I tend to light a lot of POC. Our skin absorbs some of the light and when lighting POC indoors, one of my favorite techniques is to use some sort of moisturizer or oil (preferably coconut oil) paired with small soft LEDs to add a bounce or reflection off of their skin and create depth to the shot.
@TinLeadHammer2 жыл бұрын
Do POC like being called POC? Seems way too bureaucratical to me.
@MoesesKIIINT2 жыл бұрын
@@TinLeadHammer we like being called by our names or by referred to by our cultural groups as a whole BUT to make it easier for others since it seems to be difficult to give us that, here we are with "POC" 👍🏾
@smilefenn48132 жыл бұрын
@@TinLeadHammer yea i dont care personally. plus its an easy term to distinguish
@smilefenn48132 жыл бұрын
are you talking about darker skinned individuals? or even lighter skinned POC including south east asians also absorb light?
@lorddoom3100 Жыл бұрын
another tip is to light them using reflections. Bounce your light off of something onto them. Funny enough it's the same principle with cars.
@orangearts-desgs56143 жыл бұрын
Please never stop creating these videos. This is so helpful! 🙏🏼
@aputurelighting3 жыл бұрын
We'll never stop!
@orangearts-desgs56143 жыл бұрын
@@aputurelighting
@dunnadidit3 жыл бұрын
LOOK MOM! MY HANDS ARE IN A 4 MINUTE FILM SCHOOL! 3:28
@imSpixel3 жыл бұрын
LOOK MOM! MY COMMENT IS IN THE REPLY SECTION OF Dunna Did It’s COMMENT! Yay!
@JackMajor3 жыл бұрын
LOOK MOM! MY COMMENT IS IN A COMMENT COMMENTING ON A 4 MINUTE FILM SCHOOL COMMENTARY
@JulianTrebes3 жыл бұрын
LOOK MOM! MY COMMENT IS IN A COMMENT COMMENTING A COMMENT ON A 4 MINUTE FILM SCHOOL COMMENTARY
@OUCGN3 жыл бұрын
MOM?
@KyleHanson3 жыл бұрын
PLEASE JUST LOOK AT ME, MOM. AND DAD, WHEN ARE YOU COMING BACK FROM THE STORE? IT’S BEEN 7 YEARS.
@bacnic3 жыл бұрын
the production quality on these videos is WOW!
@dannycgdfilms3 жыл бұрын
Am telling you
@plural15573 жыл бұрын
lol. got ya
@joshkiddfilms12953 жыл бұрын
This is a great training, although from a grade standpoint, the final result seems kind of overexposed/lifted too much. Would have been nice to see the final corrected result.
@0_iAlmighty_02 жыл бұрын
Where would you set up the lights to bounce, without being in the shot, and why do you prefer bouncing over diffusion? :)
@harpenfluit Жыл бұрын
Yes, I have to agree. Also, the filtration is a bit too much. The problem with filters like these is they blur everything and not only the highlights. But loved the video. :)
@livesongs823 жыл бұрын
Thank you Valentina, crew, and everyone at Aputure. These videos are a wealth of knowledge!
@aputurelighting3 жыл бұрын
Thank you for watching!!
@MossCoveredBonez3 жыл бұрын
Valentina Vee and Wandering DP are making lighting entertaining, pretty sure they're single handedly leading the convo away from "buy this new camera" to "practice with your lights". I'd have to say my favorite lighting technique so far is upstage
@noahlebel-turcotte46623 жыл бұрын
*THE FRAMEWORK*
@noahlebel-turcotte46623 жыл бұрын
Hahaha
@valdemarcaballero52983 жыл бұрын
absolutely fantastic video and information..... THANKS FOR SHARING!!!!!!!
@aputurelighting3 жыл бұрын
Our pleasure!
@SevgiMungan3 жыл бұрын
Just last week I got the most basic, oddly flat looking shot when I was aiming to get a cinematic look. This is super useful, hope I can create more depth in my next try. This KZfaq channel teaches me more than the actual film school
@GiancarloBiondi3 жыл бұрын
The look is very nice. I like this diffused and soft light. Seeing the before and after and following you step by step is instructive. To get a soft effect I often use bouncing the light. Congratulations also to the model who is really spot on for this type of spot (face, gestures, colors). Brava Valentina, very good!
@anastasiakatina3 жыл бұрын
💛
@GiancarloBiondi3 жыл бұрын
@@anastasiakatina good work Anastasia! 👍
@tuckerkanderson3 жыл бұрын
Love this! People always focus on dramatic scenes, not enough focus on high-key lighting, thanks Valentina! One of my favourite techniques for interior daylight scenes is to shoot on an overcast day. That way you get a nice even soft light coming in from outside, that is consistent throughout the day, making you less worried about things like the position of the sun, but still able to use natural light to motivate your scene.
@mrmance13 жыл бұрын
My favorite technique for lighting interior daylight scenes is bouncing a light at the ceiling or wall to boost ambience with the iso/ND as low/dark as possible without being moody. Then adding a key and back light. Typically it’s because of DSLR, and I don’t have access to as many lights as you all, nor the dynamic range to create directional sunlight outside the window like this. However, as my projects and budgets increase, I’ll be adding to my arsenal. These videos are helping me land more work, as I’m increasing my quality. By the way, she is a great host...and her personality makes the videos so easy to watch and understand! I’ve subscribed! I’d love to win this 🙏🏾🙏🏾🙏🏾
@aputurelighting3 жыл бұрын
Glad we're able to help you out!
@OlympiaStudiosProduction2 жыл бұрын
Always impressed by Valentina's cool composure and fun energy while hosting these segments and working the sets. 👏🏽👏🏽👏🏽
@VentureGroms2 жыл бұрын
This is SO COOL!!!!! Oh man I can't wait to be in this scene!!!!!!! Less than a year to film school. SO hyped
@AznKalamity3 жыл бұрын
Thank you for the detailed visuals. One favorite technique I find satisfying is book lighting. So soft!
@thundering13 жыл бұрын
I'm a HUGE fan of backlighting. Big soft source behind (echo/mimic a large window behind as the possible source), and a large bounce back to the actor (just a large reflective surface - bleached muslin, or even large foamcore - whatever you've got that is a large even surface so that it's soft). In general, I like lighting "spaces, not faces" but this looks SO good to me when it's a more intimate setting rather than a big open space. Add lighting for the room as desired - this isn't an interview, so we obviously need to appropriately see the surroundings as well.
@gyorfitam3 жыл бұрын
I personally really like the more moody (early) daylight interior scenes where you use some haze, imitating the sun with COB lights or LED panels outside the window and then you just use some light curtains to diffuse the light a little bit. And use negative fill on the other side to make it a bit more dramatic.
@RolandKaySmith3 жыл бұрын
Valentina is a beast! Such a great host and drops so much knowledge. Big fan of this series. Keep ‘en coming.
@bluefilmsltd3 жыл бұрын
She's amazing, but I would like to see her do videos where she uses less, powerful lights. She used about, what, 5 powerful LED pro lights in this video? That gives you a lot of options. Sometimes less is more.
@valentinavee3 жыл бұрын
@@bluefilmsltd I have videos on this channel where I use lights that total less than $400 (beauty lighting on any budget, fashion cinematography) and a video where I use no lights at all (natural lighting, lighting for reflections). There's a lot of variety for every budget.
@robertomighty45623 жыл бұрын
Excellent tutorial. Sharing with my Facebook groups. Thank you Valentina!
@videograph2 жыл бұрын
C70 has build-in NDs on 2,4,6,8 and 10 stops. You may turn it in settings
@BrentHagyVideography3 жыл бұрын
Great tips! I always like to blast light into the white ceilings to make a massive bounce source. Helps lift the total exposure of the room when needed.
@thelightpainters3 жыл бұрын
Completely agree, had the same thought. Spending the time hanging a light in a white ceiling with a softbox does seem a little counter-intuitive... A fresnel on on a turtle base on the floor into the ceiling would give even more control!
@BrentHagyVideography3 жыл бұрын
@@thelightpainters very true, I like that method when you are working with low ceilings that dont have a place to mount lights to. The trade off is you lose the light intensity when you bounce out off the ceiling and it becomes harder to control the spread. But this kind of problem solving is part if what I love about the whole thing!
@thelightpainters3 жыл бұрын
@@BrentHagyVideography Very good points, the spill especially!
@jeffbrass23513 жыл бұрын
@@thelightpainters hard to control spill from a ceiling bounce. And A much less directional light too
@thelightpainters3 жыл бұрын
@@jeffbrass2351 very true, in this instance the softbox wasn't gridded so there wasn't a huge amount of control, a couple of pieces of strategically taped pieces of cine foil on the ceiling would have rendered a very similar result without needing to rig an entire light :)
@G_Gued9 күн бұрын
All that beautiful, inSANEly good lighting in a beautiful room… Completely let down by a bad grade.
@jonathancortizo90982 жыл бұрын
I love book lighting high key interior scenes. I’ll key with light bounced off a large (6x6 or larger if possible) muslin or ultra bounce and break it with silent full grid. I’ll double break the light with another layer of 1/4 silent grid if the light has enough push. I’ll use 4x4’ floppies to contain the spill from the open ends of the book light set up, and I’ll cut the top and bottom of the book light’s front element with duvetyne to contain spill on the walls and floor around the subject. I’ll use a similar set up right behind the camera as front fill if it’s needed. And I’ll backlight with something like a covered wagon behind the subject. Fred Murphy used this technique to light The Good Wife and it creates a really soft look. It’s really similar to cove lighting. I ACed for Fred on Good Wife and he used this technique in almost every scene. It created consistency throughout the series. I love this technique, especially with punchy lights like the 600d and 300d II.
@WonderFilm3 жыл бұрын
I love this look!! For me I have often just used a couple of lights, one with a softbox, and the other bouncing off of something. I think this was way more beautiful and something that I would want to do if I had more gear. Thank you for these masterclasses. I'm studying film at a university and I've learned more about lighting from these videos than from my professors!
@aputurelighting3 жыл бұрын
Glad to know these are helping you!
@mistersergey75363 жыл бұрын
Greate work thank you Valentine! and the actreess was also amazing
@ryanhovland62033 жыл бұрын
Awesome video! One useful technique that for lighting daylight interiors (especially close-ups) is the book light. I love the soft falloff and the cinematic look it creates. Sometimes a bed sheet and a some foam board is all the modifiers I have, but even those simple pieces of “gear” can create some amazing light.
@aputurelighting3 жыл бұрын
Book lights are so soft!
@mikechmielmusic3 жыл бұрын
I dig this series so far. Very educational. My last daylight lit scene gave me two issues to solve. 1. Clouds were moving through the area, changing the amount of light coming in constantly. 2.There was traffic noise from the intersection outside. My plan of attack was first to address the audio by placing a thick moving blanket on a stand in front of the window. Another one placed in front of the perpendicular wall out of shot. That brought the noise down enough. Then I stuck a reflector with the white side over the the blanket to simulate the now blocked window.Two of my LED light panels were set up to bounce off the reflector onto the spot where I was playing guitar. My ring light acted as a fill on the other side of the room. The key light was another LED light panel with barn doors to control the spill. Having the light stay consistent and the noise under control, allowed me to focus on playing music in the video.
@aputurelighting3 жыл бұрын
Great insight! Thank you for this
@PatrickBoberg3 жыл бұрын
duvetyne, floppys, blinds and bounced lighting is simply the best way for daylight. Really cool walkthrough
@NIKONGUY19603 жыл бұрын
So believable the final product. Had I been an extra on set, I'd have gotten fired within minutes after reaching through the window for that cake. Great tutorial. One thing I enjoy about these vids is how you break them down showing why you did something which helps answer questions in my head.
@gullbuttqasim3 жыл бұрын
The best asset of this channel is "valentina veeeeeee" ☺
@RockPolitics3 жыл бұрын
Adding the second 600 outside was a bold touch. It's a luxury to have access to that much firepower, but knowing how to use it is still the key. I've been using a lot more flags and screens lately, and it has stepped up my game.
@colinjudge12613 жыл бұрын
I was a bit confused by this decision... Was there a reason that she couldn't just turn down the power of the back-light? It sounded like the only issue was that the 300D was too hot, so is it not overkill to solve that by adding the extra 600D?
@VladimirBeroev Жыл бұрын
Very cool, helpful and useful! Many thanks to Valentina and Team! 🙏
@kaspergaram3 жыл бұрын
I absolutely love lighting with practicals. I feel like they give depth and a more dynamic look to the film. They are often a bit too weak for daylight though, so I have to "boost" them, but I love having practicals in the frame. Keep these videos coming, these are perfect!
@DatrysiadMedia3 жыл бұрын
Same, been trying a practice a lot with practicals and your right they add so much depth, once the sun is in play though they are just not enough to provide the right levels in the scene but love practicing with them.
@Ranger7Studios3 жыл бұрын
My favorite is the either the good old clamp light with a 300w bulb inside for those very dramatic nighttime shots, or a collapsible lantern softbox for high key situations.
@aputurelighting3 жыл бұрын
Great budget techniques!
@shaunmaclellan98413 жыл бұрын
Thanks for the step-by-step instructions, the explanation of gear used, and the segment near the end where we can see the additive contribution of each light. A great final product, as well!
@MeshachMalley3 жыл бұрын
This was very helpful. I am currently in film school and last semester I was lighting a lot with Godox and Mole Richardson lights, but this semester I have been using an Intellitech to emulate sunlight, then using LED panels as the fill and key.
@beckermcguire-b.remarkable52023 жыл бұрын
This video is amazing! I really appreciate how you talk through your entire thought process out loud, it really helps me learn rather than the lights just being where they are.
@kate888810003 жыл бұрын
This is so amazing, and so so sooo helpful! Valentina, you inspire me so much! You're insanely talented and know the craft so well, thank you for sharing all this information. Side note to the editor - I love your editing style so much and loove the small little details like the "Striking" text, you make the episode so much fun to watch! Keep up the incredible content A team!
@aputurelighting3 жыл бұрын
Thank you!!
@PVCLime3 жыл бұрын
I usually blow a bright light up in the seeling, using it as a large diffuser, combined with negative fill. Add some rim light and thats almost it.
@aputurelighting3 жыл бұрын
Good tips!
@nikolalakic90583 жыл бұрын
Absolutely love watching these videos! So much amazing info + techniques, thank you guys for making them!!!!
@aputurelighting3 жыл бұрын
Glad you enjoy them!!
@m.carter90903 жыл бұрын
Thank you. Very informative, and love how you did the drawing showing where the different lights are located, and what they do. Super!!!
@soundbreaker24853 жыл бұрын
This is what I love seeing. Most people who are just starting off feel limited to putting lights on stands. They aren’t used to studio spaces & mounting lights to the ceiling.
@ericryan62053 жыл бұрын
I think you hit the nail on the head with the added light through the window with sheer diffusion. I like using windows like that as my motivating source as much as possible and setting my camera to that exposure. Then I add a soft key, hair light, and bounce for fill if needed to make the talent pop. What I loved about your approach was the use of color in wardrobe and set design to really tie the piece together and make your subject stand out. Thank you for sharing your method.
@phototommyfive3 жыл бұрын
Great job lighting that scene. That pro mist filter gives it a dream quality that I appreciate. For myself, however, I generally don't like shooting happy scenes. Not that I'm a dour person all the time, but I like moody scenes with soft light, negative fill to give the subject shape and a lot of practicals.
@queefreak6663 жыл бұрын
So you turn down all the happy jobs
@phototommyfive3 жыл бұрын
@@queefreak666 I don't turn down any jobs :D I just don't particularly like shooting happy scenes for myself LOL
@AbhinavanandSingh2 жыл бұрын
Probably the cutest informative video!
@aputurelighting2 жыл бұрын
Yay! Thank you!
@MichaelVogtOK3 жыл бұрын
My favorite Indoor lighting is when I can put a silk on the window to let in a bit of natural indirect light, add light where I want it with a light dome, and have a couple of practical lights with some color. Sidus link makes that a fun thing to set up.
@literallykevin2 жыл бұрын
It would be sooooo sick if you guys offered the files for color grading! And then did contests for gear or something.
@creativevit59613 жыл бұрын
So much work to be put just for one camera angle. Imagine resetting everything for another few 🙂 thanks, guys! Great video
@aputurelighting3 жыл бұрын
We love doing it! Haha
@SSNUTHIN3 жыл бұрын
Thank you for sharing! I absolutely love playing with the bounce off of various objects to create dimension in a scene. Very fun to play with especially filming deeper skin tones.
@aputurelighting3 жыл бұрын
Thank you for watching!
@CHALADEITALIA3 жыл бұрын
I'm really into natural or motivated lights for indoors. There's an almost magic quality when you see a scene play out in an interior and you get lost in the scene, in the moment and you're not thinking about the lights because they've gone through great lengths to remove any feeling of artifice. Think Joker, The Farewell, Prisoners. Allowing theme to dictate the location and the location to dictate the lighting and trickling that down. I was floored particularly by Roger Deakin's self-made rigs for lighting the Bond Bar scene in Skyfall, and then just a super scaled up version of the same DIY rig for lighting fire in the exterior. Just impressive work all around!
@poweredbygears3 жыл бұрын
i learn more watching you here than ive learned from anyone, anywhere else
@aputurelighting3 жыл бұрын
That means a lot!
@hangoutinkorea2 жыл бұрын
Ive been studying light setting here alone and use it for small viral commercial for a year. So much helpful!
@aputurelighting2 жыл бұрын
Glad it was helpful! Keep up the great work!
@sundersquare3 жыл бұрын
I love using china balls to light interiors and use them as practicals too :D
@aputurelighting3 жыл бұрын
China balls never fail!
@nakleh3 жыл бұрын
Great video. Valentina is an excellent teacher!
@mishx623 жыл бұрын
for daylight int I usually try to work with the windows as much as possible: punching very strong lights from them to create shapes in the rooms, if the scene needs to be diffused I try to only diffuse with curtains that also have shapes on them, really brings a lot of texture into it. lastly I usually flag some walls that are not in the frame to bring down the bounce from them as much as possible. but all of this is more for narrative and less for commercial stuff.
@elyoo133 жыл бұрын
this is undoubtedly the best video that has been uploaded to this channel !! Thank you very much for sharing and explaining in detail, Greetings 👏🏻👏🏻👏🏻
@aputurelighting3 жыл бұрын
Thank you for watching!
@peterwagner82463 жыл бұрын
A nice and simple setup. I like those. I often use big soft sources for this high key look, but try to keep some directionality to it with grids and flags to create more depth. Very similar to this setup.
@dwmusic11793 жыл бұрын
I use much of the natural sunlight (also because of budget) and many reflectors. Most of the time I add some hard lights for rim light. Great video, thank you so much!
@OlgaKuznetsova3 жыл бұрын
I love how the dreamy feel was created!! These videos are so helpful, thank you!!
@MyJeanf3 жыл бұрын
Great video Valentina . Excellent tutorial. I love using cove lighting which gives such a beautiful look for interviews.
@sswat3 жыл бұрын
Great! Thank you Valentina and the whole Aputure crew. I’ve learned so much with this video and I can’t wait until put it in practice!
@CharlonSerrano3 жыл бұрын
Thank you Valentina and Aputure! This helped me a lot!
@nicholasjude79373 жыл бұрын
Awesome Video ! Super thanks to the A Team for making these videos ! When doing a run and gun shoot, I prefer to light interior scenes by bouncing the lights 45- 90degree to a ceiling to emulate everyday lighting. Hiding the light at a good wall intersection and bouncing the lights to a ceiling helps in bringing up the exposure a little bit and evening out shadows. Further more to create depth, cutting out unnecessary lights using a negative fill can really create contrast and add more interest to the shot.
@alexciprian3 жыл бұрын
Woo you guys nailed the timing on this video for me. I have a shoot like this on Friday!
@KingdomOfHeavenPictures Жыл бұрын
9:21, person tapes the end of the pole sticking out. NOICE
@SamCrossFilmmaker3 жыл бұрын
SUPER HELPFUL video. I look forward to more! Combining diffusion and multiple fill lights (decreasing as you wrap around) allows you to get some REALLY nice falloff on the talents face, it's my go-to.
@brettsullivan46473 жыл бұрын
I like a bit of warmth to compliment the cool daylight tones. So I like having warm practicals inside. Sometimes I'll ND my exposure down to where the practicals aren't blowing out too.
@hytralium3 жыл бұрын
A negative fill is always very good, but also making it soft (using a softbox or diffusion for example) makes it even more dreamy.
@TheOneThreeFour3 жыл бұрын
Was it intentional for the final result to have such a flat and desaturated grade? Kinda looks like the Canon's log
@SHIFTsvideos3 жыл бұрын
Right? It kinda went from very flat to just flat
@5crownsentertainment3923 жыл бұрын
Are we talking about how white it looks? It kind of bugs me but overall the filming of it came out great.
@mczeno3 жыл бұрын
Maybe it's because they just show the cinematographer's role, before the color granding and such.
@kamishimoproductions85873 жыл бұрын
Amazingly great tutorials, thanks for sharing these real life instances on how we can be able to work to achieve cinematic results with affordable gear. Valentina I love the way you present the task and how to solve it meticulously. I have been using the sun light to bounce off the mirror board, as the natural light travels through the window and diffused by silk on to the set where I wrapped unbleached muslin to the left of the camera and to the right a negative fill with mover's black blanket to give the set contrast. Sure I would love to own any of those lights to add to my gear which will help me achieve better results when lighting a set.
@SPOKENproject3 жыл бұрын
creating a beautiful image and a compelling story is such an intentional process - thanks for sharing these insights
@szubal3 жыл бұрын
Just wow, an info packed video. Thank you
@aufitv90553 жыл бұрын
I have learned a lot. Thank you for this great content.
@myleswilkinson-gayle50153 жыл бұрын
Thanks Valentina and crew this was extremely helpful. I usually have some astra tubes rigged to the ceiling, a 300dii with a dome for key light, 300d with a light dome for fill and I always have my trusty Philip hue light bulbs for practicals in the background 🙂
@dirface3 жыл бұрын
Always learn a little something from these videos, thank you!
@panashooter103 жыл бұрын
Beyond amazing work Valentina and the crew!!! What a high level product you guys put out. 👌🏽📽🎞👏🏼
@tonapacpictures46553 жыл бұрын
killer work! thanks so much valentina & co, keep hustling!
@tomn.96103 жыл бұрын
Wonderfully made video Valentina. You explain everything so well. You are the best
@jaijacobphoto3163 жыл бұрын
Love this. Watched it four times so far and learned something more each time
@aputurelighting3 жыл бұрын
Wow! Thanks for watching!!
@nickp75183 жыл бұрын
Great informative video! I love your step-by-step lighting tutorials. My favorite way to light these types of scenes is by using bounce from white walls or bounce cards. I like to keep a soft look that really brings out the happiness of the scene.
@nehashamim47993 жыл бұрын
Thank you to the team Aputure for making such a detailed video. I learned a lot from it ^^
@djlive4083 жыл бұрын
Awesome work as always!! Very clear and easy to learn! Thank You Valentina V!
@aputurelighting3 жыл бұрын
Thank you!!
@mike.thomas3 жыл бұрын
Wow, that was an amazing tutorial. Thanks!
@DehinorVargas3 жыл бұрын
Small space, huge history, well done!!
@fireflamesss3 жыл бұрын
Motivate everything by the windows (light through windows with some kind of diffusion). If there's not enough light inside « Push » the light by adding sources in a corner or over the frame. Sculpt the other side with negative fill (the closer , the better). Use a bounce to wrap the light on the front the face to add up to your key light. To finish it up add haze to give some texture to the image and voila. You got something pretty moody.
@EkheEntertainment3 жыл бұрын
Keep doing what you are doing!!! BIG THANKS
@harigobindpachat10753 жыл бұрын
Beautiful video and beautiful tutorial
@d-a-n-g-893 жыл бұрын
Great video! Quality education and great walkthrough. Not to be that person, but just reminders for all of us grips: 9:21 Knuckles on the RIGHT, and don't have your gobo arm sticking out like that guy set it. There are ways to adjust stand and arm so its out of body and eye level; or tennis ball it.
@mrwesleyhsk3 жыл бұрын
Awesome tips 👌 Valentina u r bubbly look was good 👍
@melanienolley3 жыл бұрын
Another great video, Valentina! I use very different lights to yours for indoor lighting out of budget constraints. I recently started shooting lights through large diffusion silks which has been working in dark rooms really well. I as bounce lights off the same silks to get the results I need.
@EroNekoSan3 жыл бұрын
The best technique for indoor is maybe the negative fill/flags/floppies. The indoors atmospheres can be so different, the range is huge. But the windows and bounce of light on anything in the room can change the expected look.
@elvanidamar3 жыл бұрын
Helpful lighting technique for cinematic look. Thanks! My favorite technique for lighting interior daylight scene would be: 1. light one big main source using aputure lighting behind a person to create morning light. 2. Bouncing off of an aputure lighting to ceiling to create ambience light, 3. diffused light to create soft and 3d effect for side light . 4. Put green plants to create shadow using aputure lighting.
@stevenslr13613 жыл бұрын
Wow. So detail.. i like this tutorial..👍🏻👍🏻👍🏻
@hbl_channel3 жыл бұрын
Awesome! Thanks for sharing.
@JakeOfAllTrades3 жыл бұрын
I love that you used THAT clip from Mandy for colored lighting. For interior day lighting I love using shadow to create depth.
@JesseKatches3 жыл бұрын
this was super helpful, thank you! i'm a big fan of highkey daylight shots using natural light as the source but i have 9 windows on the sunny side of my apartment so shaping all that light is proving very difficult for me! but these videos always give so much insight. thank you!
@aputurelighting3 жыл бұрын
Lucky to have so much natural light!
@JesseKatches3 жыл бұрын
@@aputurelighting it's a dream!
@Mutedimagery3 жыл бұрын
Great content! I always struggle getting things to look more subtle. I usually will bounce the light from the celling or adjacent wall.
@videocasetteTV3 жыл бұрын
I want thank you for big effort ❤️❤️❤️, very well done tutorial
@LivinWithGrininMcKinnon3 жыл бұрын
I love these scene set up videos!
@prokingdom98623 жыл бұрын
Hello I am from Portugal and I want to thank you for all the knowledge you transmit through your videos, thank you very much, continue the good work you have done