Hi, the groups I mention in this video are sent to separate outputs - vestry and loop are routed to physical outputs. You can also just use them for internal processing, which is what I've done in my livestream setup (shown in another video if you're interested). It's all down to how you route them, which is completely flexible in the desk and one of the things I really like about it. I guess in that respect they are closer to a matrix, except you can't route a matrix to another mix.

Hi, when you say connected to aux 10, I assume you mean connected to local output socket 10 on the desk? If you aren't sure where that is controlled from, go to the IO Patching area, then select Outputs and Mix Out. On there you should see which mix is patched to socket 10. It will be one of the Aux or Group mixes most likely. It's hard to explain in just these comments. If you need more guidance drop me an email - my address is in the channel info.

You can change that in the routing for the aux, look at the channel source for the aux and choose Post EQ for example. It may already be set up that way by default.

Hi, not sure what you mean, exactly. Have you assigned 9 and 10 to the surface in Setup? If you go to Strip Assign then choose Mix you can assign any group or aux to any fader you want.

Yes, that's possible. Depending on where your wedges are, you can just use the I/O page to patch the Main LR through to the physical sockets they are connected to. If you planning to use them as Left and Right then patch one to Main L and the other to Main R - go to I/O->Outputs->Mix Out and find MainLR down the left, select the tab across the top (Local, SLink etc.) to the correct one depending where your wedges are plugged in, then patch the socket. I don't cover this in any of my videos, although I do use the I/O page in the multi-track recording sessions 24 & 25. You'll probably also want to EQ these better if they are being used in this way, I know that our floor wedges sound very different due to the EQ needing to avoid feedback!

It depends what you want to do. Groups allow you to apply extra processing to several channels together, which is the main reason I make use of them, for example to add some EQ or compression to all your vocals. It does make the routing more complicated though, so you do need to keep in mind who is going to be using them. I use groups a lot for our live streaming setup as it gives me the ability to do multiple levels of compression separately to the FOH.

@@stjamesstyvechalepateam thank you for your guidance sir.

Hi Quinton, glad you find these useful. If you want to do EQ on an individual channel you would need to double patch the input sources, like I show in Session 10 kzfaq.info/get/bejne/qr-dZtJmzJ_Ip2w.html. For FX you can route the FX return to aux 5 and it will go to the stream too. Our setup is to send channels through multiple groups, aux and a matrix for our live stream; we add FX and compression using those groups (EQ is the same as I've not found a need for it to be different). I show a walk through our streaming setup in the Live Stream Desk setup video kzfaq.info/get/bejne/jdmEm5x9mJPaimQ.html if you are interested.

@@stjamesstyvechalepateam thanks. I have a piano player that likes a wonky monitor mix. Is is possible to save her aux mix as a scene?

@@quintonburton9205 not separately, you would have to include it in each scene it was needed. A scene contains all mixes, channel processing etc. You can copy and paste a mix though, between aux mixes in one scene and between scenes.

I have another EQ question. We have passive house speakers and passive wedges for monitors (4 auxes). I noticed that when we removed the analog mixer and connected the SQ7 the signal path went through some analog rack EQs we have that must have been installed years ago by some pros when they tuned the room. I connected the ones that was going to our house speakers but I didn’t connect the ones going to our floor wedges because we didn’t have the proper cords. (1/4” to xlr I think) Anyway my question is can we copy the eq on the rack and insert those values somewhere on the SQ7 to feed the wedge monitors? They sound a little bland. Thanks Troy

@@quintonburton9205 Yes, absolutely, there's both GEQ and PEQ on all Aux mixes. I've used this to 'tune' both our floor monitors and main FOH outputs. Just select the Aux channel itself on the desk to access them.

You mean the ones down the right of the desk? Those were made on a label maker by the installer so unfortunately not something I have to share.

Ok i wonder what his label maker is