3 Reasons Why Filmmakers Should Hire A Producer's Rep - Glen Reynolds

  Рет қаралды 9,433

Film Courage

Film Courage

2 жыл бұрын

Glen Reynolds founded Circus Road Films in 2006 to provide strategic advisory services to filmmakers. Circus Road guides filmmakers through the festival and distribution process and negotiates licensing agreements on their behalf. Glen has participated in the sales of over 900 narrative and documentary feature films with many of them premiering at Sundance, Slamdance, SXSW, Cinequest, Tribeca, Hot Docs, Fantastic, Telluride and Toronto. Distributors of these films include Fox, Sony, Warner Bros, Universal, Lions Gate, Magnolia, IFC, Strand, Oscilloscope, Drafthouse, Netflix, Hulu, HBO, Showtime, Starz, Lifetime, ESPN and Syfy.
Some favorite films sold include the first films of some successful filmmakers such as Absentia, written and directed by Mike Flanagan (Midnight Mass); Pop Skull, written and directed by Adam Wingard (Godzilla vs Kong); and Newlyweeds, written and directed by Shaka King. (Judas and the Black Messiah).
Recent work includes Clean (Tribeca/IFC) with Adrien Brody, My Dead Dad and 18½ with Willa Fitzgerald (101 Films).
Glen has also co-produced twenty films to date including his favorite Conversations with Other Women which premiered at Telluride and stars Aaron Eckhart, Helena Bonham Carter, and Olivia Wilde. Other great production experiences include developing two projects with Craig Brewer (Hustle & Flow) and co-producing five films with Ram Bergman (Knives Out, Star Wars: The Last Jedi).
Glen holds a JD from the University of Texas at Austin, a BA in English from NYU and is a graduate of the Neighborhood Playhouse in New York. He serves as a judge for the UCLA Screenwriting Competition and on the jury for the Woods Hole Film Festival.
MORE VIDEOS WITH GLEN REYNOLDS
bit.ly/3idqRHf
CONNECT WITH GLEN REYNOLDS
www.circusroadfilms.com
/ circusroadfilms
/ filmsales
/ circusroadfilms
RELATED VIDEOS
What Nobody Is Going To Tell You About Film Distributors - • What No One Tells You ...
Beginner's Guide To Selling A Movie - • Beginner's Guide To Se...
How Does A Screenwriter With No Connections Get A Pitch Meeting? - • How Does A Screenwrite...
How To Create And Sell A Web Series - • How To Create And Sell...
3 Things Writers And Filmmakers Should Know About Selling A Movie - • 3 Things Writers And F...
(Affiliates)
►WE USE THIS CAMERA (B&H) - buff.ly/3rWqrra
►WE USE THIS EDITING PROGRAM (ADOBE) - buff.ly/44FYkAk
►WE USE THIS SOUND RECORDER (AMAZON) - amzn.to/2tbFlM9
BOOKS WE RECOMMEND
buff.ly/3o0oE5o
SUPPORT FILM COURAGE BY BECOMING A MEMBER
/ @filmcourage
CONNECT WITH FILM COURAGE
www.FilmCourage.com
#!/FilmCourage
/ filmcourage
/ filmcourage
/ filmcourage
/ filmcourage
SUBSCRIBE TO THE FILM COURAGE KZfaq CHANNEL
bit.ly/18DPN37
LISTEN TO THE FILM COURAGE PODCAST
/ filmcourage-com
Stuff we use:
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post amzn.to/2t1n2hx
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - amzn.to/2tbFlM9
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - amzn.to/2u5UnHv
COMPUTER - Our favorite computer, we each have one and have used various models since 2010 - amzn.to/2t1M67Z
EDITING - We upgraded our editing suite this year and we’re glad we did! This has improved our workflow and the quality of our work. Having new software also helps when we have a problem, it’s easy to search and find a solution - goo.gl/56LnpM
*These are affiliate links, by using them you can help support this channel.
#film #movies #filmmaking

Пікірлер: 24
@theballisticboy
@theballisticboy 2 жыл бұрын
This video is more educational than a semester long producing course in film school.
@georgeorwell4931
@georgeorwell4931 2 жыл бұрын
Always incredible information for new future film-makers! Loved everything about this video, so helpful!
@JonghunNamkoong
@JonghunNamkoong 2 жыл бұрын
Great content as always! Is there any chance the full version of the interview is going to be released?
@filmcourage
@filmcourage 2 жыл бұрын
Thank you for watching! It will be released as one full video once the all the segments are released. Stay tuned. More insights from Glen coming soon.
@JonghunNamkoong
@JonghunNamkoong 2 жыл бұрын
@@filmcourage Thank you for the reply, looking forward to more content!
@bubbadogproductions7403
@bubbadogproductions7403 2 жыл бұрын
This is all great, but when streaming services are paying 0.003 per view it makes it bloody hard to make any money, and if your splitting that with a rep and a distributor, well do the math. I've used aggregates and for an independent its a lot better but you still shake your head when you see what you get per view. You can do ok with PPV sites but the streaming with ads sites really take a huge bite.
@rastiktv
@rastiktv 2 жыл бұрын
I definitely needed this I’m a new filmmaker and I’m like where do I really go after the process..
@susanhendricks3964
@susanhendricks3964 Ай бұрын
Thank you for the honesty
@omri10011
@omri10011 2 жыл бұрын
really important clip thanks
@MrLucidImages
@MrLucidImages 2 жыл бұрын
this is fantastic film courage -- the busy end and distribution of films is always the Achilles heel of filmmakers, and posting things like this are incredibly important. If you want to get into the deep end, you have to pass through the gate keepers, so not only making a good project becomes important, but getting to a Producer rep becomes almost as important if you intend to make money back on the film. There's a sort of self aggrandizing myth that just taking a film to festivals will get it noticed, but with the morbid increase in films being made, it might be overlooked for the crowded field.
@RDSimpson
@RDSimpson 2 жыл бұрын
very interesting, never heard of a Prod rep. before.
@nextlevelcraig
@nextlevelcraig 2 жыл бұрын
When it comes to E & O Insurance for a documentary, does my appearance release need to contain language for perpetuity? I am working on a doc where one person is requesting a 20 year limit on the use of their image. Do you think I will have trouble at the E & O Insurance stage?
@Babsdoproductions
@Babsdoproductions 2 жыл бұрын
Never heard of someone requesting a 20 year limit before, very interesting issue! I’m not sure about E&O conflicts, you’ll most likely just have to call up and ask your E&O provider, but if I were back in my film school law class, they’d probably say to cut that person out or see if they could agree to have you do a mosaic and vocal disguise effect on their scene(s) to therefore not include their likeness at all.
@kleinwong_
@kleinwong_ 2 жыл бұрын
This dude is on point
@filmcourage
@filmcourage 2 жыл бұрын
What do you like about this video?
@TrexReproach
@TrexReproach 2 жыл бұрын
Any knowledge about film is always helpful. So this helps!😎😇
@jcgorritti
@jcgorritti 2 жыл бұрын
It made me realize I need a Rep on my team. Thankfully, I got time because my movie is not quite ready, but soon it will be so it would be awesome to hear more from Glen the following weeks. Thanks a lot Film Courage!
@Met9171
@Met9171 Жыл бұрын
It really clarified me.It made me realize the significant of hiring the second party inorder to make money on my best short film coming soon.
@Wordsley
@Wordsley 2 жыл бұрын
These Rock!
@soothingsounds7859
@soothingsounds7859 Жыл бұрын
International sales agent= Percentage of distribution, no up front fees. Domestic sales agent (circus road, etc)=$5000 fee and no guarantees.. Which would you trust?
@sharps6
@sharps6 Жыл бұрын
Yup!
@moviemadness2536
@moviemadness2536 2 жыл бұрын
Always make sure the person you align yourself with always has your best interests at heart. That's exactly right. Because if you don't, before you know it your work will just become a tool of THERE'S to try and make money with.
@KameariKillScreen
@KameariKillScreen 2 жыл бұрын
I need you.
Why Filmmakers Get Ripped Off By Film Distributors - Jeff Deverett
17:25
What Filmmakers Don't Know About Distribution - Glen Reynolds
13:50
ПРОВЕРИЛ АРБУЗЫ #shorts
00:34
Паша Осадчий
Рет қаралды 6 МЛН
Became invisible for one day!  #funny #wednesday #memes
00:25
Watch Me
Рет қаралды 59 МЛН
Женская драка в Кызылорде
00:53
AIRAN
Рет қаралды 353 М.
How Much Money Do Independent Movies Make? - Glen Reynolds
11:05
Film Courage
Рет қаралды 43 М.
Why No One Wants To Invest In Your Movie - Jeff Deverett
19:25
Film Courage
Рет қаралды 43 М.
How I got my film on Netflix
23:33
Matt D'Avella
Рет қаралды 285 М.
How to Pitch a TV Show Idea - TV Writing & Development: Ep6
3:28
StudioBinder
Рет қаралды 244 М.
3 Ways Distributors Rip Off Filmmakers - Jeff Deverett
18:42
Film Courage
Рет қаралды 40 М.
ПРОВЕРИЛ АРБУЗЫ #shorts
00:34
Паша Осадчий
Рет қаралды 6 МЛН