Galli-Curci's beautiful recording of Giordani's well-known 18th century song. If you ever studied voice, particularly operatic singing, very likely you learned this song at some point. Victor recording, June 14, 1917.
Пікірлер: 22
@TimothyAsbridge_TENOR2 жыл бұрын
So genuine. You can even hear her clearing her throat between singing! And the REGISTER changes. That’s what makes female voices beautiful, actually hearing the natural register changes without any artificial covering.
@WQ67314 жыл бұрын
This Voice, Amelitta, come from heaven and went to heaven. Thanks for singing here on our earth.
@ariannamarie23606 жыл бұрын
She was the best. It is too bad there has never been another one to even compare. Many pieces were written for her voice. To listen to her is to learn the proper way it is done. Perfection.
@LuckystrikeNQ4 жыл бұрын
So true, she's my favorite too. Can never get enough of Amelita.
@meltzerboy2 жыл бұрын
This is so true. Galli-Curci was utterly unique and cannot be compared to any other singer. She can only be compared to perfect instrumentalists such as the violinist Heifetz or the pianist Hoffmann. She was one of a kind with regard to her timbre, tone, phrasing, and technique.
@user-go6iq6kg9y8 ай бұрын
Bel canto
@foreverinmyheart63083 жыл бұрын
Wonderful voice !
@C6H12B2611 жыл бұрын
Great ! In spite of the so old recording ... ***** Merci beaucoup ! Very best wishes,
@rabele12311 жыл бұрын
This is absolutely beautiful.
@HM088014 жыл бұрын
@meltzerboy I've just finished listening to six other versions of this piece, and G-C is the clear winner... to my ears at least! (The only other one that came close for me was Caballe's, because of her beautiful dynamic control.) The scratchy high notes are simply because the recording technology of the time could not capture G-C's brilliance. :D Thank you for posting. :)
@meltzerboy7 жыл бұрын
What a singer!
@meltzerboy5 жыл бұрын
There are other beautiful recordings of this song, including those of Caballe, Gigli, and Clara Butt; but G-C's towers above all others.
@eflaspo13 жыл бұрын
@sillyboydeux They ARE tubas. This is an acoustical recording, made with a recording horn, not a microphone, and they used the brass instruments to replace the cellos, because the string instruments were not loud enough to register in the recording. Even so, in such cases, the singer had to sing directly INTO the horn, so as to be loud enough. It was not until the 1920's that "electrical" recordings, with the newly developed microphones replacing the old recording horn, became possible.
@lisalee34907 ай бұрын
Caro mio ben Credimi almen Senza di te Languisce il cor Caro mio ben Senza di te languisce il cor Il tuo fedel Sospira ognor Cessa, crudel, tanto rigor Cessa, crudel, tanto rigor, tanto rigor Caro mio ben Credimi almen Senza di te languisce il cor Caro mio ben Credimi almen Senza di te Languisce il cor
@alfredoloyola9215 жыл бұрын
I also like the indiduals version of. Milanov. Pinza And. Gedda!!!!!!!!!!!
@littlelane201412 жыл бұрын
My vocal instructor told me to listen to this and learn the words...anyone know where I can find a lyric video? I need to see the words with it! :D
@65attila8 жыл бұрын
The lyrics to the above are found by googling Caro mio ben lyrics,
@dinero2012original12 жыл бұрын
I have to sing this for solo and ensumble
@johnorford73177 жыл бұрын
From "the Golden Age" of singing. The instruments sound poor but much less progress has been made in 100 years of recording the human voice.