Yes! And they are even better in the Spanish version. Check it out!

Very perfrction!

Well said. I do agree, their best.

ther best album

Spot on! Amazing album. Michael B Tretow said that he considered that they had it all coming together perfectly for Super Trouper. Even the album artwork was perfection!

Apart from On and On and On

@@jonathanfurzeland4740Oh come on that song was really great !!! & a number 1 in Australia !!!

Exactly. It is so sensual. So explicit but the symbolism, the making love of the instrument and the human. That last note, the climax is so exceptional. And Frida. What can you say about Frida? She is a woman of so many voices.

I so agree

Agreed

And she doesn't just hold it, she works it! Adding a rounded depth, coming out again and forming a proper ending - that is pure vocal control 😍

That's right, Agnetha's voice is just as outstanding!

Агнете никогда так не спеть.

@@user-fb1hg3nd5v She has a beautiful voice but Anni-Frid's voice has so much sensuality and earthiness.

Me too❤

Had you not heard this song before, Andi??

@@synchronicityman9062 I think I heard it as a child. Shame on me that I forgot about it..

@@andimusicjunkie3990 but you felt it! You are magic!

give it a listen in spanish beautiful

Yes, is just stunning!!!

I have a hard time believing anyone has thought that about ABBA

@@danielleneville3725 They do... or did. None of my friends liked ABBA. They were into reggae, new wave, hard rock, post-punk and bands like Devo LOL

He already did a reaction to Put On Your White Sombrero a few months ago. :-D

Very well said!

Really well expressed! 'Should I laugh or cry' is one of my favourites!

@@m.menneke8513 ...what?! xxx

@@SiSlimbo - You must realize that M. Menneke is one of those legendary 'sweaty, obsessed' Agnetha fans. LOL.

@@synchronicityman9062 🤣!! I had no idea. But I understand people's love for Agnetha, I do. I love her too. But Frida has my heart!

yeah the live version in Australia! Best version of this song it's amazing

@Robert Paisley I love this live performance! But I think he should begin with the studio version. It has a very distinctive spooky screepy sound and Dereck isn’t used to hear that from ABBA

@@JF-sh2sm yeah but live version gives it a massive lift shows this song how should be sung.

Agnetha is still better. Lol

Agnetha I think is better too.

Frida’s delivery on the verse is channeling a 60’s Elvis.

@@connorstephens7467 not in anyone’s alternate universe or this one

she's outstanding but Karen carpenter just edges it for me two brilliant artists.

Oh yeah really beautiful that one 👍

"This is a singable song..." My dude, it's the instrumental to a multiple orgasm!

Totally agree, it´s fantastic.

@@happyhawaii0711 -And the live version is stunning too!

@@synchronicityman9062 Yes it is. It´s a shame they cut this song out of Mamma mia 2.

@@happyhawaii0711 -Agreed. It was a beautiful scene, and the movie would have flowed so much better if they'd left it in.

Yes- I wonder!

😆 OMG! Hilarious! Dereck letting his inner Frida out 😆 😂

Success of this song is merit of amazing Frida. Agneta does very little back-vocal here.

I love "Head over heels".

@@samroozen6719 I really think it's unique in their entire catalog.

Head over Heels please Dereck

@@brianadams4985 Yes, please, Dereck, Head Over Heels, just be aware that the upload on KZfaq has some video anomalies, it's not really great quality. Definitely worth watching to see the humorous side of ABBA. Plus, the song is a low-key banger.

He did. He didn't love it

@@m.menneke8513- I assume you're referring to Frida's recent recording of the song with Arturo Sandoval? Well, for anyone interested in ABBA-related recordings it most certainly is worth checking out! It may not have the grandeur of ABBA's original English and Spanish recordings, and the trumpet isn't my personal cup of tea, but it was wonderful for many true fans to see and hear Frida make a rare return to the recording studio with such a jazz legend and to still sound so good in her 70's. The only ABBA fans who would not be interested in at least checking it out are the legendary 'sweaty obsessed' Agnetha fans who seem to see it as their life's mission to constantly deride and downplay Frida's contributions to the band (whilst promoting Agnetha's) lest she outshine their idol in any way, shape or form. Sadly, your every comment on this and on other reaction channels suggest that you are one of these individuals. But, if you're actually saying that this is not a beautiful song, featuring beautiful vocals from Frida, then I'm afraid that you're very much in the minority on this one because the vast majority of comments suggest otherwise.

@@m.menneke8513 That's a very vague reply and a subjective view.

@M. Menneke @@synchronicityman9062 I agree with you totally, Synconicity Man. It's sad that there are a noisy minority of puerile anti-Frida people who derive self-satisfaction from trolling anything about Frida; it's just to boost their own insecurities, so the can feel superior over others. Yet, I'm sure they wouldn't want to be similarly trolled - which is also a version of bullying. And I'm sure that Agnetha, who those people see themselves as being fans of, would be offended by those people who are so nasty about Frida; so how can they call themselves fans of Agnetha if they're being nasty about someone who Agnetha loves? Life's too short for the unconstructive, nasty and anti-social comments and attitudes of those people.

Gregg Field , friend of Frida and her current partner Henry Smith, and co-producer of Sandoval's "Ultimate Duets" gave an interview in 2018 to abba fan club about how he became friend with Frida in 2007, and always was an ABBA fan , and mainly about the recording of "andante, andante" in 2017, i selected 2 questions from that interview that shows how amazing singer and professional Firda is , with 72 years old. BTW, Benny, Bjorn and Agnetha loved the new rendition of Andante, Andante. Eight-time Grammy winner and Latin Grammy Producer of the Year, Gregg Field is one of the most musically diverse and highly soughtafter producers, musicians and educators in music. Among his recent recordings are Seal’s Standards, Michael Bublé’s No. 1 Billboard album To Be Loved, Alejandro Fernandez’s No. 1 Billboard album Confidencias, Jason Mraz’s Love is a Four Letter Word, Barbara Streisand’s What Matters Most and, of course, Arturo Sandoval’s album Ultimate Duets that not only features Pharrell, Ariana Grande, Stevie Wonder and Placido Domingo, amongst others, but also brought our beloved Frida back to the recording studio. When we contacted Gregg prior to the announcement of the final release date of the album, he let us know he considers himself a ‘fellow ABBA fan’, which makes him perfect to join our gallery of famous ABBA fans. Within no time, we had the pleasure of an in-depth talk with Gregg, who resides in California. How would you describe Frida’s work method in the studio? [enthusiastically] Mind blowing! When Frida first sang the song from beginning to end, she sounded exactly like a singer who is singing all the time and adjusting to the studio environment. She immediately asked to do a second take and then a third. When she finished the third take, she turned and looked at us in the control room with the biggest smile on her face and said, “That was pretty good, wasn’t it?” I believe, at that moment, Frida realized that after all this time she still ‘had it’. She came into the control room to listen and then said, “Let’s do it for real!” Frida was half way through the fourth take when she sang a wrong lyric, and she stopped and laughed. These days, when singers record and make a mistake, we roll back a bit and ‘punch-in’ to the recording. I asked Frida if she wanted to punch-in, and she said, “No, ABBA never recorded like that,” and she would sing it from the beginning. Nobody does that these days. Frida began to sing the fifth take and what became be the vocal you hear on the recording. It was a flawless and breathtaking performance. It was as though the years had melted away. As Frida was recording that take, Henry said, “Look at Frida, she looks 20 years younger,” and she did. We then watched as Frida built that ABBA sound. She began by tripling her lead vocal with a precision I have rarely experienced in the studio. She then added the harmony parts and, when finished, came into the studio to listen back. For the first time, we all heard Frida’s amazing vocals with Arturo’s soaring trumpet, and it was very emotional for all of us. In all of the years I have known Frida, I had never seen her so happy and filled with joy as when we first heard the Andante, Andante playback. I can only imagine the pressure she must have felt returning to the studio. By the time we finished, Frida and Arturo knew they had created magic together, and we all left the studio with hugs and tears. Were you confident about the reaction to the end result? Ha! I was nervous as hell until I heard that Benny, Björn and Agnetha loved it [smiles]! I think, I am most amazed at Frida’s voice sounding so ageless. That made the end result greater than I could have imagined. It’s one of the best duets on the album with the way Frida’s voice and Arturo’s trumpet work so well together.

@@m.menneke8513 see my comment above , not only the majority of the comments believe this an excellent recoding from Frida, but a Grammy winner producer, and Benny, Bjorn and Agnetha loved it.