Thanks a lot 🤗

Thanks, it actually has even more expressiveness capabilities, but I did not have much time to record more

Sort of modern Cs80, true Thanks 😊

The studio electronics code 8 is the modern cs80.

@jim6186 what defined the Cs80 ? (Except being polyphonic) An expressive keyboard, presets, and unusual synthesis approach with playability and musicality in mind When people discover Cs80 for the 1st time, I can see 2 categories - pianists who try to play music with it (without thinking about synthesis and programming) - sound designers who watch the front panel and think "it's not as powerful as expected" followed by "sounds like shit" It really was an instrument thought to be played, despite it's possible to make some nice sound design with it I've not tried the code 8 yet, but I'm not sure it's been built with the same goal in mind Polybrute 12, well, it's a modern compromise with a very expensive keyboard and powerful synthesis If musicians don't want to waste their time programming, they have access to tons of presets directly playable (and that was my goal as a sound designer, thinking each preset as a playable instrument)

@@Michael_Geyre what defined the cs80? Well it's sound of course. My point is that the se code can be had with cs80 style filters making it the modern day closest equivalent to the cs80.

@jim6186 I disagree and things are not that easy All Cs synths share same vcf Ig, but most of them sound different Compare as example cs70m to a cs80 if you have the opportunity

Thanks 😊

Thanks 😊

thanks, that's very kind :)

Thanks Arpeggio offers a nice feature, with possibility to use touch response to modulate whatever you want (let's say Attack or decay, as example) So, it's very easy to make lively arpeggios very easily

I agree! This is the best demo

@@Michael_Geyre Hi, can it be achieved with the Hydrasynth too? If I remeber it right, the Hydra allows you to modulate the arp settings with the poly aftertouch

@@loopman6466 ah, maybe Sorry, I can't answer, I've not used the hydra long enough, and I did not use the arp 🤷🏻‍♂️

Thanks 😊

Merci beaucoup, j'espère que tu vas bien

Thanks 🤗

Merci 😊

GOD - you're costing me GAS this year. You bastard XD. (Good thing I'm selling a golf cart and a few other items in an estate sale) :)

Merci 😊

Merci, après, entre de bonnes mains, ça fait aussi d'excellentes basses et leads

tu m'estounes

?

@@Michael_Geyre J'en suis tout estourbi

Sure, whatever you want, I just wanted to show uses of touch response

Are you sure ? When ?

Matter of tastes I don't like much prophets (except old ssm models, or eventually double keyboard prophet 10) The combination of steiner and ladder vcf makes a very versatile instrument I can understand people who don't like steiner vcf, well, it has to be used for what it does well 🤷🏻‍♂️

@@Michael_Geyre Yes I can't say I'm a fan of Arturias Steiner Parker filter. I much prefer the filters of Oberhiem and sequential. I'd love to see this synth with Rev 2 filters for example over Steiner parker filters. Anyways you did a good job with it, nice work.

@maydaygoingdown5602 thanks 😊 What interests you the most ? Matrix mod or expressiveness? I've tried to use Osmose keyboard to play my matrix 12, interesting results but touch vibrato does not seem to be a good feature for that purpose (well, in my opinion) It might be possible to filter midi or disable it, just tried quickly Anyway, I think we're living a very interesting period, from a synth point of view

@@DiegoDeMarcoSandA thanks for subscribing I could not make new content for a while, I'll do my best to make more videos soon

Thanks I've programmed some of the factory presets 😉

@@Michael_Geyre man this synthesizer will go down as one of the greatest analog synthesizers of all time and brother.. the fact that you played a roll on this is amazing

@synthsamuraiproductions thanks 😊 I feel lucky to have had the opportunity to be part of the birth of such an instrument (and its smaller brother the polybrute) I'm like most people watching these kinds of videos, a synth geek that has spent his life watching/testing/(eventually) buying too many synths Giving feedbacks and doing sound design for a synth seemed an unreachable dream, so doing it on such a great instrument....just wow ...

Le toucher du Cs80 reste à mon avis inégalé sur un synthé Je le trouve meilleur que le T8, que le Synclavier, que le K250, que l'osmose, etc ....

Thanks Keybed action is light

@@Station2Station-du2ghlol , such a troll

@@Michael_Geyrebut it doenst feel cheap in anyway

@@janpieternieman5295 You're asking if the most advanced keyed in the history of synths, which took 2 years to develop in-house, and has 3 axis, velocity, after pressure, channel and poly aftertouch, and can sense 1mm of key initiation, can match a Jupiter-X keyboard. And I'm the troll? It's like asking if an upright piano can match a 9 foot Steinway Model D concert grand.

@@Station2Station-du2gh maybe not a troll but not very respectul since the jpx is a high end synth.

Past time Paradise (Stevie Wonder)

Well, depends of your needs The original is still a fantastic instrument !!

Rest assured. The original Polybrute is a better instrument than this.

@@thejollyjoker187 based on ? There is nothing you can do on the original that you can't do with the Pb12

@@Michael_Geyre Indeed, but the old one was pretty looking and inviting, whereas the new one is ugly as cat vomit.

@@thejollyjoker187 matter of tastes, having both, I think the 12 voices is more lovely 🤷🏻‍♂️

Bonjour, oui, une petite partie

@@Michael_Geyre merci du coup petite question est ce que c'est un nouvel synthé ou bien juste un Polybrute avec 12 voix?

@@Marc_Angel c'est le même avec 12 voix ET un clavier expressif (ce qui est un atout non négligeable) Dit comme ça, ça semble peu spectaculaire mais en y regardant bien, c'étaient à peu près les mêmes différences entre un Cs60 et un Cs80 La plus grande polyphonie permet de faire des layers très riches sans problèmes de polyphonie, et le clavier expressif permet des choses un peu à la manière d'un Osmose, mais sur un synthé analogique très puissant et avec un super son

Oui, le chroma, c'est vrai Le toucher du Dx1 m'a un peu déçu

Thanks, I'm like you, I hate that Demoing an instrument must have a decent sound

@@Michael_Geyre Why? Sound is important in instruments demos, that's what we looking for

Oberheim are very good to make that kind of sounds (maybe the best), but are not as expressive

Franchement, vu les prix atteints par les vénérables ancêtres, je trouve ça pas dommage

@@Michael_Geyre ça prend des empleut de mesurer surtout pour les faire réparer y son souvent mou au toche

@@user-uk5xj8yb7e vous semblez avoir eu accès à beaucoup d'instruments rares

Un contrôleur moins vivant ? Excusez-moi, mais en ce qui me concerne, ça n'a pas vraiment de sens Ensuite "les Cs" franchement (et pour les avoir eus) hormis le 80, les claviers sont vraiment pas terribles Alors, que le rendu semble moins vivant, à la limite, si vous voulez Le toucher du Cs80 est bien plus lourd que celui du Pb12, et permet plus facilement d'expression sur l'aftertouch (encore qu'avec un peu d'entraînement ...) Ensuite, le Pb12 est nettement plus stable que le Cs80, il faut donc recréer l'instabilité artificiellement Je trouve les résultats plutôt convaincants et vous avez parfaitement le droit de ne pas être de mon avis En ce qui me concernent, j'ai les 2, comme ça c'est réglé Bonne musique à vous

That's your opinion They're very different instruments

@thejollyjoker187 it's your right to be wrong

@@Michael_Geyre Yeah, I'll just wait for Arturia to release a keyboard controller-only of this, it's the only thing worthwhile.

@@thejollyjoker187 that's your opinion Anyway, have fun

It is your opinion