I totally agree :) I just played this serenade and the trio is my favorite part

There's nothing to talk about. No debate. Perfect

Everything is perfection!!!!

The dolce section in the third movement is another part that I don't think people give enough credit for how gorgeous it is.

蕭智瑞 Same. I was randomly stumbled upon this nostalgia at 1am.

Wistful memories from HS too.

I get this feeling with so many choir pieces. It's so beautiful

Played the 1st movement in HS as well…one of my most favorite pieces to play

I'm really surprised that all of you played this at HS, in the orchestra I belong to, has been in the making for years (on a free program from our government) and only a few can play it. (Idk if this was wrote correctly, i'm new in english, sorry if i made a mistake)

Well said!

I remember hearing it on the radio once and wondering what it was because it was so amazing and I got to find it today! It’s definitely one of my favourite ones, this piece is amazing

If Spring was a serenade it would be this piece ♥️🍭

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@@mavavz 8mm pi útjuk nmok tűnjön m llv

True...and for us heartless ones it evokes nostalgia and even 'Lippenhaftung'.....Greetings from San Agustinillo!

Justin Bieber produces better music.

@@Phil_Mitchell then get the h*ell out our classical community, since you have a biased opinion. You didn't explain why the serenade was bad. Neither did you explain why j*stin b**bers music was better. I can explain why i like this serenade more than your pop composer: 1. The music is more rich in voices here. Many instruments produce a rich sound and harmonically they sound good together. There is harmony in what they are playing. They produce a sound together, and they express their feelings in their music. They don't just play, even though a biased person will say that it's just the vibrato. There is a difference between "vibrato" and "expressing feelings through music". 2. The piece is filled with unexpected twists, and interesting action following the immediate aftermath of the twist happening. Non-stop action, the piece is always moving. And because of the twists it's impossible to know what happens next, and terefore it's unpredictable. 3. Tension-release. The piece is filled with countless tensions and countless relieves. And although there are some rules for how classical composers compose, it's mostly free from there. And not to shame every popsong (and i say that as i almost shame eevery pop-song), but pop-songs are pretty predictable. Tension-relieves can usually be found in completely random songs to be the exact same. Tension-relief is very important to every musical piece, with some having more tension, and some having more relief. And although the Tensio n-relief pattern is posiible to crack here there is one interesting thing about the patterns. They exist in perfect, or rather, perfectly almost perfectly, harmony. And although that can probably be said about almost every musical piece in the world, in this serenade and in classical or at least m ore free music in general, the harmonies line up better. And lastly, my favourite movement is the last one. Especially the start. Oh and did I mention that I myself, commonly listen to pop-music and enjoy it. Let's see if YOU can come up with arguments that i can understand. Atrgument are all. If you actually came up with a good argument i might take my words back. But for now, i am waiting...

@@zyahaoyustudio1532 bro. he was a troll.

@@SlykRL oh well. I did demonstrait my point. Time wasted though...

Yeah but we still have this boarding music on the 777 and the A350. They have added new music with the A350 but this still plays.

Which movement?

Unless they are super great and play all of the movements

Wow, that's really cool. As a fan of both aviation and classical, it's always amazing to learn such things (I need to fly Czech Airlines one day just to hear them play The Moldau). My dad told my siblings and me that BA plays classical music at boarding; we had no idea it was this one (I last flew BA back in '06, long before playing this piece in college). It'll be something to look forward to when I fly British Airways again some day.

Yes

as a cellist that already played this music, I appreciate it very much! thx f posting

X2

lol do you mean violas?

how are seconds shifting a lot there? everyone is

Try the scherzo capricciosso.

Try his 14th string quartet ALSO HIS 12TH AND 13TH

all.Dvorak is oustanding. try his romanza for violin. try his 3rd and 4th sympho.

His 8th symphony is wonderful!

Its been a year and you've probably heard it but I'll still recommend it anyway. Listen to Dvorak's Violin Concerto. It's a great concerto

I was playing that piece to reminisce and it reminded me of this piece and I couldn't help but listen to it. Absolutely beautiful

Omg i absolutely hear it too! Good call

My favorite part

iTs A pIeCe NoT a SoNg

@@LittleGenevieve And YOU are a twit, not a kind person...

@@LittleGenevieve And YOU are a twit, not an expert...

@@DavidRice111 dude Its just a joke chill out

Ti ti it’s actually a movement

My fav part 😍

As a violist its one of the most satisfying C#'s to play ever :)

idk, Elgar's gotta be up there too

@@klop4228 How about a fourth place finish? After all he is English...

Frank Bridge's Suite for Strings is a masterpiece as well.

@@toothlesstoe Frank's music is very user-friendly and well constructed but there is nothing profound about it. The emotional power in the first measure of the Tchaikovsky Serenade ends any comparison.

@@stephenjablonsky1941 My opinion is the inverse of yours.

The what?

im playing it for the second time this summer and its just as weird to read the second time as it is the first

False treble clef was rather common before the treble clef became the standard for cello engraving. In fact it was called "trouble clef" for its unnecessariness

So true

He did the same with the American Quartet. Its super annoying... thankfully I found a copy that rewrote it in tenor clef.

Pulse Bot Fun fact: that’s not a fun fact. That’s hell.

It breaks on through

I don't know if there is a reason or not. But I know what you mean and it makes it more confusing to play XD

Not just the repeated "A" but both "A" section. I found it strange that Dvorak had "set" the key signature as F sharp minor but wrote it in C sharp minor. We will never know why.

Hahaha let's go with the idea that accidentals look good in music! Just kidding, but sometimes if the composer modulates a lot between other keys, using a key signature in between can help not changing in the middle of the piece. In the car of this movement, there are A major parts that benefit from the 3 sharp key signature, so instead of just writing the D natural in those parts or changing the key, Dvorak opts to write in D#'s since for a strong player like myself, it is simpler to remember it when the accidental is there when the key is changing a lot (and it has a lot of accidentals). Regardless, I think the technique of using a key outside of the signature is something that composers like to do, including myself when I write music! So I don't think there really is a specific one reason it was done that way, but mainly just a personal preference of the performance.

Also may have sth to do with the fact that C# is the 5th of F# ?

In the waltz there’s two main section (before the trio). The first section is mainly in C# minor, but then it goes to A major at the next part. My best guess is that he wanted it to be just one key signature for both and he preferred having sharps as accidentals instead of naturals.

I wouldn't call his 9th symphony one of his "minor" works, but it definitely overshadows most of his other works (including his 8th symphony). Some of his other great works include his 8th symphony, this serenade (this is my first listening, but I can already tell its great), his requiem, his tone poems, his Slavonic Dances (especially the op. 42 ones) and much, much more.

"but it definitely overshadows most of his other works (including his 8th symphony). " If you mean in the public perception, I agree.

JTODD MUSIC *late reply* I had the same question, I think it depends on what your conductor wants, hope you have your answer by now :)

I think it's quite obvious that for this type and period of music all octaves are to be played divisi. Edit: I mean continuous octaves, not just one note.

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