I am a Christian but still the way u sing and explain.... I can imagine how would have been those days of Krishna.....

I don’t know most of songs about Krishna makes me sleep 😴 every night so relaxing .... even though I’m indian Muslim too. edited ( humanity is my religion )

As a malayali i can understand tamil, i feel very lucky such a beautifull languages

I am now 80. My dear aunt used this song, to make me sleep on her lap as a kid. Her voice was as sonorous and as sweet as mam. Dhanyosmi. My pranams

Being a Punjabi from Delhi, i understood nothing, but enjoyed it fullest. Music transcends Linguistic Barriers. And thats the beauty of India.

Kappa Tv യിൽ ഈ സോങ്ങിൻ്റെ റീമിക്സ് കണ്ടവരുണ്ടോ

இந்த பாடலைக் கேட்பதற்கு நான் கொடுத்து வைத்துள்ளேன். அருணா சாய்ராம் அவர்கள் பாடிய இந்த பாடலை நான் 100 முறையாவது கேட்டிருப்பேன். எத்தனை முறை கேட்டாலும் மீண்டும் மீண்டும் கேட்கத் தூண்டும் அற்புதமான பாடல்.

പുല്ലാങ്കുഴൽ വായിക്കുന്നത് ആരാധികേ music director 🥰🥰🥰..hit like for flautist Vishnu Vinod 👍

There is no one to sing this song like u Amma😊😊🙏🙏😄😄

இதைத்தான் ஜனரஞ்சகம் என்பது. இப்படி பாடினால் எல்லா ஜனங்களும் ஏன் ரசிக்கமாட்டார்கள். சிறப்பு...மிகச்சிறப்பு.

Her singing style is like We can see a cute Krishna and Yasodhara having a conversation, awesome.

Now I am 72.My granddaughter has performed Bharathanatyam dance for this song .I have heard this song several times and enjoyed both this song and my granddaughter "s dance.

That flute tone was melting my heart..

എത്ര കേട്ടിട്ടും മതിയാകുന്നില്ല, കണ്ണന്റെ ലീലകൾ. കേൾക്കുംതോറും മധുരം കൂടുന്നു.

Omg never felt this bad for not knowing and understanding tamil. Wish they had subtitles 😩😩😩

Not sure if anyone else could've renditioned this song better than Padmashree Sree Aruna Sairam...Oothukkadu Vekata Subba Iyer wouldve been proud!

every language of our country is full of great knowledge and intellectually God has given our country lot of cultural veriaty for lots of explorations we are extremely proud and lucky to be Indian Jay hind Jay bharat

என்ன தான் மனம் சோகமாக இருந்தாலும் இந்த பாடல் கேட்டதும் சந்தோஷமாகிவிடும்

I am very proud of being indian. What a voice? Amazing

I love how she's enjoying herself... I'm transported to myself visualizing this conversation.

பக்தி இல்லாதாருக்கும் இப்பாடலை கேட்டால் கண்ணன் மீது பரவசத்துடன் பக்தி ஏற்படும்.

എത്ര പ്രാവിശ്യം കേട്ടുവെന്ന് അറിയില്ല... ആലാപനം അതിമനോഹരം ❣️👍🏼👏👌

*பல்லவி*: *யசோதை*: மாடு மேய்க்கும் கண்ணே நீ போக வேண்டாம் சொன்னேன் *அனுபல்லவி*: *கண்ணன்*: போக வேணும் தாயே தடை சொல்லாதே நீயே *சரணம்*: காய்ச்சின பாலு தரேன்; கல்கண்டுச் சீனி தரேன் கை நிறைய வெண்ணைய் தரேன்; வெய்யிலிலே போக வேண்டாம் (மாடு மேய்க்கும் கண்ணே - நீ போகவேண்டாம் சொன்னேன்) காய்ச்சின பாலும் வேண்டாம்; கல்கண்டுச் சீனி வேண்டாம் உல்லாசமாய் மாடு மேய்த்து, ஒரு நொடியில் திரும்பிடுவேன் (போக வேணும் தாயே - தடை சொல்லாதே நீயே) 1 யமுனா நதிக் கரையில் எப்பொழுதும் கள்வர் பயம் கள்வர் வந்து உனை அடித்தால் கலங்கிடுவாய் கண்மணியே (மாடு மேய்க்கும் கண்ணே - நீ போகவேண்டாம் சொன்னேன்) கள்ளனுக்கோர் கள்ளன் உண்டோ? கண்டதுண்டோ சொல்லும் அம்மா? கள்வர் வந்து எனை அடித்தால் கண்ட துண்டம் செய்திடுவேன் (போக வேணும் தாயே - தடை சொல்லாதே நீயே) 2 கோவர்த்தன கிரியில் கோரமான மிருகங்கள் உண்டு கரடி புலியைக் கண்டால் கலங்கிடுவாய் கண்மணியே (மாடு மேய்க்கும் கண்ணே - நீ போகவேண்டாம் சொன்னேன்) காட்டு மிருகமெல்லாம் என்னைக் கண்டால் ஓடி வரும் கூட்டங் கூட்டமாக வந்தால் வேட்டை ஆடி ஜெயித்திடுவேன் (போக வேணும் தாயே - தடை சொல்லாதே நீயே) 3 பாசமுள்ள நந்தகோபர் பாலன் எங்கே என்று கேட்டால் என்ன பதில் சொல்வேனடா என்னுடைய கண்மணியே (மாடு மேய்க்கும் கண்ணே - நீ போகவேண்டாம் சொன்னேன்) பாலருடன் வீதியிலே பந்தாடுறான் என்று சொல்லேன் தேடி என்னை வருகையிலே ஓடி வந்து நின்றிடுவேன் (*போக வேணும் தாயே - தடை சொல்லாதே நீயே*) 4

Everyday evening 6 'O clock I with my family members usually heard this song It's Awesome and Fantastic... Lord Krishna 🙇🙇🙇 Jai Shree Krishna 🙇🙇🙇

IT'S ONE OF MY FAVORITE SONG FROM MY CHILDHOOD , MY GRANMA USE TO SING THIS SONG AT NIGHTH TIME TO ME

அருணா சாய்ராமின் இனிய குரலில் " மாடு மேய்க்கும் கண்ணே "

സ്വയം മറന്നിരുന്നു പോയി..... great....

No doubt why tamil is known as inimiayaye mozhi, sweet language, over and above when singing a song of Krishna it becomes more sweeter

Karnatic music is divine.A art that links soul and the supreme being that is GOD.MUSIC HAS NO CASTE OR RELIGION .IT IS NOTHING BUT DIVINE.

I'm getting goosebumps whenever I hear this... When I close my eyes I can see a dark little boy nd his Mom quarrelling in such a sweet manner , nd it washes out my daily sorrows...

Wonderful song. In every household, who has children upto 15 yrs of age, this fight exists always. It reminded me my sons who are now in their 30 s, 20s, how they used to tell reasons to go out everytime, when they were small. I could connect to Yasuda, how even on those days, scared to send Krishna outside. Enjoyed the song.

Every mother would have experienced this in their life with their toddlers. For every Indian Mother, their child is little Kannan.

Maadu meikkum kanne nee poga vendam sonnen Kaichina palum tharen karkandu cheeni tharen Kai niraye vennai tharen veyyilile poga vendam Kaichina palum vendam karkandu cheeni vendam Ullasamai maadu meithu oru nodiyil thirumbiduven Poga vendum thaye thadai sollatha neeye Yamuna nadhi karayil eppodhum kalvar bhayam Kalvar vandu unai adithal kalangiduvai kanmaniye Maadu meikum kanne nee poga vendam sonnen Kalvarukor kalvanundo kandathundo sollum amma Kalvar vandu yenai adithal kanda thundam seithiduven Poga vendum thaye thadai sollatha neeye Govardhan giriyil ghoramana mrigangal undu Karadi puli yai kandal kalangiduvai kanmaniye Maadu meikkum kanne nee poga vendam sonnen Kattu mrigangal ellam ennai kandal odi varum Koottam koottamaga vandal vettai aadi vendriduven Poga vendum thaye thadai sollada neeye Pasamulla nanda gopar balan enge endru kettal Enna bathil solveneda ennudaya kanmaniye Maadu meikkum kanne nee poga vendam sonnen Balarudan veediyile pandhaduran endru solle Thediye nee varugayile odi vandu nindriduven Poga vendum thaye thadai sollada neeye Maadu meikkum kanne nee poga vendam sonnen Kaichina palum tharen karkandu cheeni tharen Kai niraye vennai tharen veyyilile poga vendam

None can sing better than Aruna ma. What an expression and voice.

அருமையான பாடல் வரிகளை மிகவும் இனிமையாக பாடினார்கள். மிக்க மகிழ்ச்சி

How she sung wow mesmerizing.... because of Tamil sweetness prounciation...😊

The beauty is not only the song but the smiles in everyone's faces

நீங்கள் பாடும் பாட்டை கேட்டு எனது தேகம் சிலிர்த்து, மெய் மறந்துவிட்டேன் அருமை தாயே

World two oldest language Tamil and Sanskrit..both r born in India..and both r such a beautiful languages... Tamil being the Oldest.. Speaking and Sanskrit Oldest Writing... Its such a gud to listen Tamil..we oll need to preserve these languages... Sanskrit is depleting pretty fast... But thanks to Tamil Nadu as whole of state(and others)speak and can write these language.. Always pleasure to listen Arun mam..

Lyrics with English Translation: 0. Madu meykkum kanne, nee poga vendam chonnen Poga Vendum thaye , thadai chollathe neeye Oh cowherd darling, I told you not to go, But mummy, I have to go, please do not stop me. 1. Kaichina Palum Tharen Karkandu Cheeni Tharen Kaiyil Vennai Urutti Tharen Veiyyilile Poga Vendam 1. I would give you well boiled milk, I would give you sugar and Sugar candy, I would roll butter and give you in your hands, Please do not go in this Sun. 2.Kaichina Paalum Vendam Karkandu Cheeni Vendam Ullasamai Maadu Meithu Oru Nodiyil Thirumbiduven 2. I do not want well boiled milk, I do not want sugar and Sugar Candy, I would joyously herd the cows, And return within no time. 3.Yamuna Nadhi Karayil Eppozhudum Kalvar Bhayam, Kalvar Vandu Unai Adithal Kalangiduvai Kanmaniye 3. There is always fear of robbers in the shores of Yamuna, And Oh darling, you will get afraid, if they come and beat you. 4. Kalvarukku Kalvarundo Kandadhundo Sollum Amma , Kalvar Vandhu Yenai Adithal Kanda Thundam Aakiduven 4. Are there thieves for thieves, have you seen mummy, If the robber comes and beats me, I will make them in to pieces. 5. Govardhana Giriyil Ghoramana Mrigangal Undu Singam Puli Karadi Vandhal Kalangiduvai Kanmaniye 5. In the Govardhana Mountain, there are fierce animals, And oh darling, if lion, tiger and bear come, you will be afraid. 6. Kaatu Mrigangal Ellam Ennai Kandal Odi Varum, Kootamaga Odi Vandal Vettai Aadi Venriduven 6. All wild animals would come running, when they see me, And when they come as a crowd, I would hunt and win over them. 7. Priyamulla Nanda Gopar Baalan Enge Enru Kettal , Ennavenru Solliduven Yekkamudan Thediduvar 7. When the loving Nanda gopa asks me where the child is, What shall I reply him and he would search for you with anguish. 8. Veediyile Baalrudan Pandhu Vilayadugiran , Kanne Enru Nee Kural Koduthal Oodi Vandu Ninriduven 8. I would be playing ball in the streets with boys, And when you call me darling, I would run and come back.

എല്ലാ അമ്മമാരും എപ്പോഴും ഇങ്ങനെ തന്നെയാ

The musicians were brilliant too..

Great song which is a great stress reliever.. do you agree??

Wonderful renovation. Feel like listening often. Lyrics are marvelous. Sai Kumar Bangalore

இந்த பாடலை கேடகும் போது நான் என்னை மறந்து என் கண்களில் கண்ணிர் வருகிறது அருமையான பாடல் ஆயர்பாடி கண்ணன் சார்பாக வாழ்த்துக்கள் 🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦

Such a delight to listen to this Song, Amma and each and every musician transport us to Krishna .

Indian culture binds soul irrespective of caste, colour, sex etc etc etc. The selfish societies took an advantages of this culture and still they are doing. This is right time to go humanity instead of physical world which gives love and ultimately satisfaction being a human.

Aruna madam voice nice , good. The tamil is powerful language enough meaningful and wonderful...

മലയാളികൾ ആരെങ്കിലു ഉണ്ടോ......

My son is 2 year old now. From the time he was 6 months old till now, he enjoys Aruna mam's this song especially and he bows his head down feeling shy seeing mam. Also he stands still untill the song is over. I felt the power of Aruna mam voice ❤️

We are pleased to have a Tamil language🎉

I don't understand Tamil, but she is amazing.. She feels every word as she is singing. I can't thank my parents enough for introducing me to her songs ! :) Her energy and devotion makes me happy instantly!

Aruna mam voice have a magical power.. cute conversation between lord krishna and yosatha.

For all those who don't understand the lyrics of this beautiful compostion: This kAvaDi cindu paints a vibrant picture of a conversation between a concerned yaSOdA and a recalcirtant, mischevious, roguish krishNA - you can picture the timing - possibly sometime in the noon or when the sun is high and scorching. yaSOdA doesn't want krishNA to go out to graze the cows in these circumstances, so she tries to dissuade him - first, she tries to bribe him, next she tries to frighten him, and finally, she invokes the other, absent parent - This scene is so captivatingg in it's domesticity - something that all of us as parents have done: we have used/tried to use these tactics at different times, or all at once in an escalating fashion as yaSOdA is forced to, here! But, krishNA being krishNA has a comeback for every one of her arguements and is out the door at the end! mADu meikkum kaNNE nI pOgavENDAm SonnEn kA(i)ccina pAlu tarEn, kalnkanDu cIni tarEn, kai niraya veNNai tarEn, veyyililE pOgavENDAm I say (SonnEn) my beloved/precious (kaNNE) cowherd [one who grazes - (meikkum) cows - (mADu)], you (nI) please do not (vENDAm) go (pOga) out. Instead, I will give (tarEn) you your favorite snacks: boiled (kaccina) milk (pAlu), and some granulated sugar crystals (kalkanDu - used to be some thing that as kids, grandmothers used to dish these out very parsimoniously), and it that is not enough, I'll even throw in/give (tarEn) a handful (kai niraiya) of butter (veNNai), but please do not (vENDAm) go (poga) out in this hot sun (veyyililE). ka(i)ccina pAlum vENDAm, kalakaNDu cIni vENDAm ullAsamAi oru noDiyil mADu meittu tirumbiDUvEn pOga vENDum tAyE tadAi SOllAdE nIyE I don't want boiled milk or some sugar crystals. What I want is to happily (ullAsamAi) set out and graze (meittu) the cows (mADu), and I will be back (tirumbiDuvEn) in just one (oru) second (noDiyil)... Now, I have to (vENDum) go (pOga), so please do not (vENDAm) say (Solla) anything to prevent (taDai - literally means obstacle/arguement against) it, Oh mother of mine (tAyE)! {even here, krishNa/composer takes care to not say that he doesn't care for butter!} yamunA nadi karaiyil yeppozhudum kaLvar bhayam kaLvar vandu unai aDittAl kalangiDuvAi kaNmaNiyE There is always (yeppozhudum) the scare (bhayam) of theives and rogues (kaLvar) on the banks (karaiyil) of the river (nadi) yamunA. If these rogues (kaLvar) beat you (unai) up (vandu aDittAl), you will be upset (kalangiDuvAi) my darling (kaNmaNi - possibly the closest translation is 'apple of my eye')! kaLLanukku oru kaLLan unDO kanDadunDO Sollum ammA kaLvar vandu yenai aDittAl kanDa tunDam SiediDuvEn Oh mother (ammA), tell me (Sollum) if have you ever seen (kaNDadu unDO) a (oru) rogue/thief (kaLLan ukku) who will torment another rogue (kaLLan) - if the rogues (kaLvar) do set upon me (vandAl), I will cut them into pieces (kanDa tunDam SeidiDuvEn) - krishNA, the stealer of butter and hearts of people, very cleverly accepts that, and uses it to get out of his mothers request to not go out! gOvardhana giriyil ghOramAna mrigangaL unDu karaDi puliyai kanDAl kalangiDuvAi kaNmaNiyE yaSOdA knows it is a losing battle, so she tries to steer him away from the gOvardhan mountain - she says, there are (uNDu) very fearsome (ghOram Ana) animals (mrigangaL) on mount (giriyil) gOvardhan. You will certainly be upset (kalangiDuvAi) if you (kanDAl) see the big and ferocious bears (karaDi) and tigers (puli). kATTu mrigangaL ellAm yennai kanDAl ODi varum kUTTam kUTTam Aga vandAl, vETTai ADi jeittiDuvEn All (ellAm) the animals (mrigangaL) in the forrest (kATTu) are my friends - when they see (kaNDAl) me (yennai) they come (varum) running (ODi) to greet me. However, if they gang up on me (kUTTam kUTTam Aga vandAl), I will hunt them (vETTai ADi) and subdue them (jeittiDuvEn). paTSam uLLa nandagOpar bAlan yengE endru kETTAl yenna badil SollvEn aDA, yennuDaiya kaNmaNiyE When your beloved/partial (paTSam uLLa) dad, nandgOpa returns home from his duties, and asks, 'where (yengE) is my son (bAlan)?' what (yenna) can I say (SolvEn) in reply (badil), my (yennuDaiya) precious one (kaNmaNiyE) bAlaruDan vIdiyilE pandADurAn yenru SollEn tEDi yennai varuvardarkkuL ODi vandu ninriDuvEn.... Just tell him (SollEn) that I am out on the street (vIdiyilE), playing (ADurAn) ball (pandu) with (uDan) my friends, the other boys (bAlar)...and even before you come (varuvadarkkuL) searching (tEDi) for me (yennai), I will run back (ODi vandu) and be there (ninriDuvEn - literally means, I will be standing there) with them! - you can imaging the last words being hurled over his shoulder as he is out the door before gOpammA can come up with any more reasons.....

Fall of Civilizations episode 14 brought me here. Highly recommend that channel

her body language and enjoy on her face translates the fun Krishna and Mother having..Pranam Amma

Awesome Amma! My 9 month old baby is great fan of this song and this song is always playing in our home in repeat mode! Great Singing!!!

No language to music , but your voice Amma aswome it have , the connect everyone and I think God if music your . thanks to you 🙏🙏🙏🙏🙏

The entire song loses its charm without your expressions and actions. Very pleasant 👍👌 Aruna ma...

அற்புதமான படைப்பு ஆழமான வரிகள் ரொம்ப மகிழ்ச்சியா இருக்கு இந்த பாடலை கேட்பதற்கு ரொம்ப அற்புத படைப்பு நன்றி இது போன்ற நிறைய பாடல்கள் கேட்டிட வேண்டும் மயக்கும் குரலில் மாடு மேய்க்கும் கண்ணே பாடல் அற்புதம்

ഉണ്ട് ചേട്ടാ മലയാളികളുണ്ട് പ്രശാന്ത് കുമാർ

Maadu Meikum Kanne Nee Poga Vendam Sonnen Kaichina Palum TharenKarkandu Cheeni Tharen Kai niraya vennai TharenVeiyyilile Poga Vendam Maadu Meikum Kanne Nee Poga Vendam Sonnen Kaichina Paalum VendamKarkandu Cheeni Vendam Ullasamai Maadu MeithuOru Nodiyil Thirumbiduven Poga Vendum Thaye Thadai Solladhe Neeye Yamuna Nadhi Karayil Eppozhudum Kalvar Bhayam Kalvar Vandu Unai Adithal Kalangiduvai Kanmaniye Maadu Meikum Kanne Nee Poga Vendam Sonnen Kalvanukkor Kalvanundo Kandadhundo Sollum Amma Kalvar Vandhu Yenai Adithal Kanda Thundam Seididuven Poga Vendum Thaye thadai sollade neeye Govardhana Giriyil Ghoramana Mrigangal Undu karadi Puli yai kandal Kalangiduvai Kanmaniye Maadu Meikum Kanne Nee Poga Vendam Sonnen Kaatu Mrigangal Ellam Ennai Kandal Odi Varum Kootamkootamaga Vandal Vettai Aadi jaithiduven Poga Vendum Thaye thadai sollade neeye Pasamulla Nanda Gopar Baalan Enge Endru Kettal Ennavenru Solliduven ada ennudaya kanmaniye Maadu Meikum Kanne Nee Poga Vendam Sonnen Baalrudan veedhiyile Pandhaduran endru sollen Thedi nee varugaiyile odi Vandu Nindriduven Poga Vendum Thaye Thadai Solladhe Neeye

മനോഹരം മനസ് നിറഞ്ഞു 😍🙏

We proud of our beautiful culture, powered the music andl lyrics especially LORD KRISHNA. GREAT SOUND MA 🙏🙏🙏🙏🙏

omg.... such a sweet voice love u ma

தெரிந்த கதையாக .. பாடலில் வரும்பாது சங்கீதம் பற்றி(கர்னாடிக்) தெரியாத என்னை போன்றவர்களுக்கும் பாடல்வரிகளும் தங்களின் குரலும் எங்களை போன்றோரையும் சிலிர்க்க வைக்கிறது....அம்மா...

Great dance. Now let us see the History of Bharata Natyam and carnatic music. Bharatanatyam and carnatic music Bharatanatyam and carnatic music have their roits in tamil SATHIR AATTAM AND TAMIL PAN. “It is a well - known fact that Tamizh language is one of the oldest languages in the world. Not only is it old but also it is very rich in literature. But what makes Tamizh unique and special is that it has survived the ravages of time and is still spoken by millions of people across the globe. Dance and music (or for that matter any form of fine arts) has always been part of Tamizh culture. ‘Tholkaappiyam‘, the authentic work on Tamizh Grammar that was written in 500BC by Tholkaapiyar-considered to be a student of the great sage ‘Agaththiyar’ mentions a lot about classical dance. Starting from Tolkappiyam, many texts like Pancha Marabu, Kooththa Nool, Bharata Senapathiyam have defined the grammar of classical dance. ‘Pancha Marabu‘by Arivanaar-which was also written almost the same time as Tholkaapiyam - describes in detail about music and dance. It talks about various hand gestures,abhinaya,kooththu,,naatyam.It also describes the letters to be used for jathis-tha,thi,tho,ki,k. Then there is ‘Kooththa nool‘ authored by Saaththanaar. This is the oldest available text on the grammar of classical dance.‘Kooththa Nool’ has two sections, ‘Suvai’ and ‘Thogai’ with 153 and 162 verses respectively and says that the sound, the letters and the music emanated from the Dance of the Lord. It also says that ‘Om’ is the beginning and the end for everything. The author seems like a good psychiatrist, philosopher and most importantly an intellectual. The link between human life and the Nava Rasaas have been described in detail by the author. Here is a verse form Koothanool. Tastes emerge from the feelings within and these are expressed as dance. Feeling is the soul, Taste is the Mind, and expression is the body’. அகம்உயிர் ஆகச் சுவைஉளம் ஆக இழைஉடல் ஆக இயல்வது கூத்து. It is a cryptic verse with very deep meanings but what was written nearly 2500 years ago holds good even now. And this is applicable to any art form. However, ‘Silappathigaaram‘-one of the five major epics in Tamizh-is considered to be a complete book on classical dance. ‘Silappathikaaram’ gives a perfect description about Classical Dance and Music..In the words of the Czech Professor Dr.Kamil Zvelebil, ‘‘The epical poem of Silapathikaaram which by its baroque splendour and by the charm and magic of its lyrical parts belongs to the epic masterpieces of the world and should be admired and beloved by all in the same was as Poems of Homer, the Dramas of Shakespeare, the Pictures of Rembrandt, the Cathedrals of France and Sculptures of Greece”. Silapathiikaram Author, Ilango AdigaL has presented this simple but complex story, what attracts a connoisseur is the way he has structured the grammar of Music and Dance. Though there are lot verses, I am giving below one sample verse that speaks volumes about the quality of the work. It says ‘One must start learning classical dance at the age of five without any compromise on Musical, Dance and Aesthetic Elements, practise rigorously for seven years and perform at the age of twelve.’ ஆடலும் பாடலும் அழகும் என்று இக் கூறிய மூன்றில் ஒன்று குறைவு படாமல் ஏழு ஆண்டு இயற்றி ஓர் ஈர் ஆண்டில் சூழ் கழல் மன்னற்குக் காட்டல் வேண்டி. However, it is the description about Classical Dance in ‘Silappadhigaaram’ that calls for special mention and appreciation. Ilango adigaL must have been a perfectionist. The author elaborates on the qualifications of a Dance Teacher, Percussionists,Vocalist,Flautist, and the person(s) playing the ancient instrument ‘Yaazh’. He deals with each and every aspect of dance starting from the vocalist, the lyricist, the percussionist, the instrumentalists. What amazes one is the way he has defined the structure of the stage. Not only has he given the dimensions of a stage but also that he has mentioned about the lighting, and the way the stage has to be decorated. If the verse எழுகோல் அகலத்து எண்கோல் நீளத்து ஒருகோல் உயரத்து உறுப்பினது ஆகி உத்தரப் பலகையொடு அரங்கின் பலகை வைத்த இடை நிலம் நாற்கோல் ஆக ஏற்ற வாயில் இரண்டும் பொலியத் தோற்றிய அரங்கினில் தொழுதனர் gives the desired dimensions of a stage, தூண் நிழல் புறப்பட மாண் விளக்கு எடுத்து ஆங்கு ஒருமுக எழினியும் பொருமுக எழினியும் கரந்து வரல் எழினியும் புரிந்துடன் வகுத்து talks about the lighting. He then goes on to describe the ‘Pancha Sandhi’ Kavuththuvum-an item that is performed in the beginning to ward off evil forces-and then the 11 different dances called as ‘Pathinoru aadal’.. And that is the reason ILango AdigaL paid importance to music as well while talking about dance. In just one verse, he gives the names of the seven swaras as per Tamizh PaN. குரலே, துத்தம், கைக்கிளை, உழையே இளியே, விளரி, தாரம் என்றிவை எழுவகை இசைக்கும் எய்தும் பெயரே சவ்வும் ரிவ்வும் கவ்வும் மவ்வும் பவ்வும் தவ்வும் நிவ்வும் என்றிவை ஏழும் அவற்றின் எழுத்தே ஆகும் Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-Tharam. In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale. But more than all these, what leaves one wonder struck is his definition of Gruha Bedam-tonic shift. He calls this as ‘Kural Thiribu’. He says ‘if the Thuththam(ri) of Mohanam is the base, it would give Madhyamavathi, if the KaikkiLai(ga)is the base it would give Hindolam, the ILi(pa) would give Sudhha Saveri and the ViLari(dha) Sudhha Dhanyasi’. Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century?Bottom of Form ‘MaNimekalai’- considered to be an offshoot of ‘Silappathikaaram’ since MaNimekalai was the the daughter of Madhavi and Kovalan- also talks a lot about the dance. Written by ‘Seeththalai Saaththanaar’, the text mentions about Tala Aruthi,the eleven different forms of dance-as already mentioned in detail in ‘Silappathikaaram’-the two forms of ‘Kooththu’ and the existence of a grammar book on ‘Bharatam’. In another major text, ‘Seevaka ChintamaNi’, the chief protagonist, Seevakan himself is a dancer. Sources: Mr. Rajendra Kumar who acknowledged the information provided by Prof.Raghuraman in the book titled ‘Tamizhar Natana Varalaaru’. Here are a few websites that you may access for further reading www.thinnai.info/downloads.php - for downloading Tamil Documents tamil.net/projectmadurai/- Project

Excellent welcome to Lord Krishna, super song

Overwhelmed with emotions. I just had a virtual tour of Vrindavan. Respects to Aruna Amma.

Aruna Sairam does a very good job when she sings the folk song in praise of lord Krishna as a young boy.may the lord bless her

வயலின் இசைக் கலைஞர் சிரிப்பு அருமை.

All time favorite song❤❤❤, tamil what a language..

Padmashri awardee Sangita Kalanidhi Smt Aruna Sairam madam, excellent excellent excellent performance. You are an ashtavadani. You have travelled all over the globe and with your spellbinding and mesmerising voice, you have made the audience rooted to their seats. You have captivating smile, excellent sense of humour. All the accompaniments deserved to be applauded vociferously. Continue with your music madam.

The lady who perform violin, looks so beautifullll😂😂😂😂😂. By the way she sung it beautifully....😊😊😊

This song has become thalatu for my 10 months baby..

My favourite song. Sung by my favourite singer.

We love you and your voice Amma. Magical voice Remember my mother's love on me. So great you are Amma. ,,🙏🙏🙏🙏🙏🙏🙏

Am proud to come from the same place where this song has happened oothukkadu

Flutist arumai combo with ArunaSairamji.....and all

யசோதரை அன்னையாகவே பாவித்து அதே பேரன்புடன் கண்ணனை வேண்டி பாடுகிறார் திருமதி.அருணா சாய்ராம். நான் அடிக்கடி கேட்டு இரசிக்கும் பாடல் இது. பக்கவாத்திய கலைஞர்கள் சிறப்பாக இசைத்தனர். வாழ்த்துக்கள்.

Oh my god...goose bumps.. mesmerizing ..god bless u always mam

Amazing Amma...having tears in eyes in first line itself ... Krishna and yashoda are Infront of my eyes🙏🙏🙏

great voice and song...medam aruna sairamji super. jai sri krishna

Maadu Meikum Kanne Nee Poga Vendam Sonnen Maadu Meikum Kanne Nee Poga Vendam Sonnen Kaichina Palum Tharen Karkandu Cheeni Tharen Kaichina Palum Tharen Karkandu Cheeni Tharen Kai Niraya Vennai Tharen Veiyyilile Poga Vendam Kai Niraya Vennai Tharen Veiyyilile Poga Vendam Maadu Meikum Kanne Nee Poga Vendam Sonnen Kaichina Paalum Vendam Karkandu Cheeni Vendam Kaichina Paalum Vendam Karkandu Cheeni Vendam Ullasamai Maadu Meithu Oru Nodiyil Thirumbiduven Ullasamai Maadu Meithu Oru Nodiyil Thirumbiduven Poga Vendum Thaaye Thadai Solladhe Neeye Poga Vendum Thaaye Thadai Solladhe Neeye Yamuna Nadhi Karayil Eppozhudum Kalvar Bhayam Yamuna Nadhi Karayil Eppozhudum Kalvar Bhayam Kalvar Vandu Unai Adithal Kalangiduvai Kanmaniye Kalvar Vandu Unai Adithal Kalangiduvai Kanmaniye Maadu Meikum Kanne Nee Poga Vendam Sonnen Kalvarukku Kalvarundo Kandadhundo Sollum Amma Kalvarukku Kalvarundo Kandadhundo Sollum Amma Kalvar Vandhu Yenai Adithal Kanda Thundam Aakiduven Kalvar Vandhu Yenai Adithal Kanda Thundam Aakiduven Poga Vendum Thaaye Thadai Solladhe Neeye Poga Vendum Thaaye Thadai Solladhe Neeye Govardhana Giriyil Ghoramana Mrigangal Undu Govardhana Giriyil Ghoramana Mrigangal Undu Singam Puli Karadi Vandhal Kalangiduvai Kanmaniye Singam Puli Karadi Vandhal Kalangiduvai Kanmaniye Maadu Meikum Kanne Nee Poga Vendam Sonnen Kaatu Mrigangal Ellam Ennai Kandal Odi Varum Kaatu Mrigangal Ellam Ennai Kandal Odi Varum Kootamaga Odi Vandal Vettai Aadi Vendriduven Kootamaga Odi Vandal Vettai Aadi Vendriduven Poga Vendum Thaaye Thadai Solladhe Neeye Poga Vendum Thaaye Thadai Solladhe Neeye Priyamulla Nanda Gopar Baalan Enge Endru Kettaal Priyamulla Nanda Gopar Baalan Enge Endru Kettaal Enna Badhil Solvenada Yekkamudan Thediduvar Enna Badhil Solvenada Yekkamudan Thediduvar Maadu Meikum Kanne Nee Poga Vendam Sonnen Baalrudan Veediyile Pandhaaduraan Endru Sollen Baalrudan Veediyile Pandhaaduraan Endru Sollen Thedi Neeyum Varugayile Oodi Vandhu Nindriduven Thedi Neeyum Varugayile Oodi Vandhu Nindriduven Poga Vendum Thaaye Thadai Solladhe Neeye Poga Vendum Thaaye Thadai Solladhe Neeye..

Magical voice ..... No words to explain..... Definitely Lord Krishna may came there and enjoyed the music.....May the Lord Krishna bless the entire world...

I don't know Tamil.....but little bit touch in sanskrit....makes me understand....mam ur voice is enough for it is my stress buster

உங்கள் குரலில் இந்த பாடலை எத்தனை முறை கேட்டாலும் மறுபடியும் கேட்க வேண்டும் என்று தோன்றுகிறது. என் மன நிலை சரியில்லை என்றால் இந்த பாடலை உங்கள் குரலில் கேட்கும் போது சற்று நிம்மதி அடைகிறது 🙏

TQ for giving complete information about this item🙏🙏

Mesmerizing voice of you madam nd language of Tamil creating magical words

Can’t take my eyes off the violinist 😍😍 elegant and classy

thedi ennai varugayile odi vanthu nindriduven.............

Yyena vaice yena musick ...yena kavithai....kudave sadhguru anandham peraantham..nandree

I'm fond of this song with your voice mam

Mam you are absolutely blessed by god. I didn't how beautifully you are showing the expression of the song

அருமை அருமை அருமை தலைவணங்குகிறேன் கேட்டதும் மகிழ்ச்சி ஆற்று வெள்ளம் போல் பெருகிவிட்டது

Simple song. Blessed to hear in Aruna ji voice

Can't understand Tamil. But the music of this song expresses everything.. Beautiful

Wow extremely talented woman arunaji sairam proud of you God bless u

Nice song. Whenever I here this song I forget myself

Beautiful rendition... Amazing energy