​@@sagittated- if you see how it's written on the pedals and website et cetera it's a 'nu' with a stylised hyphen 'x', so Nu-X. The ones I've played have been good

Nux sounds better.

We know how it's pronounced we just call it nucks for fun 😂

I got a used one for $100. It's a good pedal. I like that it has tap tempo, and you can hold the reverb footswitch down for shimmer when on plate mode, and on spring and hall settings it'll sustain the note. It also can switch between series/parallel. I finally have an amp with an effects loop so I'm itching to try it out set up that way. It can also do stereo too which I have yet to utilize.

@@pabcrane No-one who wants to be taken seriously should spell new like that. Spelling the name Nu-X is trying way to hard to be cool and is just begging for people to pronounce it Nucks.

A little shrill but they didn't even try to take it down slightly. I've used the Tone City All-Spark which is supposed to be closer to the EP Boost and that pedal sucks

Can one ever really feel one‘s toes? 🤔

I dunno maybe the Brownie vs BE-OD?

I tried both of em and i liked the tube screamer clone more, different strokes for different folks!

My mosky died after 6 months, defeinitely worth spending a lil bit more to get more quality components.

Remember its not so much the boost pedal your hearing rather then what the front end of the Friedman sounds like when its pushed. Thats where the magic is not in the pedal per se.

The old Katanas, are selling for $150-240, and higher depending which edition it is. I was looking at one to but, then he told me $200, and I told the guy, I’d rather buy the Keeley Mod Workstation, for that price used, and get to switch between Katana and Bluesbreaker, with the Phat Mod and the right effect mod section.

@@Paul-DException is when the crank is engaged, which reminds me of a LPB past noon with the benefits of the FET added. Going to try one since the digital version found in NUX pedals doesn’t quite hit it, so to archieve a sound close to I currently go low with a LBP into a Red Drive with close to no gain, just a hair for it’s clipping character and boosted volume into a modelled SLO100 @ pre 50% gain and all the mids. Gives me a rock sound that is close to yet heavier than a boosted JCM 800 without ending up with to much gain, but even with a noisegate I still have to watch my positioning when playing rythm at low guitar knob volume to avoid feedback, for leads it’s ok, since that way I can get feedback instantly when I want it. The Lacerate might do what my chain of 2 boosts does with less of the additional noise caused by 2 units, besides adding slightly more threshold for feedback. Might sound like a weird setup, but it works as intended in a rockband with 2 guitarists and 4 vocals, in the way that I have the sound the band expects, leave enough frequency space for everyone and cut through when I have to play a solo, basically same settings as for recording, we got everything dialed that way to avoid mess in the low end and ensure that everyone can be heard both just with the backline as through the frontend. Seen quite a lot of great bands that mess their sound up with to much gain, volume and EQ settings that bleed into eachother, add the demand of getting more of your own sound in the monitor and it gets even worse.

I have one, it rocks! The one downside is a slightly cheapy feeling plastic pot that's easily bumped. Besides that it rips.

@@JorisGriffioen Plastik pot? You mean the pot or the knob? If knob, easy to replace. Pot doesn’t bother me since it will be always on, but I understand that it will be an issue on a board where it is stomped on.

perfect

The mighty plug is great, but the new mooer p1 takes it even further imho. These things move so fast I have a draw of them cause I keep trying more lol. It’s good given how many years we had the amplugs as the only real option

Yeah, agreed. I’m old….and my budget stretched to a DS-1 and a Big Muff when I was a kid….for less that the price of 6 months batteries for those two I can now get a device where I can sound like Kerry King, or Eddie VH, or Guthrie Govan or….um, Taylor Swift…at the press of a button. Awesome.

It is pronounced New Ex. I saw a video from NAMM where a rep was interviewed and the NUX guy said “New Ex”.

Hey man, good to know: I had the Horseman and its dynamic and all but needed a better EQ and stomping on off the modes and the pedal off made me crazy..., Im in the final stage of pedal buying, just bought 2 of my oldies bacK: DOD Looking Glass and BOSS OD-1X, to give my darkish Jazzy Strat tone a bit of coolness( DOD) and blues( OD1X), My latest treasure is the VERTEX Dynamic Distortion V2: SUCH softness with touch sensitivity clean: it now decides which pedals are necessary...! got a deal brannew half the price in Finland 98€s Viiking Music: they also send abroad, so maybe contact them! and all the vids just crank the gain and body cause it says Distortion...! It really is true that if a great pedal doesn get hyped enough, it will be forgotten..., stupid marketing world..., Cheers from Finland , Kimmo

Yes, when the originals weren't at inflated prices by a bunch of inflated-gut blues dads

@@quiksilver78 Haha! I think I’m probably one of those but without the spending power!