жыл бұрын
I don’t think it’s a substitution for G7, in the sense that B is not dominant in the key of C. It is a subdominant cadence, analogue to F7 going to C in the blues. In any key there are 4 dominants (G7,Bb7,Db7, E7) and 4 subdominants (F7, Ab7, B7, D7) that go to the tonic. So B7 functions as a subdominant.
@ggck.sounds 3 жыл бұрын
@@kennethreed8746 yea i got u, i was just thinking of it from another angle.
@eternalrainbow-cj3iu 3 жыл бұрын
So my seggesrion is Polychords..there is maybe a subtile diffetence poly chord could Use 16 different shapes ovet a dominat built on major or Minor Mediant....the idea of upper structure stays the same the Triads are there interwoven as wel....Generic Modality Compressipn
@eternalrainbow-cj3iu 3 жыл бұрын
Generic Modality Conpressipn could be a next.step after the Triads and Polychord being the more Herbieish Chickish Keithish more MCcoyish step even more the Maldauish Or Geraldish or Joost Swartish or Timothy Funnelish step Maybe Poly rythn Polychords and Modality Compression to be the Last steps in the Process life time of Work...relative freedom in Both ryrhn
@eternalrainbow-cj3iu 3 жыл бұрын
Also over G7.to mix minor and major Triads ( Ambivalent and #9 triad pairs to mix up Tonal Gender of the Triafs like ovet G7 Bb G D - G E D- EC# G# or even in slow 16ths Bb GDB- GEBG# EC# G#E# and then a step aftet that could be using DEG D GEBG# Or EG D D# G EBG# Or C# B EB C# E#G# A Bb Db Ab A Db Bb F D...those last tiny Hancock licks are te be played with finger caps( Corona...we can't be cautious enough) What.if the Jazz Police catch us???? MIAUWWWW
@eternalrainbow-cj3iu 3 жыл бұрын
As an extra Lick over a Dominant G7 we could play from lower to higher(st four last 4 descending motion) Ab Db DG Ab Db DA so 4ths as melodic content or even G B Ab Db BD Db F DG F Ab G B Ab Db lick very Herbie to Bulls eye your solo some more and have your Triads backed up by some solid Alternatives( the last 2 were actually tritone Triads of course for Adam all this stuff is Piece of Cake and Mouse in mouth...just suggestions to being Hip when being Square
@eternalrainbow-cj3iu 3 жыл бұрын
Adam you're are Heroe.and Best Teacher on KZfaq.You are taking the Time for.Jazz Monkeys like me....I learned how to use 3ths in the Left hand with this Crazy Stuff Totally Clear and Understood!!!!
@ValirAmaril 3 жыл бұрын
nevwr heard of generic modality compression, sounds interesting
@hayzmi 2 жыл бұрын
🙏
@JustFiddler 3 жыл бұрын
bagus sekali. matur suksma
@jonesgarrett5 3 жыл бұрын
Are the left hand voicing supposed to be rootless? I dont know why, in version 1 for example, Dmaj7 w/ Fmaj is voiced as FGAC. I assume rootless?
@billboy3076 3 жыл бұрын
Isn't it Dmin7?
@ItsDextrin 3 жыл бұрын
Yes, rootless. He also added some extensions to the chords
@gcolnr 10 ай бұрын
Good stuff, but got pretty convoluted for me in the third iteration.
@uelude 2 жыл бұрын
Lay that bass line down on double bass and record a jam for us ;)
@juwonnnnn 3 жыл бұрын
👌
@gregleroy1 3 жыл бұрын
👍🏼
@pineandharvard 3 жыл бұрын
I’m getting Bob Ross vibes lol idk why
@gustavoeliasmorales77 3 жыл бұрын
I wasn't getting that at all ha 🤣
@Samhoneyfield 3 жыл бұрын
Its the enthusiasm!
@kamilmuslimov4135 3 жыл бұрын
we don't make mistakes just happy little accidents... ok now lets play some happy little Bmaj7:)
@jmix1of1 2 жыл бұрын
thank u i am retire .i can not afford it.
@DavideSchachterJazz 3 жыл бұрын
Great practice exercises...only why couldn't you write Bb instead of B -FLAT which is something my brain refuses to process? ;)
@OpenStudioJazz 3 жыл бұрын
That font only uses upper case🤷♂️
@DavideSchachterJazz 3 жыл бұрын
@@OpenStudioJazz Gottcha! Great Video though...thanks a lot !
@jacobattias8401 3 жыл бұрын
I HAVE A TRANSCRIBING REQUEST PRAYERS FOR RAIN BY BLUETECH (DUB MIX) ITS ABOUT A MINUTE IN AND IS A FILTHY SOLO
@HoboInASuit4Tune 3 жыл бұрын
highpass filter would be great, my dude! Voice is so boomy
@ewoid64 4 ай бұрын
It's because he's using that cheez . . .uh. that is . . . ahem . . . other-than-optimal SM7, instead of the incredible RE20 with effective proximity effect reduction. Sax players know this.
@scottmoyer1357 3 жыл бұрын
I wish you had discussed that you are playing tritones on your left hand(F & B) without adding the root to them as well as playing 4ths on the left hand ( EAD) without any explanation. This kind of assumed randomness is mighty confusing to the student when they think you are supposed to be playing literally what is written on the music. When you take a sharp turn without a full and clear explanation , it creates grey areas not only in sound potential but also in chord concepts and the absence of the supportive theoretical explanation.
@sekritskworl-sekrit_studios 3 жыл бұрын
Too advanced for me to comprehend.
@chevrite782 3 жыл бұрын
'some modern players' *names three players that arent alive*
@BebopHardRock 3 жыл бұрын
I think you might be confusing modern with contemporary.
@RockyStonester1 3 жыл бұрын
i believe hes using the term as a classification of of style, not really how trendy or hip it is
@pattyboy1233 3 жыл бұрын
Umm... 1st 2 min.....what are triad pair? Not going to answer, why shoud i .... Im only making this lesson.....not going to difine it. Just say there modern....
@RockyStonester1 3 жыл бұрын
a pair is a group of two. a triad pair is a group of two triads.
@JHobartMusic72 Ай бұрын
Hahaaa😂😂😂 that is TOTALLY musician talk when you play something somewhat substantial and then look at someone and be like: “know what I’m sayin?” 😂😂😂😂