You knew it when he was conducting. I have Verdi Aida in German conducted by him in live in 1955. It is one of the greatest performances of Aida in history. It's in German but perhaps one of the most intense and wonderful documents of that opera ever recorded.

See my comment above.

In 7:20 min he says: "In third, woods you have phrase a little bit better then..he says tio strings. It's a little dull, You do legato and it must be marcato..like flying birds. everything must be marcato and "sung"..singing with the left hand (violin) marking marcato the rhythm with a right hand and do it with an inner pulse, ...pulse is in rhythm but also in articulation. It can not be as one "manure" :))))..Also, It must be a harsh little bit like some Indian language."...I didn't even know that kejda is manure in Czech language.. :))) In 15 minute he says It is a bliss with you... I conducted it so many times but it was hard to explain to play it in Czech way but they did effort...that he recorded it four times, in Chicago, in Berlin, Munich, Vienna In 16 min he says I will breathe with you together. In 37 min he says it must be Hymnus like celebration singing not like a heavy March so you have to sing it. In 32 minute he said compliment I always wanted to make it this way but it never happened in no orchestra in the world. In 39 he says the themes and that it should be a little melancholic but not too much because he was a sober humble person...In 41 min he says I don't want to talk about what the composer was thinking, it's his subjective view, its nobody´s business, but what is surprising for the symphonic world how He joined various themes, that don't complement each other but complement in contra punt of his artwork. Thematic contra punt is a dramatic contra punt and is so strong that it is shown in the last movement. After listening to the progress, repetition, and mostly metamorphosis in coda and then we see how much strength and truth is in every person or in every composer in the self....Then he says when the three themes of three movements join each other he talks about opening the Universe cosmos as the time and space is disappearing.. in big distance and diagonal of time....philosophies about nature and humility and that Dvořak had also problems but realized that he has to be willing and humble and the energy of the last movement got through Dvořak´s heart...That the peace is not in nature, in the environment or in the material world that even crystallization of a matter is a fight...but the peace is only in inner self that the inner self is more than the brain or the ego or the material things. That the theme in the last movement is not dramatic only musically but also philosophically and emotionally with the inner strength and willingness, that the end of the symphony is positive, its end of the symphonic problem brought to one positive thought of beauty and love. That people have to give love etc.

In 42 he says the tempo yes but dont run.

He has recorder the work with the Berlin Philharmonic as well. Splendid!

he says before Largo: i’m Home, it’s such a pleasure to play with you. I played this piece numerous times and recorded it 4 times, in Chicago, etc. but as much as they tried, and they did a good job this is something else.

I can create them for 100€ if you are interested. xDD

I can create them for 100€ if you are interested. xDD

@@einszwei3737 I'm interested! Let me know how to do ... Thanks ...