Anna Netrebko - Wagner: Tristan und Isolde: Mild und Leise (Liebestod)

Рет қаралды 107,276

2 жыл бұрын

In the composer’s opera on the Arthurian tale of Tristan and Isolde, death is explicitly twinned with love, and the guiding themes of this recording come together in a piece whose very name combines the two concepts, the rapturous “Liebestod” (Love- Death), Isolde’s outpouring of love as she sinks lifeless on the body of the dead Tristan. Recording this aria for her latest Album “amata dalle tenebre” was, in the Anna Netrebko's words, “one of the happiest moments for me as a musician. I was flying when I was recording that, blissfully happy, in harmony with the music.” As part of the album project the Italian director Elena Petitti di Roreto shot a series of four music videos and the film “Anna - Stage of Emotions”, immortalizing Netrebko’s performances and translating them to screen in a unique visual language and style. Amata dalle tenebre' is the superstar soprano’s first classical solo album for five years. She recorded her choice of music, spanning some of the most dramatic and impassioned arias in the repertoire, at Milan’s legendary La Scala, with the Orchestra del Teatro alla Scala under La Scala’s Music Director, Riccardo Chailly.
Directed by: Elena Petitti di Roreto
Produced by: Rekorder GmbH
Executive Producer: Werner Klemm
Producer: Marino Coates-Chitty
Anna Netrebko - Wagner: Tristan und Isolde: Mild und Leise (Liebestod)
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#AnnaNetrebko #AmataDalleTenebre #Opera

Пікірлер: 424

@deutschegrammophon 2 жыл бұрын

What is your favourite aria composed by Richard Wagner?

@Verbindungs 2 жыл бұрын

That's easy, Brünnhilde's Immolation Scene in Götterdämmerung.

@Coolguy-ge3qx 2 жыл бұрын

'Liebestod' with no doubt.

@arthur5465 2 жыл бұрын

There are so many

@andresfRC 2 жыл бұрын

Hard to choose, but would pick "Dich, teure Halle" and Isolde's Liebestod

@MrOWA-gs9bu 2 жыл бұрын

Wagner and Aria??😂😂 There exists no „Arias“

@RattusYu 2 жыл бұрын

Isolde made me famous. Turandot made me rich. -Birgit Nilsson

@tharold8639 2 жыл бұрын

Not at all her turf. Sounds strained. I'll take Nilsson, Flagstad, Traubel, Varnay, the list goes on. True Wagnerians.

@aprendizercomygor 2 жыл бұрын

I am sure she doesn't even pretend she is a true Wagnerian dramatic soprano, just like so many others who recorded the Liebestod, including Tebaldi, Sutherland, etc. This recording is undeniably very beautiful and proficient. I am sure she never intended to surpass Nilsson and Flagstad, obviously.

@crazyorganist1609 2 жыл бұрын

@@aprendizercomygor this recording isn't beautiful it's horrendous. Sutherland did sing the Liebestod beautifully

@Wotan123456789 2 жыл бұрын

@@crazyorganist1609 Both Sutherland and Tebaldi were extraordinary singers that had great instruments and knew how to use it, both incredibly musical. Tebaldi could produce a Wagnerian sound, as her voice was huge. Sutherland's always did rise above an orchestra. This recording is simply mediocre. I am actually surprised that the producer and sound engineer from DG could deliver this average sound; the dynamics between her voice and the orchestra are particularly bad. I used to enjoy Netrebko in roles as Mimi, Adina, Violetta, nowadays all those heavy dramatic soprano roles took a toll in her voice and the wobble gets unbearable to hear to! Sad.

@vhufeosqap Жыл бұрын

@@crazyorganist1609 they should apologize for offending you so terribly.

@obbie1osias467 2 ай бұрын

@@vhufeosqap 🤣🤣🤣

@larsmuller4842 2 жыл бұрын

Da fällt einem wirklich nicht mehr dazu ein. In Dresden musste sie die Elsa übrigens mit Teleprompter singen und Bayreuth hat sie Gott sei Dank abgesagt. Ich spare mir hier weitere Kommentare...

@pistol625 2 жыл бұрын

muss man sich mal vorstellen… vom prompter „abzusingen“. heutzutage erlauben sie sich alles und nennen es dann musik, ich hoffe es stirbt nicht der tatsächliche sinn von musik aus

@pistol625 2 жыл бұрын

@@MarkFarago würde ich im nachhinein betrachtet nicht abstreiten

@davidtsitskishvili 2 жыл бұрын

Just tasteless! Everything but Wagner.

@alexsimpson79 2 жыл бұрын

Wagner says , you are full of hatred and are not able to enjoy the beauty. As everyone in your place of stupids

@davidtsitskishvili 2 жыл бұрын

@@alexsimpson79 Dear, I know what he said and his opinion, but obviously, you don't have your own.

@Traigame2cervezas 2 жыл бұрын

@@alexsimpson79 TBH Wagner was full of hate himself, I doubt he would have enjoyed this interpretation at all.

@Timbale1234 Жыл бұрын

I think everyone here need to remember this is a studio version. Anna Netrebko is a huge singer, but she is NOT a wagnerian soprano. She is absolutely unable to sing this aria at a decent level on live performance. This is a good studio performance like some singer do pop-opera, not a lyric performance

@stupormundi1970 11 ай бұрын

Evidentemente, pur amandola profondamente, non riesco a capire fino in fondo la musica di Wagner. Inoltre, non riesco a distinguere una perfetta interpretazione da parte di una cantante da un'altra di minore qualità. Almeno secondo quanto leggo in molti raffinati commenti. So solo che sono profondamente commosso dal modo in cui la Netrebko ha reso la dimensione sublime del Liebestod. So solo che ho trovato il video efficace e intenso. So solo che ringrazio il cielo per l'esistenza stessa di Anna.

@enamouree Ай бұрын

Je suis absolument d’accord avec votre commentaire, dont je ne changerai pas une seule, virgule Anna❤❤c’est la musique incarnée, chacune de ses cellules vibrent la fréquence du cœur de Wagner

@yummyyum36719 2 жыл бұрын

OK then: So Birgit Nilsson was asked how she felt about singers using microphones in the opera house. She said that she was against it because then anyone could sing Isolde. Ladies and gentlemen we now have Birgit Nilsson's concern laid bare. Netrebko once upon a time had a beautiful peaches and cream lyric voice, suitable for Traviata. Violetta should not sing Isolde and Isolde should not sing Violetta. I know this score very very well. Quite frankly there are very unreasonable spots in terms of orchestration wherein Wagner has Isolde singing in the middle or low middle against too much orchestra. Even the biggest voices, Nilsson, Flagstad, Varnay etc are buried here and there. One doesn't really care because the overall effect is so emotional that the composer getting carried away every now and then is understandable. We have Netrebko, who is not exactly known for her marble like low middle, actually sounding "louder" than the above named full dramatic soprano legends in those same spots. That tells me one thing, and one thing only. This is a studio Liebestod done by a singer who cannot sing this music live with an orchestra unless she is heavily amplified. Now others here commented upon her poor intonation, and at times inappropriately bright tone color for the role. Those are problems. They are however secondary to the obvious fraud being committed here. If I were a Wagnerian singer I would be really pissed off by this dreadful and dishonest recording.

@84422112 2 жыл бұрын

Thank you for that comment. I, like thousands of others, love this piece and I have listened to several versions, Meier's concert version with Barenboim being my favourite. However, I have virtually no technical knowledge of music. This version, though, did not ring true to me and I could not put my finger on why. It sounded impressive, but not authentic. What you have written, though, makes perfect sense to me. Many of the voices, even the biggest, cannot be clearly heard above the orchestration at certain points, and this is not the case here, I suspect for the reason you have given.

@yummyyum36719 2 жыл бұрын

@@84422112 Yep. I have conducted 2 Wagner operas in regional house settings, Tannhauser and Dutchman. Our house singers, the lyric singers, heard just how big those orchestras are in terms of amplitude and said "There's no way our voices could sing over that." The singers who could were also house singers, but HAD the natural size to do the roles. It's unfair to those singers because there is a lot of repertoire that isn't for them due to the size of their voices. That is why they specialize in Wagner, Richard Strauss, Fidelio, or Berg. Un Fil Di Voce is a gift and Netrebko could do it once upon a time. Now she can't but she also has no business doing Wagner. She spoiled her instrument by forcing it to do things she should never have done.

@afrofinka 2 жыл бұрын

I felt exactly the same when I listened (to my surprise and then incomprehension) to the 2006 production of Le Nozze di Figaro in Salzburg, Netrebko singing Susanna (!!!) I was hoping frankly a great effort from her to do something different in Mozart than all the Russian operas and belcanto roles she made her reputation with, but her voice was simply too heavy for Mozart. Listening to her Liebestod is like taking sleeping pills. It is so boring that I also wonder why she didn’t leave Wagner for specialists instead of doing off-topic stuff she apparently doesn’t really match.

@crazyorganist1609 2 жыл бұрын

Absolutely true

@zachnzxt7203 2 жыл бұрын

Joe, this is obviously a studio recording. There's no attempt here to present this as a live unamplified and unedited performance.

@operaticxingenue Жыл бұрын

I refuse to feel bad about my German diction anymore after hearing this 😂

@jungwirthmartin 2 жыл бұрын

The queen of Mild and Leise is : Jessye Norman together with Karajan, still the unsurpassed version!!

@dralexandresousa 2 жыл бұрын

Christa Ludwig was the only who made almost there.

@ingenieroguzman3806 2 жыл бұрын

Absolutely agree! ....

@aprendizercomygor 2 жыл бұрын

Not better than Flagstad, Nilsson or others who actually performed the role on stage. Anyway, let's just quit this obsessive need to classify and rank singers in a hierarchy as if only the very best #1 recording or performance mattered. All operas would long be dead if that were true. All performers, not necessarily vying to be the best ever, bring something new and personal to their renditions.

@roccolongo7457 2 жыл бұрын

And Waltraud Meyer ❤️

@metacarple 2 жыл бұрын

Linda Esther Grey with Reginald Goodall

@wikath449 2 жыл бұрын

Sorry - Netrebko is a great singer. But this is not her territory. Compare this to Birgit Nilsson, Martha Mödl, Waltraud Meier or even the „only CD- version“ of Margret Price under Carlos Kleiber. Netrebko does not fit into the Wagnerian Shoes.

@kimsanchannel3920 2 жыл бұрын

Couldn't agree more.

@joaodiasferreira 2 жыл бұрын

I completely agree with you! In my humble opinion, perhaps the best version of the "Liebestod" was performed in 1987, by Jessye Norman, with the orchestra being conducted by the mighty maestro Herbert von Karajan. Superb. Unsurpassed. Nowadays we see Deutsche Grammophon being musically guided by people who do not have a single talent and taste for music, only for money and publicity. Sadly, what a sham...

@wikath449 2 жыл бұрын

@@joaodiasferreira very true. Jessye Norman was an exceptional voice anyway. Her Wesendonk Lieder are unsurpassed ( on the same recording with Colin Davis). And not to forget the legendary Kirsten Flagstad (Furtwängler) with her high notes sung by Elisabeth Schwarzkopf. But this is all very much in another league as this meaningless recording.

@wikath449 2 жыл бұрын

I forgot to mention Kirsten Flagstad as well. But these Wagner-Voices are lightyears away from this inferior interpretation.

@alexsimpson79 2 жыл бұрын

What kind of behemoth shoes are they?! Lol She is great and performance is stunning! Listen again !

@Tweeteketje 2 жыл бұрын

She sings quite a lot out of tune....often too high.

@indeserto 2 жыл бұрын

This is a very sad video. The lady has a lovely voice, and, when she sings in the medium register and quietly (as at the beginning of this extract) the sound is very beautiful. However, anything high and/or loud is a total mess, a ghastly mixture of no text and a wobble one could drive a bus through. When Mme Netrebko was a young woman, singing the light soprano repertoire which is her real voice, there was hope, but now there is just screaming, and DG are making a lot of money and so is the lady herself, thanks to her adoring fans, who know no better. As many others here have said, listen to Nilsson or Flagstad, or Frieda Leider, if you want to hear the right voice-type performing this summit of the soprano literature.

@Wotan123456789 2 жыл бұрын

I agree with you! Even today you could hear some sopranos who can sing Isolde beautifully (Catherine Foster, Lise Davidsen).

@crazyorganist1609 Жыл бұрын

I have a beautiful recording of her in Betrothal at a monastery by Prokofiev and she was great in it. If only she'd stuck to those kind of roles.

@dopolavoro5647 2 жыл бұрын

great job director Elena!!!

@MercedesTAMARALEMPICKA1234 10 ай бұрын

Un aria maravillosa Una música sublime La melodía infinita

@RattusYu 2 жыл бұрын

1) Birgit Nilsson 2) Martha Modl 3) Gwyneth Jones 4) Catarina Ligendza 5) Margaret Price 6) Kirsten Flagstad 7) Astrid Varnay 8) Eileen Farell 9) Linda Watson 10) Montserrat Caballe 11) Ingrid Bjoner 12) Franz Liszt

@hermesnoelthefourthway 2 жыл бұрын

You left the best one out.......Waltraud Meier. How funny.

@hermesnoelthefourthway 2 жыл бұрын

Waltraud Meier's 1995 Bayreuth performance is without any doubt whatsoever the most sublime ever given. It even outs Birgit Nilsson. And, as you know, that's saying something . Meier's Mild und leise is from another universe.

@Itsandy22 2 жыл бұрын

And where is Jessye Norman?! Too good for this list I'd hope...

@hermesnoelthefourthway 2 жыл бұрын

@@Itsandy22 what kind of Liszt is that?!

@ingenieroguzman3806 2 жыл бұрын

Jessye Norman is the best! ...

@Sir.Larselot 2 жыл бұрын

Okay, another "Money doesn't stink- production" with Netrebko as Isolde. The video is pretty kitschy in my opinion but each its own.

@Traigame2cervezas 2 жыл бұрын

It's just "let's make a covid quarantine tv-ad-looking video with Wagner as a background" PR management needs help

@inessaarmando4035 2 жыл бұрын

Dreadful… What’s wrong with Deutsche Grammophon? Have they lost their ears??

@pistol625 2 жыл бұрын

they do, im german… understood maybe 1 word

@albuiononsitrova2874 2 жыл бұрын

The whole world lost the sense of hearing.

@narekavakianmusique 2 жыл бұрын

Probably they do)))

@alexd5218 11 ай бұрын

@@pistol625 moreover, she is an Austrian citizen 🤣

@filthyandgorgeous 10 ай бұрын

It is clearly for Treb fans ❤

@inboxmail2053 Жыл бұрын

That dreadful wobble. Poor Tristan having to endure that

@enamouree 2 жыл бұрын

Excellent

@ohmy5650 2 жыл бұрын

Am not a die-hard fan of Netrebko's but was blown away by this.

@mrlopez-pz7pu Жыл бұрын

Blown away by what? She is absolutely dreadful.

@joytoyx 5 ай бұрын

yes

@justanotherguy469 4 ай бұрын

This visually encapsulates, perfectly, what I feel when I listen to this piece. My soul leaves my body, and I am united with the everlasting.

@michaelbuzanowski207 Жыл бұрын

What is sad is to die without anyone knowing you have lived Tristan makes Isolde immortal Isolde makes Tristan immortal two becoming one so to speak thru love

@anastasialick 2 жыл бұрын

Schrekliche Aussprache! Man versteht kein Wort! 👎

@fritzbaerbel 2 жыл бұрын

Schreckliche Rechtschreibung! Und schreckliche Arroganz! Da wirst du wohl noch 100 Jahre üben müssen.

@anastasialick 2 жыл бұрын

@@fritzbaerbel ich kann ja wenigstens noch üben! Frau Netrebko leider nicht mehr. 🤪

@MonsieurLu77 2 жыл бұрын

@@fritzbaerbel Was hat es mit Arroganz zu tun, wenn Anastasia die Deutschkenntnisse der Netrebko bemängelt?

@MonsieurLu77 2 жыл бұрын

@@anastasialick Es ist nicht nur die Aussprache. Sie hat nun mal kein dramatisches Potential. Hochdramatisch schon gar nicht. Mimi mit Karriereknick singt sich frei....

@russellarmstrong2774 Жыл бұрын

Anna Netrebko performing the drag queen version of Liebestod. Is this really her aria? I'm not convinced.

@MG-fh4ed Жыл бұрын

Wagner underlined the importance of " rythm and words linked in a perfect bond" Interesting to see if this soprano will record the complete ópera

@celesteaida48 2 жыл бұрын

Kidding right?!

@peterjacobo743 2 жыл бұрын

el abismo me a mirado de vuelta

@celesteaida48 2 жыл бұрын

Anna…please! Don’t

@randolphroller3686 2 жыл бұрын

What language is she singing in this dreadful video?

@mogmason6920 2 жыл бұрын

Sounds like pidgin Gerssian to me.

@1davidpeter 2 жыл бұрын

unfortunately she is out of her depth here.

@1davidpeter 2 жыл бұрын

my wife says it's like Katherine Jenkins doing a cover version of the real thing.

@jdeatley5939 2 жыл бұрын

Beautiful. Thank you for this music.

@lilianaponzo7230 Жыл бұрын

Maravillosa

@crazyorganist1609 2 жыл бұрын

This is just hell. Her voice cannot compete with an orchestra this size therefore she amplifies it. Isolde requires a massive voice to soar above the orchestra. Singers like Nilsson and Behrens had this type of voice and so did Dimitrova,. even though she never sang the role only the Liebestod so did Dame Joan Sutherland. Her voice lasted for 40 years because she never sang anything that would jeopardize her career. Sutherland had the voice to sing it of course but chose not. Sutherland, Nilsson, Behrens or Dimitrova never amplify their voices because they were properly trained with impeccable breathing techniques. Netrebko had a beautiful voice in her younger days and now she sounds like a demented witch trying out for an amateur opera company

@elizabethker2663 Жыл бұрын

just horrific. What are they thinking. And yes, I can sing it much better than that.

@crazyorganist1609 Жыл бұрын

@@elizabethker2663 so could i

@terryhammond1253 Жыл бұрын

Anna sounds like she wasn't quite sure how to place her voice in singing the Liebestod.

@maijacalcagno 2 жыл бұрын

This is criminal.

@christianavalosmendoza1271 Жыл бұрын

Sublime...

@joytoyx 5 ай бұрын

This is amazing !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

@pelaugfi62 Жыл бұрын

What a disaster . Shame on her , on DG. It’s an insult against this divine music. AN is done years ago, only screaming and bad-taste singing . What a shame -she was in all means outstanding 15 years ago . I don’t know what is happening with DG -the same shameless very bad decision about recording as Langlang Goldberg and so on. Money rules apparently this former great recording company-nowadays just to forget .

@PredatorianStyl Жыл бұрын

Great performance! Hope to see her as Isolde one day

@user-rz1tq5in5q 2 жыл бұрын

Brava Anna! 👏🏼👏🏼

@sumiokuge9118 2 жыл бұрын

Not so Wagnerian - singing for a concert.

@alanleoneldavid1787 2 жыл бұрын

She would sing a good Hugo Wolf

@aliegan2109 2 жыл бұрын

Anna is a great singer. Is the role for her? No. Isolde is the ultimate role and can only be sung well by a handful of people in the world. But the effort is appreciated. Anna excels in other non-Wagner areas.

@andresfRC 2 жыл бұрын

This is a bluff. La Netrebko trying to sing a role too big for her vocal resources, It seems that for DG is more important merchandising than real artistry

@enamouree Жыл бұрын

Très bon choix , le cœur parle comme d’habitude avec cette artiste d’exception

@joshuavandyne7334 Жыл бұрын

As long as opera has been recorded sopranos who would never sing the role of Isolde because they are not Dramatic Sopranos with the heft either dramatically or vocally to convey the music of Wagner's music dramas and be heard over the large Wagnerian orchestra have recorded the liebstod simply because it is such a gorgeous piece of music. I don't think that Netrebko has any illusions of singing Isolde or Brünhilde, but it is lovely to hear her interpretation of the song as a stand alone.

@willemventer741 Жыл бұрын

What I find to be the most shocking fact, is that no one at Deutsche Grammophon even remotely questions the quality of this rendition. DG will put their name to anything these days. Miss you HvK!!!! And so is Thielemann equally as guilty for putting his name to the recording of Strauss´s Four Last Songs by her, also appearing under the DG label. A fucking shame und eine Frechheit!!

@luislarrea5907 2 жыл бұрын

Bravo!!!!

@michaeltortora8563 2 жыл бұрын

All I could do while listening to the vocal & watching the video is laugh. She’s way out of her league not to mention the wobble. And what language was she singing??? Just Imagine the love duet with her husband----- talk about the death of opera.

@tattiwilli1507 2 жыл бұрын

She is Russian . Russian language much softer then German. That why is so much , much better sounds. Germans sound too hard and heavy . Anna ‘s voice is flying .

@Traigame2cervezas 2 жыл бұрын

Please don't. Her husband is one of the worst tenors ever, Tristan doesn't deserve this

@aprendizercomygor 2 жыл бұрын

No wobble there. You clearly just don't like more pronounced vibrato. A true wobble is a very slow vibrato that varies the pitch. There is no such a thing in this recording of her voicd -- at least not yet.

@Wotan123456789 2 жыл бұрын

@@aprendizercomygor You are certainly not listening well, everything above High A has an annoying wobble.

@Wotan123456789 2 жыл бұрын

@@tattiwilli1507 She has been benefiting from her Austrian citizenship for the last +20yrs and she cannot even pronounce 5 words in correct German. Her voice as this interpretation is flying LOW, actually is crashing.

@cristianomouragonzaga5401 2 жыл бұрын

Toca o mais profundo da alma, trazendo paz e emoção. Magnífica 👏🏽🎼❤️🎵✨🎶

@cachdeques 2 жыл бұрын

she is got a very nice voice timbre indeed! I´d like to see her singing the whole role of Isolde on stage. The video, what does it mean? I don´t get the sense of it.

@michaelzurkinden116 2 жыл бұрын

Music undoes your pain

@Wotan123456789 2 жыл бұрын

I am not sure Netrebko has the vocal means or even stamina to sing alone the first the act live.

@WotanKlingsor Жыл бұрын

@@Wotan123456789 of course she doesn't

@ernstjenni3461 2 жыл бұрын

Sorry, sie kann ja Vieles, aber das kann sie nun leider nicht, erinnere an Flagstad, Norman. Diese Schluss t's, fürchterlich. Das Video dazu schrecklich. Schade.

@marlenehartley7742 2 жыл бұрын

Is this a joke?

@kalterkinderklaubonn3856 Жыл бұрын

Exactly today the Mathilde-Wesendonck-Verband exists 10 years. It was founded - mainly because of Mild und Leise. Me too - I´m not a fan of Netrepko - especially because she flirts with the current russian dictator and successor of Stalin. Her voice here is not - mild - it is too loud, too sharp and words - are hardly to understand. But the pictures - are mindblowing, though brutally copied from Lars von Trier "Melancholia" - where von Trier pictures the ouvertuere and final of "Tristan and Isolde". Though - after all: It is the most beautiful of the most beautiful melodies. Thanks - Richard Wagner. Thanks Mathilde Wesendonck which made him feel such unfulfilled love and pain and music.

@hermesnoelthefourthway 2 жыл бұрын

Not the mild und leise I know, for sure. What opera's this from, then?! Hochste lust most definitely not. Bless her

@enamouree 2 жыл бұрын

Comme d’habitude je trouve cette chanteuse exceptionnelle de charisme J’apprécie particulièrement sa voix homogène qui vibre dans tout son corps depuis son plus jeune âge jusqu’à maintenant le parcours est un sans-faute j’adore cette vidéo qui montre que le corps peut se déployer dans l’univers guidé par les sons mélodieux accompagner celui qui part et revenir tranquillement dans le réel je trouve brillantissime cette interprétation et cette mise en scène ceci n’a d’égale que son talent d’exception Félicitations merci de nous le faire connaître

@eduardogutierrezcastillo2767 Жыл бұрын

Me sumergí en el profundo deleite

@andrehollmann4063 2 жыл бұрын

Das Video wäre vielleicht mit deutschen Untertiteln noch besser zu geniessen...dann gehts richtig rein....

@sarahmonvoisin6688 2 жыл бұрын

Magnifique 😭😍

@muruganv5164 2 жыл бұрын

World best music clasical music my favourite music classical music world best Deutsche Grammo phon mind relaxed heart touching Comment no 2

@mrrkdino 2 жыл бұрын

Dreadful performance. No feeling for the line, terrible vibrato. Just listen to Jessye Norman or Margaret Price, not to mention Lotte Lehmann or Frida Leider.

@BellaFirenze 2 жыл бұрын

Mein Gott in Himmel! Das ist Scheiße. This is not Wagner, but a cinematic nightmare badly sung. La voce di una mosca che assassina un capolavoro. Нетребко не должна петь эту музыку. Ужасный. Prima la musica, dopo la parola. Ella no puede hacer ninguna de las dos cosas. In case anyone wonders what language she is singing, here is the text: Mild und leise wie er lächelt, wie das Auge hold er öffnet seht ihr's, Freunde? Seht ihr's nicht? Immer lichter wie er leuchtet, stern-umstrahlet hoch sich hebt? Seht ihr's nicht? ertrinken, versinken, unbewusst, höchste Lust!

@selini52 2 жыл бұрын

Sie haben recht, leider spricht Frau Netrebko kein Deutsch und das stört mich auch, però non parla neanche italiano e canta bene in Italiano

@BellaFirenze 2 жыл бұрын

@@selini52 Netrebko ha perso molte qualità che la sua voce lirica aveva molti anni fa. La sua voce, a questa età, è più cupa e forse più grande. Tuttavia, questa interpretazione della morte di Isotta è orribile.

@user-hn2rv8ue8i 2 жыл бұрын

Sie sind so boese...Warum?Das ist nicht gut.

@BellaFirenze 2 жыл бұрын

@@user-hn2rv8ue8i I am not angry. I simply do not like the performance. You have your opinion and I have mine. Warmest regards from Florence.

@user-hn2rv8ue8i 2 жыл бұрын

@@BellaFirenze Schoene Gruesse aus Russland🙋

@flyinghow Жыл бұрын

I like Netrebko a lot, and now that she has shifted to singing heavier repertoire the results are often interesting. Here, however, she does not possess the requisite heft, and the scenery is ludicrious.

@studiomilo 2 жыл бұрын

'Bragnanes warning' from Tristan act two. Must have been an influence on Debussy etc.

@Traigame2cervezas 2 жыл бұрын

Horrible, terrible, insulting and most of all: tacky. What's with the video? The lyrics are about dying of love, the video has nothing to do with it. And Netrebko, everyone already said it, but just c'mon woman, you're just out of your territory. Why dare to go there when you clearly can't.

@petchris01 2 жыл бұрын

I’m totally blown out by this performance. Anna’s voice, the orchestra, the videography & sound! ⭐️⭐️⭐️⭐️⭐️👏👏👏👏👏

@crazyorganist1609 Жыл бұрын

She's heavily amplified. Not suitable for her at all

@mrlopez-pz7pu Жыл бұрын

You were blown away by THIS!?!?

@jdeeside 2 жыл бұрын

Oh good God this is just awful, predictably so. I’m off to listen to Jessye Norman’s sublime rendition with Karajan.

@hajoprecht3178 2 жыл бұрын

You are so right with that.. Nothing compares ever with Jessye Norman‘s voice , intonation, her powerful piano and above all her feeling for what‘s between the lines of this music… What a loss of never hear her live again..

@andrehollmann4063 2 жыл бұрын

..wahrlich herrlich!!!...gute Menschen haben guten Ausdruck...da lass ich mich zu gern be-ein-drucken!!!...Großen Dank aus Leipzig!!!

@julieklos8256 9 ай бұрын

sry. no isolde inside.

@Alexmeister25 10 ай бұрын

Isolde und Birgit Nilsson immer... 🙏🏻

@burnedmyrrh 2 жыл бұрын

You were born for opera! Always amazing!

@michelemelchioni533 Ай бұрын

Wagner is amazing! Netrebko is amazing! Regia tv is beautiful. Stop. Thank you.

@grr8048 11 ай бұрын

A studio singing and recording is more like a looking at a lady's face with a professional heavy make-up, while a live opera singing is looking at a bare face.

@Dylonely42 8 ай бұрын

Nice.

@luislarrea5907 2 ай бұрын

Sería maravilloso que el video tenga subtítulos en español

@MarioHernandez-qr4vx Жыл бұрын

LEIDER,FLAGSTAD,VARNAY,MOEDL,NILSSON,NORMAN AND NO MORE!

@kenny1424 2 жыл бұрын

Terrible... wobbling all over the place. A voice several sizes too small for Wagner.

@SilvioNobre 2 жыл бұрын

Tão maravilhosa! ❤️

@Bill-loveless 6 ай бұрын

This is a perfect recording what are you talking about??

@ootamanabu 5 ай бұрын

I miss to Jessye Norman und KARAJAN live at 1987 great LIVE

@gingfreecs_CRYPTNRDS 2 жыл бұрын

Very good vocalise with some consonant... i couldnt understand a word out of this, poor standard

@steveaguilar198 2 жыл бұрын

Couldn't agree more.

@steveaguilar198 2 жыл бұрын

Meowing...that's all I hear. Never have been a fan. Her singing is sometimes sloppy

@dudeforcaster8630 2 жыл бұрын

Not sometimes, always.

@steveaguilar198 2 жыл бұрын

@@dudeforcaster8630 ok. Agreed. : )

@rpallen3129 Ай бұрын

I really wanted to listen to the entire Liebestod, but the intonation was so off--really inexcusable in a studio recording--that I couldn't make it all the way through.

@ROBINdulce 2 жыл бұрын

Pienso que el video plantea el poder de la música para conmover a la "gente ordinaria" que hemos estado en largos meses de confinamiento y en profunda introspección. A mi juicio, esta interpretación expresa el sufrimiento de la pérdida de la salud, de la vida de seres amados, del encierro, de la falta de contacto humano, de no poder generar ingresos para los gastos cotidianos... tiene empatía con muchísimos posibles escuchas.

@Traigame2cervezas 2 жыл бұрын

Nada que ver con el texto de la ópera 😂. Un pastiche sin sentido alguno: "ah sí, pongamos de fondo el aria de Isolde y un montón de gente en cuarentena, eso seguro va a pegar"

@paulovieira7317 9 ай бұрын

My favorite aria by my favorite composer sung by my favorite soprano. PERFECTION!!!

@yaelpalombo4093 2 ай бұрын

❤️🌹

@manueliglesia9404 2 жыл бұрын

LARS VON TRIER rewrote WAGNER.

@ianhandley4116 2 жыл бұрын

Too true 😂

@oliverdelica2289 2 жыл бұрын

Hmm this woman pops up in places you don't expect her too

@rudigeruszkoreit8625 4 ай бұрын

Absolut fantastisch! So möchten wir Wagner erleben und erfahren!❤

@ilarilindholm 2 жыл бұрын

Nice music and video . 😀 .

@tonyreadman6340 Жыл бұрын

No-one knows exactly what Wagner wanted. There will always be those who think they do. All music is open to interpretation and I think Wagner would welcome that. Many people love Anna and enjoy everything she does. That is their right and I bet that those who think they know what Wagner wanted couldn't even hit one note like she does. So, perhaps they ought to shut up and enjoy another singer's work, which is their right.

@MG-fh4ed Жыл бұрын

Wagner wrote many essays and Letters about what he wanted. In fact, he essay on the premiere of Tristan und Isolde Is a masterclass . Read and learn. Verdi too. ( Otello Is an example ).

@albuiononsitrova2874 2 жыл бұрын

Anna, always so connected to fashion. How do they allow her to use such a poorly made dress in a video? The list of 'supposedly' original DG videos keeps the pace, since that disastrous Aida.

@ingeklepitsch1979 2 жыл бұрын

Ich schätze Frau Netrebko als ausgrzeichnete Sängerin sehr, aber sie sollte meiner Meinung nach den Bereich des Belcanto und Verismo noch nicht verlassen - die Stimme klingt an manchen Stellen doch sehr angestrengt.

@albuiononsitrova2874 2 жыл бұрын

@@ingeklepitsch1979 I agree with you.

@llcooljay520 Жыл бұрын

Omg... now I know what it sounds like when I sing this at home for fun. 😳😯🤢 (I am a cis male)

@maryvallettakeith6146 Жыл бұрын

🤣

@Dylonely42 8 ай бұрын

cis male ?

@jonathanplatnick9334 Жыл бұрын

Great non-Wagnerians of the past sung this aria, all finding a pathway into the material (Callas in Italiano!, Tebalid, Caballe) Netrebko should indeed sing the opera - but not in an opera house, in an elevator going downnnnnnnnnnnnnnnnn ....

@hisakoando4144 2 жыл бұрын

lovely(◍•ᴗ•◍)❤

@mrlopez-pz7pu Жыл бұрын

I cant believe that some of you actually think that THIS is a great performance. Wow.🤮

@celesteaida48 2 жыл бұрын

Couldn’t listen to it….😱

@pelaugfi62 Жыл бұрын

Me neither . Utterly awful in all means .

@emanuelschweikert 2 жыл бұрын

Wow, that sounds good!

@AlanMearns-YesTheRaven 2 жыл бұрын

Out of body experience!

@tonyreadman6340 2 жыл бұрын

Wagner is not around to ask about this, but it's an interpretation, so how the hell does anyone know? I bet all the self-appointed experts on this page couldn't get anywhere near this level of singing, so perhaps they should shut up!

@elizabethker2663 Жыл бұрын

sorry, some of them can. And some of them really are experts.

@Rassendhyl100 2 жыл бұрын

I enjoy Anna's Isolde. Anna has been also against microphones on the stage. But Anna adjusts to the times. Brigit Nilsson's Isolde is still great and so Jessye Norman's. But not everybody can see it in person at the opera house. And for the last two years, new technologies are saving our social and musical lives. Bravii all opera singers for keeping us going!