Se lo curro 😮aprendió música para la peli 😮

any idea what it was called?

It's called table music by Mozart

that's "the Mirror Duet" or "Der Spiegel" by Mozart

I always wanted to play the flute and fortunately was landed with a clarinet, my teacher said it was one of mozarts favourite instruments, I played the table piece with my music teacher, it blew my mind, such a talent best wishes, we have both been introduced to the magical talent

Didn't know this. Thanks. And Mozart is truly a gift to mankind.

You mean his mugging was so exaggerated that even YOU could tell what was going on? I found it CRINGEWORTHY.

You mean his mugging was so exaggerated that even YOU could tell what was going on? I found it CRINGEWORTHY.

Both Abraham and Hulce. I wish they had tied for the Oscar.

Wow it's rare to see people thank God for bringing talented people. Keep it up dude! God always wants us to thank him for the good things he's done for us. ❤

& Peter White, Ottmar Liebert, Boney James, Kenny G, Carlos Santana, Paco de Lucia, & much more!

Tom hulce

Yeah..that was my take aswell 😂

That......was Mozart☝️!💫

Isn’t that the tragedy of all of us, we’re all salieri

Bien dijiste "Un poco de su vida", porque el 90 % de esta palícula es novela y fantasía. Aún así, es muy buena.

I second that motion!!!

llevar a la pantalla un poco de su vida fue magnífico . Y con semejante reparto. El del casting era un genio.

llevar a la pantalla un poco de su vida fue magnífico . Y con semejante reparto. El del casting era un genio.

Tres Buenos

Famos

Gracias..!

No that’s a great theory Ology

You are right. The director explained that he was not interested in making a biography as such, but rather he was looking for something that symbolized Mozart's life and was interesting to watch. For this reason, they based the film on a literary work that tells the urban legend that was always told about Salieri having Mozart murdered.

Salieri envious was just fiction, actually probably was true the opposite, as Mozart died in anonymity, poor and consumed by cirrhosis, whether Salieri was literally the best of the best of his times, rich, renowned and famous. Also Mozart in one of his letters said that learned a lot from Salieri's music. Salieri also taught Beethoven, Schubert, Liszt...

Everyone already knows this. It's literally always the first thing someone says literally whenever the film/play is brought up, about how it's all fictional. Nobody thinks it's real, that events happened this way. Absolutely everyone who watches it these days knows it's fictional because they immediately look up the film on Wikipedia and other places because it's an astoundingly good film and so they want to know more about it, and so of course they learn that it's a work of fiction. So you don't need to tell anyone this. Everyone already knows that Salieri didn't hate Mozart like this. What you've done is like watching a Superman movie and then making a comment going "did you know, Superman and Clark Kent are the same person? Clark Kent is just superman's disguise!“. Like, no shit sherlock.

@@duffman18 It’s more accurate to say everybody who’s read about this knows.

@@duffman18 You're overestimating people and people's intelligence. If you read most of the comments they actually say the opposite.

No seas 🌽

Totalmente de acuerdo. Ya perdí la cuenta de las veces que la he visto

Exceptional indeed....❤

What was "extraordinary" was that they all thought the audience was so stupid that they needed to see Abraham mugging so exaggeratedly in CLOSE-UP to tell what he was feeling? But of course, any subtlety at all is wasted on an audience in the U.S. They just won't GET IT.....

Oscar!

¿Te refieres a la actuación ridículamente EXAGERADA para que incluso la persona más tonta del público pudiera decir lo que estaba sintiendo? Fue patético.

It was such a shame that the director chose to depict Salieri as a ridiculous caricature, by showing Abraham mugging absurdly in close-up, just so the dullest member of the audience would be able to GET IT.

@@stevecarson4162 I know what you’re saying but I felt the Abraham did a grand job of playing Salieri.

@@RadagonTheRed : He played him as a caricature, exaggerated to the point of absurdity. And in close-up yet. It was painful to see his expressions. They may as well had it flash across the screen: "SALIERI JEALOUS!!" "SALIERI AMAZED!!" "SALIERI SUSPICIOUS!!" Of course, if there was any subtlety, a large chunk of the audience wouldn't have understood, because they need to have things spelled out in great big letters and pushed in their faces. That the "Academy" awarded such shameless mugging is one of the ways we know they don't know their asses from their elbows.

@@stevecarson4162 I don’t agree, and I think you’ll find that the majority of people enjoying the film won’t agree with you either. Of course, you’re clearly a highly intellectual film buff so you’d consider that majority beneath you judging by your comments so far. But I think F. Murray Abraham did a fine job of portraying Salieri. I don’t think it was overacted or inappropriate for the general tone of the film.

@@RadagonTheRed : If the majority of people are so dense that they wouldn't get it if it wasn't spelled out in great big letters and pushed in their faces, that doesn't say much for them. To see Abraham in close-up with such absurdly exaggerated expressions was almost insulting. But then, when Miloš Forman was aiming for the U.S. market, he knew that any SUBTLETY would be wasted on them. My niece often refers to "the American line" in a TV show, by which she means the part where someone will explain for the audience exactly what just happened, so that even the dullest viewer will be up to speed. British or European directors tend to give their audiences more credit for intelligence.

There is a huge difference between talent and genious... So many TALENTS in every generations BUT only a few GENIOUSES..

Impossible. Mozart was a man and a Christian, not an inspiration for the marxist trash that currently owns and controls the film industry

If they made this today they'd probably make Mozart a black transsexual.

The "Oscar" should have been for "most shameless mugging for the camera". But otherwise, none of the dimwits in the audience would have known what he was feeling. It's pathetic that they need to have it pushed in their face or spelled out in great big letters. Any subtlety at all is just wasted on audiences in the U.S.

@@stevecarson4162 do you have a problem out of "nothing"???

@@bimopi : My PROBLEM is seeing grotesquely exaggerated caricatures like Abraham's "performance" winning praise, while REAL acting talent is ignored. The "Academy" doesn't know its ass from its elbow -- which is why it keeps awarding stupid popular GARBAGE, while classics that will live forever are being shunned.

@@stevecarson4162 you need to relax! !!! also watch this movie, will enlighten you a lot

​@@stevecarson4162get over yourself

Really? Then he should have told Abraham to dial it back a whole lot, because his close-up mugging was embarrassing to see. But of course, Americans, including the dumbass "Academy" thought he was wonderful because that way even THEY could tell what he was feeling.

It is implausible, but for the film it is just a technique to elevate Mozart's genius to the audience.

You must have liostened to a huge amount of music to be able to make that comment. Often pieces were 'borrowed' in these times. The second movement in Beethoven's first symphony was taken from Haydn's clock symphony.

You mean oboe concerto op 9 2 ?

yes, of course, and the oboe is played very differently in different versions. In the 1981 version I mention, there is no ornamentation and the single note is played out for an exciting long time and "takes you to heaven" as Mitsuko Ushida says about the middle movements in Mozart's piano concertos.@@andresa.2360

Serenade No. 10 in B Flat for 13 Wind Instruments, K. 361

He keeps the time and "directs" when the other instruments come in and how loud. If you sit inside the orchestra- it's hard to hear the tones the audience is hearing. Like a engineer on a sound board in a music studio

Una película Amadeus de Milos Forman De 1984

Amadeus

Amadeus de Milos Forman