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Groovy! Details matter to light your solos on🔥!

Love Maceo my favorite Sax player !!🎷🎷

Marceo is a monster of timing. Thank you for great explanation. Marceo is also a great exemple of less is more😊

That is one great video. Super detailed explanation and actionable . Thank you!

This is GREAT. You are so clear!

Fantastic tutorial as always, Mr Anderson. Very interesting, very useful, very cool. Thank you so much!

See Maceo in person is a true musical experience

Another great lesson Sir! Many thanks for sharing. Cheers from Brazil

Good job with a very difficult bit of phrasing. Thanks for explaining the details.

Great details!

Very helpfull! Thank you!

great lesson, thanks

Do you ever worry that you won't have enough work because there are too many great saxophonists in the world because your videos are too helpful?

LOL I grew up with these rhythms, I'm lucky they come easy!!

Jamie macro is from Kinston NC where I currently live I arranged the sound for a concert at the high cool and went to a party at his house

The groove makes all the difference! Then add all the minute phrasing details!

Can you do a hall of fame video on the two solos in planet of the New Orleans by Dire straits? Would be amazing

Some people forget the "rests" between notes and end up changing the tempo or missing out beats

I think you said cold sweat but it sounded like something else. Thanks again

Hello, how to transpose to alto saxophone? Thank you

Dig it

What mouthpiece are you playing? Thanks

what software are you using to playback the song? messing around with youtube or spotify while trying to play a track is one of the most frustrating things...

What song is this from? Thanks

is there a pdf for this lesson….

I groove so hard sometimes I hurt my teeth or let go of my mouthpiece 😀😀

👍😃

Maceo on tenor?

Mr James Brown screaming

WT#@##¥#$&, ?????? After watching this , think I'll try to master the one note samba

hm. great but...Maceo plays some sixteenths slower than you... the sixteens on beat 3 in first bar is different. you sing right but play it to "hard"

US sax players: who's overrated/underrated Taste is indeed subjective but the realities/specifics of music are not. Overrated David Murray: howl without any rhythm, it's pretty much heard what he can do. Charles Lloyd: out of tune boring minor pentatonic scales all around Archie Shepp: he could not play in 1964 and has never been able since Anthony Braxton : ugly sounds and ugly sounds and ugly sounds a long chain without any surprise. Kamasi Washington: high school level with horrible sound Shabaka Hutchings: it feels like 100 years of jazz never happened. Here we are back in 1899 in Jamaica Sonny Rollins: his ego destroyed his playing at 36, sorry for him Lee Konitz: has never been able to play with the minimum energy for his sax to sound good John Coltrane after ALS: belief does not justify this self-indulgence Wayne Shorter: record some beautiful compositions wasted by a sloppy playing should have been sanctioned Ornette Coleman: as he said himself before a concert in Paris in 1988, he is especially known 'for playing the saxophone badly' Joshua Redman: mannered, mechanical with a repulsive sound. Composition without interest. Mark Turner: even if everyone repeats that it's good, my opinion will not change: it's boring Joe Lovano: the first time I heard it on a disc with Motian and Frissel I stopped the CD. The other times too. John Zorn: I'm told he's a genius...Ok then I'm a sardine. Underrated Rahsaan Roland Kirk: these albums are remembered as unforgettable festive moments. Gato Barbieri: opened the mind to the dimension, capacity and beauty of the instrument. James Carter: exuberant and spectacular technique bearing the heritage of its predecessors. Albert Ayler: a lit spirit that pierces through a sound and unique compositions from the depths of the ages Sidney Bechet: who had this technique and this power before him? Earl Bostic: an alien player who chose popular music but educated many sax stars Gary Thomas: crushing sound and sci fi compositions, the complete package Pharoah Sanders after Coltrane: left to himself, Sanders was capable of some of the most satisfying music ever to come out of a saxophone. Maceo Parker: powerful sound and flawless sense of rhythm, a model of joy and cheerfulness that has shaped RnB since the 70's David Sanborn: who can boast of having created the sound of modern pop alto sax with such magnificent highs? Steve Coleman: when he doesn't get lost in endless improvisations, he's a magnificent player who knows his BIRD from top to toe, coupled with a very powerful conceptualist Arthur Blythe: a sound that attracts the listener like a magnet Eric Dolphy: so individualistic and personal that no one has ever been able to imitate his tone and playing Jim Pepper: should be canonized just for his album Comin' and Goin'