Not a feeling but a fact.

Who wanna stick with same old marvel movies.

Most definitely. I wonder what it'll cost an indie studio to produce a minute of this quality. If the cost drops low enough, you might even be able to finance your own personal movie.

@@etnrednal facts, that 8 min film that small team did proves it can be done

​@@vaibhavbv3409 Yea, this is the stuff that people want, not the damn superhero crap that Hollywood is apparently obsessed with, and people didn't have anything else so they swallowed that superhero crap

Just the same episode repeated over and over haha

Dude and the “Irradiation” one too

@@HOJUJP88 eta tu izan det yo no

this should be included in love death and robots series

To think this was made free for all. How much have hollywood and the actors and behind-the-scene "actors" been ripping us all off.

Finally.

hope so

let's hope!

Hollywood isnt a "film maker". And realtime rendering will never look as good as offline rendering. But I will admit that the barrier is getting lower for indie entry.

@@syntaxed2 Hollywood won't be on top as much as they are rn

Do you believe time loops are paradoxical?

For me there not

This is nothing. Check out zygote- by oats studios

@@ugwuanyicollins6136 b

U

Oh for sure. Once VR mocap gets some more work, 1-2 people, a good PC and some creativity, and we could be seeing AAA level films

@@heypistolero I hope in VR too. We need VR firms.

There's this one thing called books, not sure if you've of heard of them or not.

@@mathew3267 books are the old age of immersive storytelling, films and video games are the current and future ways of storytelling. though i do love a good read from time to time they aren't as immersive.

@@thelonesomewanderer8359 I would strongly disagree that books are less immersive. If anything they can be even more immersive. It does take more effort and practice from the reader though.

we are the scenes behind WILD~

there is a Gnomon talk about it: kzfaq.info/get/bejne/lcp1dsSWzau8Y4U.html

this!

I "WANT" this to play on my PUTER. Please can I pay for the UE5 project file??

We're on it! Watch Part I here: kzfaq.info/get/bejne/oZmJkrKAuNDXqGw.html More exclusive content on the way!

Nah, there are still quite a few "uncanny valley moments" but the tech is getting there.

love how we ignored CG animation since 2000

Its not exacly a time loop there is a two paralel realty there one is future one is past, the entities are trying to create a loop there

very excited for what can be done using this. just imagine the kind of educational content that is not limited to professionals

It is not impressive cuz it is just cut scene@. if it still looks like that in game, it would be good. but I don't think so...

@mike korean Hey Mike, games will catch up. Productions like these might become more common, which is awesome! Making the tools easier for creative people, whether it's a movie/show, game, or something in between, that's what it's all about.

@@MrStimpanzee You're right. They'll soon be making big blockbuster movies on workstations where you can't differentiate the footage from real life. Exciting times. Several hundred years from now we'll start seeing holo decks where you can play a part in a movie, Next level LARPing FTW.

@@vaibhavbv3409 eieyreoeyi

Not to mention the fact that it was so well made I didn't even think about it until reading your comment

@@seriousgameofficial At the end her faceplace screen was broken, but didn't have problems breathing. Atmosphere probably was earth like and the helmet was likely not even needed :)

:)

Damn, good catch!

I've just watched another demo for this engine - no problem of any description for the lips, jaw, face or anything else. Helmet was dramatic choice.

Some would say, it's, Unreal.

@@getemmemes9434 i thought it was the frostbite engine 😅😅😅😅

Love death robots was terrible

@@izdotcarter don’t forget to say “in my opinion”.

This movie looks like short version of Alien Prometheus, lol.

@@izdotcarter I liked it

EXACTLY what i thought

Yep! Another comment pointed out how they used the helmet to cover her mouth so that they wouldn't have to lip-sync

avatar people figured out an outer layer of 'liquid' texture layer over iris in eye conveys an organic feel through refractions and reflections that makes watching 3d 'eye' to be a closer to real look.

It's meta human.. Ultra realistic human body from unreal

when?

When she walks in the cave, noticed it too

Yeh me too

It reminds me of one of those stories from Love, Death & Robots

@@pawprinting Yup this could very well be an episode on Love Death & Robots :)

It is not cg. It is real time

@@julien2231 CG stands for computer generated, so it is CG.

@@shineinouzen7412 true in a sense, however when we say cg we usually mean cutscenes in game or prerendered stuff.

I thought about this too.

@@EmilianoC04 If the animal like creature were replaced with some kind of robot, this would fit the Love+Death+Robots series as is. The production quality is already right there, length of the film was a bit on the short side but some of the episodes for that series are pretty short, too. It would have been interesting to spend some more time on the "old version of her spaceship" before her figuring out that it's the same ship. It would have been nice to not have any clues about the time loop before that moment. That said, this was awesome work and it definitely didn't feel like watching a collection of colored polygons moving on the screen.

Thanks Henry! Watch Part I of our behind-the-scenes here: kzfaq.info/get/bejne/oZmJkrKAuNDXqGw.html

she even almost trips on a rock as she enters the cave

Beginner and completely flabergasted with what i am seeing so any extra mile help will be great. Can you share the timestamps or moments where its more evident. and how does it differ in other methods of animation production

Unreal 5 is introducing the capability to model facial expressions for characters using a phone looking at a face in realtime. I expect body motion will be a more persistent problem than facial movement.

will we see anything close to this graphical quality on ps5 or xb series x ??

So are you saying this can be a video game with the same quality?

@@ariel7690 Yes, I think this kind of quality will be coming to games in the very near future. Maybe sampling would be not as good, as this short film is propably rendered with the Movie Render Cue and AA oversampling, but it would be close. In fact I would say with a bit of optimisation this could be running smoothly right now on this generation graphics cards. It's propably already running ~30-40fps in the UE5 viewport. That's the appeal of filmmaking in Unreal Engine as you can edit your film in a realtime 3D environment. But the tech is not everything. The people at Aaron Sims Creative are very talented artists.

@@ariel7690 Sure, I would even argue that can be possible without nanite but lumen alone at a very playable framerate. Long gone the days an artist limited by polygons.

Scam Citizen is complete trash and little more than an extortion scheme praying on stupid people.

@@killed_by_the_architect-829 Well, I'm enjoying the game, there's nothing like it, it's still in development, bugs and all. But to able to play small public releases is still fun. Have you played recently?(kzfaq.info/get/bejne/mLSXnrR0rqu0d2g.html)

"small" in film production terms

Why not? I have seen teams of 1-3 creating amazing stuff. Why not here? Also those who go into animation and 3d artist fields, many create amazing small college projects.

You have to remember that each name is listed multiple times in different roles. I think there were something like 10-15 unique names in the credits. I'd consider that quite small teams still considering that they had to write screenplay, 3d model, animate, compose score, play the score etc etc.

Yes! I can’t wait to bring down the obnoxious monopoly of the film industry. Forcing us to sit through poor writing and minimalist production to turn over profit. Would much rather my money be going to passionate storytellers, animators and developers like this. Just wait, they’ll find a way to force indie film makers to pay when publishing or creating content for KZfaq and other platforms to mitigate the damage to their profits

I left dr strange yesterday as story was so bad. Graphics were amazing but omg weak story....

I'm glad I'm not the only one thinking this 🤣🤣🤣🤣

There is already a video game ,it`s called Returnal on PS5.

@@aldenpadron1929 Returnal is Unreal Engine 4 also it's only on Playstation 5, We want ASC’s THE EYE: CALANTHEK game on PC, Xbox Series and PS5, Because ASC’s THE EYE: CALANTHEK using Unreal Engine 5 instead of UE4, it's a much better and so interesting more than Returnal.

@@FantasyNero I was referring about the thematic, it’s a copy of Returnal.

@@aldenpadron1929 No it's not copy of Returnal, Returnal is fast running game and jumping high, but this ASC’s THE EYE: CALANTHEK is close to Dead Space it's look more scary this is more interesting if it be a game it will get a lot of attention of people to look at it and buy it , and also has better graphics than Returnal

No zero days. Atomic habits bro.

More action/drama, and suspense.

The asset library marketplace will grow, bolstered by big productions. It is just early days yet.

@@RoySherfan it definitely will. This is clearly the state of things right now. However, most asset libraries could be used with most offline renders without any issues. So, if the kind of stories that are enabled to be told depends on progressively growing libraries, there's not that much value added here other than faster renders. As soon as you need to generate complex custom assets this becomes the same as any other 3d project, regardless of rendering engine. And render time is usually the least of your worries in a production like this. UE is a great game engine renderer, but a really not flexible vfx renderer. So, for a production by Aaron Sims, which could easily render all this with offline renderers no problem, this is not adding much other than bragging rights. It might be different for VR purposes or other applications though.

Well, you as a visual effects person is free to use UE5 to produce a story without rocks and shining objects. Go on, knock our socks off :D

@@marlu72 I don't get why you'd have that attitude regarding a statement about the limitations of a tool, which are objective and understandable because it's something new and that's expected at the beginning. The point is the opposite however. Despite all attempts from Epic to push this as a film making tool (which is clearly can be under the right circumstances, as this and several other projects have clearly proven), the results have nothing to do with it being done in Unreal. This is extremely good because the art is excellent, Unreal isn't freeing anyone to do anything better in this case. This project wasn't made possible by UE5, but by the extremely talented and experienced team. Despite that, almost every project being developed with real-time engines right now has to be developed with their limitations in mind, which restricts their potential and goes against this promised freedom to tell stories. This clearly applies to a greater degree when photoreal or very stylized results are expected.