A Backwards Camera in a Dark Room - Photographic Printing
Рет қаралды 789,010
2 жыл бұрынToday your prints will come, and they're fresh.
Links 'n' stuff:
The last video:
• Making Film Reveal its...
The whole playlist:
• Photography
The Naked Photographer (really worth checking out if this stuff interests you!):
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@TechnologyConnections 2 жыл бұрын
Can't say you're gonna put a link in a pinned comment and then not do it so here's the link! If you're interested in analog photography, particularly darkroom-related shenanigans and experiments, The Naked Photographer is a neat watch.
@AntVenom 2 жыл бұрын
This man really knows how to transition from “No Effort November” to “Detailed December” in style.
@Yakkers 2 жыл бұрын
You were correct, mind blown on burning and dodging, after using Photoshop for 15+ years those little lollipop and closed hand icons finally make sense. I love learning about the analog origins of digital tools and terminology and having them suddenly gain a tangible meaning. A technology connection, if you will
@Datalore2371 2 жыл бұрын
One weird use of those sodium lamps I've seen: In high school I was in a production of "City of Angels" where certain parts of the show are meant to be in black and white. To accomplish, the production designer bought two massive sodium lamps that were placed at the front of the stage and during the "black and white" portions these lamps would turn the entire set and actors sepia toned. Genuinely one of the more interesting applications of these I've ever seen!
@LazerLord10 2 жыл бұрын
That "safeLight" interlude was way more jarring than I would have expected XD
@JeffGeerling 2 жыл бұрын
I'm pretty sure at this point half your writing process is research and development. The other half is pun integration!
@MartinIbert 2 жыл бұрын
Fun fact: I used to have a pair of sunglasses with a "absorption gap" where the wavelength of sodium lamps is. It was meant for safe driving because it would protect your eyes from sunlight, but allow you to drive through tunnels safely because tunnels would be lighted by sodium laps, and the absorption gap would let you see in the tunnel.
@eherrmann01 2 жыл бұрын
Pro tip: if you need a mask, you can cut one out of a sacrificial test print, rather than making one out of construction paper. Then tape it to a stiff piece of wire as a handle. Great video!
@austinrose3728 2 жыл бұрын
I was pretty surprised to see that the closed captioning had "daguerreotype" spelled correctly, but then I remembered you painstaking do your own CC because you're awesome.
@nate8088 2 жыл бұрын
The "uno dos trays" made me snort water out my nose. Thanks for that.
@thomasraven 2 жыл бұрын
If only the real world had an undo button.
@chickensmack 2 жыл бұрын
"Open only in photographic darkroom."
@Spaghettaboutit 2 жыл бұрын
As someone who took B&W film photography in high school back in 2004, I've gotta say you've make an amazing crash course on what I had to go through and learn. Bravo on putting all of this together and not making it feel like it drags despite its long run time. Fantastic video my man.
@mattgies 2 жыл бұрын
I used to operate a darkroom in my basement, and I still watched this whole series. You're making me a bit nostalgic here... but not enough to start buying fresh chemicals. Digital is just so dang easy.
@PixelGaming_2020 Жыл бұрын
This video should be a required showing to students at any school that still offer teaching for analog photography.
@mar4kl 2 жыл бұрын
RE: test prints - Back when we had the darkroom, Dad, whose interests also included building simple electronic gadgets from kits and parts that one could get at Radio Shack, found plans for building a do-it-yourself enlarger light meter. (I'm sure enlarger light meters were available in well-stocked camera stores, but such things were relatively expensive at the time, and Dad had the time and inclination to build his own.) It took some doing to calibrate it, but once we had some basic exposure times figured out and written onto its dial, it became a simple matter to get a perfect exposure on the first try almost every time. All we had to do was frame the image, put the light meter in a fairly neutral spot, turn the dial until the LED went off, and then set the exposure to the time indicated on the dial. We weren't doing any dodging, burning, masking or other tricks, and we weren't experimenting with changing the enlarger lens opening, so it worked pretty well. I have to say we got spoiled by the thing, because it enabled us to churn out dozens of prints in a single afternoon. (Aw, heck, we were spoiled just having a darkroom in the house! Most of our friends had to do all their printing in the high school darkroom, which was a small room off the library and had over a dozen students competing for time slots.)
@JaredConnell 2 жыл бұрын
The enlargement was the most mystifying part of the whole film developing process. I always wondered how a little tiny piece of film became a much larger photo but never imagined it's just like a camera in reverse lmao. Thanks for explaining it finally!!
@mjb7015 2 жыл бұрын
I honestly don't think I could have cared less about photography and darkroom processing before this series, but I could literally watch a three-part series about paint drying if it was narrated by you. You have a way of making almost any topic deeply fascinating, just by the way you describe it and talk about it.
@leica_sl2 Жыл бұрын
AHHHHHHHH YES, The late night/s, stained finger nails fom the Developer , the sore eyes from
@darrenweber3308 2 жыл бұрын
I humbly request a video on how different types of paint dry. You're so good at explaining things and making them interesting that I'm sure you could pull it off. I don't even have a dishwasher and I loved both of your dishwasher videos.
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