They were probably crap.

@@canturgan 🤣🤣🤣

Yeah I started laughing out loud. Man, people are Talking so much crap.

With legendary Camera Brand :D

for real! Nikon, Sony, Phase one lol

@@jamesmonette3425 And Hasselblad

And Canon got in on the strap attached to the D810.

Exactly.. in the right place Rolling Stone magazine to shoot the Stones, the Allmans. She had the access . Access is everything.

you know, when you take a picture with your phone, part of the reason it turns out so good is because there's an excessive amount of software doing an excessive amount of things to the image to make it look better. :)

@@joashmanning More likely it's because it spontaneous, unlike this contrived garbage.

usc4life93 Keep telling yourself that.

'good' has never been a requirement in art. Successful however is and she is successful - and whilst this commercial picture may not be up there with her other great portrait work - for what she is known - so what? its just another commercial job - I have been pro for 35 yrs - and whilst I don't consider myself 'good', I am at least successful in that my clients (agencies) love my work - which is why they hire me. Of course someone else could have done this differently but advertising agencies love to add value to an otherwise boring shoot - and they have to spend the budget or lose it - adding Annie to this would have given extra mileage to the campaign. The pictures which I will say are very average - the dross of most advertising - are secondary. "Anni L shoots the new Lincoln' is far important to the campaign. And Ford have huge budgets - I worked as a photographer for the Fiesta ad in Germany - animated TV's at night in the street - the budget was in excess of 300K for just three days work - six months of planning and a team of thirty.

Deep Desire I need a little bit more explanation on this. How does other do her work and she take the credit?

I guess you didn't watch the video. Because you missed the part where she's doing all of the photography.

FYI, most pro photographers, especially on her master level, have at least one assistant, if not a whole team to help. The more equipment you have the more efficient it is to have help. She's doing the directing and pressing the shutter, so yeah, she's the photographer / artist.

boring? She was the only one shooting the set - she had an assistant on set to hold her gear - and others to hold the lights and modifiers. She tells them where to put everything, directs, orchestrates the production. I work with assistants all the time - when you have a bunch of moving parts in a story you need a team. How can you say that when you know nothing about her work and what shes produced? Now get back under the bridge troll.

Stupid ass comment at best.