It really is!

Thanks!

Thanks! Well, it came out just today but there have been a few demo videos in the last couple of days

You can find more info here: www.amplesound.net/en/pro-pd.asp?id=33 More products and updates regarding our Ample Sound Engine are coming!

@@Tremendouz I just bought it, I'll try it asap!

@@jason5276 thanks for the info, I bought it. I noticed that the strummer tab and the chords section in the riffer disappeared in this guitar... I really like the AI riff generator however, it would be really cool to insert a lot of new styles for it (not only djent or modern metal)

Thank you!

Thanks!

Thank you!

Thanks!

Thanks!

Thanks!

@@Tremendouz pls make more songs

@@Bigjuergo I will!

\m/

\m/

Thanks! I don't think there's much to teach to be honest, I just either draw the vibratos by hand (remember the pitch can only go up when you bend the string) or then use the auto vibrato feature (modwheel + "auto mod" in the guitar's settings). You can download a MIDI file of my AGVC demo to see how I do the manual vibratos with the pitch wheel kzfaq.info/get/bejne/huCchbyAm77Xe58.html

@@Tremendouz alright cool thank you anyway🤗I'll check it out 💎 Would love to see more content like this...

Thanks! I'd say AME sounds fairly similar so if you're on budget I'd probably buy just one of them. I can't really say which one I prefer cause both are fantastic but if you need to go below 6 string drop C then AMH is your choice. I personally prefer the J bass with the pick expansion to AMR but it's more expensive. AMR is still good but the J bass has a fuller sound.

@@Tremendouz Thanks for the advice. Looking forward to more of your videos.

They're indeed great songwriting tools and even capable of being used in final productions for hobbyists like me but nothing beats the human feel of a real guitar performance in the end. I'm not sure what you mean by DI "tracks". The guitar samples are dry DI recordings so you need to either use the built-in amps or 3rd party amp sims to get the distorted sounds. Btw, you can download a couple of AMH project files from the Ample Sound website (I think you need to be logged in?) to see how they were put together (this project of mine is not included).

@@Tremendouz Awesome thats good to know. I was just making sure the Amp/effects weren't baked on like some VSTs. For those of us that will never play live, i think its a great way to put out our creativity. Ive spent so many hours practicing just so a machine can play better than ever in a matter of minutes of writing music. So on that front I might just sell all my guitars lmao. Very cool how far tech has come.

@@terran236 If I could play guitar I would stop using these VSTs in a heartbeat to be honest, but I don't so I do my best with them.

@@Tremendouz im the opposite lol, if i could go back in time and give myself these modern VSTS id spend many many hours writing instead of practicing. I'd have like 5 albums by now lol.

@@terran236 Yeah it might be good for productivity, but real guitar just has the kind of depth that cant be replicated, especially double-tracking with VSTs always lacks some width that you get when you have 2 real guitar takes that have their own little mistakes.

Thanks! \m/

Thanks! It's taken a lot of practice to get there with VST guitars.

Thanks! I sequence everything in the MIDI editor / piano roll of my DAW, no live playing. It works the same as the Metal Eclipse.

@@Tremendouz Thanks friend, but is it possible to play according to videos that I saw on the keyboard to make palm mutes? i mean the new hellrazer guitar?

Thanks! I don't think there's such control but weirdly enough I never felt like it was needed.

Thanks! You can disable the amp + cab section completely and in the effects section (EQ, reverb etc ) there's a bypass all button. Or you can choose the "bypass fx" preset for the whole instrument

Ahh yes are you routing yours through an fx channel and sending the hellraiser to that or do you just drag it on top on the channel itself?

@@ProphetSteel just adding the amp sim chain after Hellrazer. If you use double tracking, make sure your amp has stereo mode, otherwise you'll have to split the signal into 2 mono tracks

@@Tremendouz how do you split ample guitars stuff into 2 outputs?

@@snesmocha You can probably do this in multiple ways and it varies by DAW but you could send the left channel to one track and right channel to another either with some utility plugin or the DAW's routing options. However when I (rarely cause most of my amps are stereo) need to do this I simply render/freeze the DI without effects into one stereo track, then explode it into two single channel tracks by right-clicking it. I think in Reaper it's under the item processing menu

There are a few different things you can do. First of all, set the sample start time to 0 ms in the ADSR settings and the release to minimum (50 ms). Next, you can enable the button (one of the 4 on the right side) that adds extra pick sound to polyphonic playing (so power chords, including mutes, as long as the notes start at the same moment). You can adjust the volume of the fx by raising or lowering the FX volume slider in the main GUI. This setting helps a ton with chugs. If you don't want this effect to all polyphonic, quantized chords for some reason, you can disable this and instead use the up and downstroke 1 & 2 keyswitches in the high range of the keyboard to manually overlay stroke noises where needed. This also works for single notes so it's a good way to emphasize palm mutes. Plus, you can do things like mix up the 4 different strokes, leave some notes in a sequence without them etc. to add variance. The "grainy" knob in the body of the guitar seems to add some extra snappiness to the attack of the notes. Finally, dial in a tone that has enough bite that the chugs cut through, and enough gain that the chugs are powerful but not so much that they become muddy. Related to this last one, set the velocity sensitivity in the instrument settings to minimum so that when you lower the velocity to trigger mutes, they won't be much quieter than the sustains. Hope this helps a bit!

@@Tremendouz thank you so much, I’m gonna save this to a document or something lmao, this is so helpful

@@snesmocha You're welcome, happy to share my knowledge

@@Tremendouz 4 months later, and you turned one of my worst purchases ever to one of the most worth it products i ever bought, thanks so much dude

@@snesmocha you're welcome!

Already answered that elsewhere but it's Perfect Drums from Naughty Seal Audio

Yep

I don't play live, I sequence everything in the piano roll

@@Tremendouz But you can sequence / record with the Seaboard, but I get what you are saying. It appears to me that sequencing a guitar is easier / better with a Seaboard.

@@Oneminde No idea, never tried it myself but it looks fun

Thanks! I used FM8, I basically tweaked the default patch a bit but I don't really understand synthesis so I don't remember what I did

@@Tremendouz oh thanks! I'm covering Wayfaerer from In Flames (with real guitars this time!) and there's a synth sound similar to this. But I haven't FM8 lol!

@@Windir-gp8wk oh it's basically just a blend of sine wave and I think a sawtooth wave with some delay and reverb.

@@Tremendouz thanks for the informations, i dont know anything about synths. What's the best vst guitar in your opinion? I tried many,I think they're improving but they still lack a bit in leads, maybe for something related to pick attack. I know Prominy is working on V-Metal 2.

@@Windir-gp8wk Best is subjective but I'm using AME, AMH, AGVC and Shreddage 3 Jupiter the most. Shreddage Hydra is great too but even a bit too aggressive sounding for the kind of sound I'm going for

Eurobass 2 here

@@Tremendouz awesome, thank you