LOL That dude. He is such a sweetheart.

jajajjajaj yes i noticed that too!

Makes alot of sense knowing what we know now.

@@DropkickNation ikr, he seems like such a passionate and pleasant guy who loves what he does, idk how anyone could believe the slander from that Marty guy.

@@John-Xbecause Marty also seems sweet. You never know.

Into sandys city would have been really offputting and not fit the game at all. Better to stick to certain melodies referencing the old games that having it in your face and confuse the 80% of players who don't know the song

@@novai6554 E1M1 lacks the punch ending requires. With a different editing to match Into Sandy it would be perfect, but yes, if you just take current ending and put Into Sandy's there it will sound off place. We also don't have exact variation of Sandy's Mick wanted for the game to have, but I'm sure it would be great.

@@XpMonsterX this was the exact variation Mick wanted for the game. If you check out Mick's stream just before/after the game came out, he played it and told it probably will be an unreleased track. A month later, we got it along with the OST.

@@dannydiablo. ​ Forgot about this one. "Final Sin - Sandy City" is definetely way better than what we got instead.

@@XpMonsterX doom eternal is supposed to be a gamey ass game. That's why it's so damm good. But I'm trying to figure out why the hell would they say that. It's like the guys working over the soundtrack arent even in the same mindset as the guys making the game. Its soo weird

;( poor mick

@@legiongamerworkbruhben6058 poor {name every game worker (designers, audio director etc...) of every AAA company from the last 18 years}

@@azrael-labs ??

For sure. Same for 31:53, rejected by "someone". Is fascinating to watch these with the benefit of hindsight. I wish him all the best.

and he is still addressing this with great respect

he still wasn't mad at him, he was trying to find excuses for Marty's behaviour. Mick really has a good soul and that's why they abused his kindness.

For a guy that makes aggressively intense music he composes himself well

"That was actually rejected by SOMEONE"

and again at 36:10, he expects a totally different question and you can see him mentally preparing himself, before he reacts with total surprise for being asked about nintendo instead

absolutely share this sentiment! he's such a legend for dealing with things the way he did for two years, before finally resorting to getting the facts out there.

I see it this way: somebody with huge ego did not want to let the real genuis (mick) shine.

Hes also doing music for Atomic Heart

I literally bought doom because of the music (Hellwalker) that played in the main menu during the multiplayer beta. I would start the beta for the song alone, and kept the beta installed long after it ended just so I could hear the song until the game released.

@@cosmozapallo4530 that's unfair to say. Blood swamps is really damm catchy and so is UAC Atlantica. Gotta admit, not a big fan of the other themes in dlc 2(besides immora, the credits, and the main menu music) but dlc 1 had fire ass themes not one fell flat for me. I've learned not to compare it to what mick has done because I have so much love for him and what he has done for doom

@@cosmozapallo4530 "Id is gonna be very sorry for what they did"? Get your story straight, it's all Mick's fault.

I think Gordon's work is unmatched, HOWEVER both Levy and Hushult's work was fantastic and actually had some of the most memorable moments in the entire soudtrack. Blood Swamps, Holt as well as the DLC2 theme and the final boss are as good musically as anything Mick Gordon made - they just aren't arramged and mixed as well and they don't use the same process as Gordons.

Mick Gordon's statement on twitter has all the answer.

@@ghostapostle7225 this aged well

He really is a complete and utter wonderful human being ray of sunshine, like my first candid just him talking was the GDC he did for Doom 2016, and it was genuinely one of the best not just GDC presentations but just a really good presentation for both industry musicians and just just everything really, it was definitely not what I was expecting* like, this is not always the best tie in but as a musician he's a communicator, and usually that communication skill is.. I suppose it it's usually not this transferable LOL and and that's why it's just so genuinely wonderful in addition to him just kind of seeming like a wonderful dude. I hope the current situation right now doesn't completely destroy the atomic heart future.. been following that game for almost what seems like a decade... Can only imagine the genuine what the fuck just happened yesterday moment on a lot of those companies, on every side of things.. and that's the complete disregard for business livelihood and Future, let's not even get into the complete disregard for human life of course.. which I feel like I had to mention at least, cuz it's it's not a one-to-one LOL it's just below the bar of shitty and scales down from there I suppose. *Although in all fairness a lot of the ID presentations were and are really good in general, cuz they're just kind of a different company, like in terms of what the industry is going towards and what the current crop are thinking and the sadly at least in America the corporate structure that has become the mainstay... Which actually kind of explains a lot of why things have started to stand out even less over the years, and yet in contrast even more.. when they're you know not shitty, no matter how much hard work you put into a thing, if it never really had a soul to begin with.. the only soul that really has is all the blood sweat tears and nervous breakdowns from abusive managers, which it's it's something but it's definitely not a good thing LOL and doesn't seem to make great games, at least now that it's become systemic rather than just traditional production byproduct... Lke GDC is is wonderful.. but it can be very depressing at times lol and id is just not usually a part of that... also they they talk out loud, in public sometimes which is just in and of itself a marker as to how different things are there.. Even if it's complicated nowadays LOL and the differences aren't always black and white night and day, it behind the scenes it definitely is.. just kind of sit there and count your blessings that Activision didn't buy them up like they did Raven, and bethesda\Zenimax had already had its fill of blood from human head studios I guess...

#JUSTICEFORMICK

I also take umbrage at the fact that I'm taking notes. Ew.

Let me introduce you to Junji Ito.

Thats disingenuous of you to say. There most definitely are people who worked on the 2016/2020 games who love and respect Doom for what it is and the proof is the fact we didn't get the "Call of Doom" game. Why would you even say this

NetherRealm rejected Mick Gordon for Mk11 lol. Good luck bro

@@georgie9303 I know lmao I still want it

Ok. 😐

no, the game is great, its just not for you and thats ok. but the treatment of Mick is unforgivable

At the time he had already done a 2 hour session on his own channel breaking down the DOOM Eternal tracks. It has since been deleted, probably due to the ongoing legal matters

You can find that somewhere on someone's google drive. I love that video

Bethesda hates him for some reason

@@JohnJohn-ss5vjIt was Id software, Bethesda didn't do anything

it annoys me to see that they can add the 'dazed/stunned' sound in the TAG DLC but can't add Sandy City in the ending cuz it sounds too gamey..

@@dannydiablo. it's like the people who work on the game arent in the same mind as the people who work on the soundtrack. The people who actually work on the gameplay are so open with the public. But those working on the soundtrack dont make a single peep. It's like it's not the same company

Its still work at the end of the day, same with any hobby turned career, and hearing all the effort and thought he puts into his tracks sounds like his job is very stressful but rewarding.