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i dont mean to be off topic but does any of you know a trick to log back into an Instagram account..? I was stupid forgot my login password. I would love any tips you can offer me

@Bryce Eden instablaster =)

@@bryceeden6237 i don't use that one it's not as good as "people" say

I used to play drums w/ John & the great pianist Les Czimber (RIP) in Orange County right around when he joined the Chick Corea Elektric Band. He was bout 24-25 & was the talk of the town. Before long, he was "playing like no one else on the planet," quoting an article from back then. Seems like yesterday!

And were close friends. RIP John Abercrombie.

the best comment sir

+chi1984 Thamk you, sir. I am just an amateur player.

Ricardo Moraes-Pinto what else could we ask for? Honestly?

Ricardo Moraes-Pinto I get through the first solo, then I suffer Coryell.... at that point I am certainly not thinking 'what else could I ask for...' I'm thinking please anything other than this will do....

Coryell (RIP) was a virtuoso, but he IS a hot dog here, no question.

Eh brother, hear what you're saying - opinions... Not an educated musician, just a lover of good music, and it's funny, how in today's world, the megaphone of the internet gives the people who aren't capable of feeling embarrassment a mouthpiece, but is so often "cringeworthy". Great musicians, great jams, some folks just aren't gonna get it. It's ok.

Well said these are my heroes and have helped to elevate jazz and fusion music not just guitar 🎸

I are really taking care of Monkey's opinions ?

Melodic? He's more dissonant than melodic.

@@troysanders7775 melodic dissonance. look it up.

@@troysanders7775 He's melodically dissonant

@sjb7183 He's rarely melodic which is why most guitarist I know don't like his playing. I also hate his tone but many like him.

@@troysanders7775 I understand your point of view. He's my favorite player at the moment because there's so much to learn from him when it comes to improv and harmony. I think you should dig into him more!

Closer to 250

He was out of his league here with true bebop players.

Great

I wish I had his moustache

as warrenZevon once sang "id like to know his tailor"

Loved his solo. How dare he take that talent to the grave. RIP Aber.

Con Artist i know it’s not a competition but O what a soul that man had

Bit weird are you a cannibal??

Took a few lessons with John when he was living in San Francisco with his girlfriend, Lisa. (The lessons were at her place.) I can attest to your experience. He was a truly nice guy. Just a really sweet man. So down to earth. I'd see him play at the old Keystone Korner and during the break he came out for a while and wanted to know my opinion on how he sounded. Just the fact that he wanted my opinion of this true master player's tone and performance was just ridiculous. He always had incredible tone, probably the best solid-body jazz tone I've ever heard. RIP my friend.

🤧👍

@@kevinpratt7105 wtf

They probably would be honored if you were sitting with them.

Yes!

Carlton isn’t really a jazz man.

And here’s the proof.

@crane4533 boring is carlton, sco is amazing

scofield el Mejor sin duda ....

ive commented on Pattitucci after gig shenanigans,perhaps that is what a girl wants?????

2年前からひろゆきとヒゲおやじの切り抜きやっててアバークロンビー好きとかあなたただ者じゃない！

+Giada Jade Ferrarin Cus Scofield is totally a jazz-purist. XD

of course :P

theMstanglover of course :P

+Giada Jade Ferrarin Every time you make a shit out of time etc..., thats the face of a real musician...

+Adrian Fernandez obviusly everyone can and has to play like he/she wants no matter bendings or tapping :) i was joking of course :P

Pretty sums it up, yes.

what the hell are you on about Larry Coryell deserved to be there ofc and i’d say he played a lot more in Tal’s than anyone there i don’t think one should compare in these situations but i’d defend coryell anyway because his playing just sings straight to my soul a lot more than scofield or anyone else here honestly i can respect them though and there’s no need to put other cats down

@@sumtin05698 ...well... you don't like it? It's your problem. You love listen to Larry and his picture is hanging in your living room shrine? Great for you. (unfortunately it won't improve Larry's poor playing a single bit... and you should replace the batteries in your hearing device)🤣

MrSteviedan totally agree.

but unfortunately that fkn vallley arts guitar robbed him of his tone 335 for Lazza ,he is so much better than that damn solid schmaltz emoter!

I liked this comment just for the use of 'streets ahead'

@@eltiempoyelespacionoexisten Carlton hater! Wow! What's wrong w/ his solo?

@@eltiempoyelespacionoexisten 'played shit'? Played less notes for sure, I wouldn't call it 'far from the level'.Nothing wrong w/ playing less, no wasted notes, great phrasing, melodic and yes simple and effective. But that's my opinion.

@@eltiempoyelespacionoexisten No, it doesn't lack 'language'.Music is a Language. The different styles are like 'idioms'. My guess is you meant to say 'vocabulary'. You mean he doesn't play expected 'jazz lines', cliches? Coryell went into som pretty country/wester rock licks, completely 'off' in terms of 'Jazz style' yet, I don't see you criticizing him. Nevertheless seem to me you know nothing about Larry Carlton's playing ability.. Don't you think he can play more than a few notes? don't you think he know how to solo over the changes of 'Autumn Leaves'? Have you ever listened to him playing and improvising over anything other than this. Because it sounds like you haven not. Larry Carlton chose to use a few notes because: Most everybody else had played plenty, shitting gears and going for something different and unexpected and 'less' is sometimes the most refreshing approach. More importantly, he used just the right notes to make the changes, even if they aren't all spelled out note for note, he's fully aware of them. Do yourself a favor and go listen to some of Carlton's classic solos: 'Kid Charlemagne', 'Don't Take Me Alive', (both w/ Steely Dan) and solo tracks like 'Nightcrawler', 'Room 335', also check out his excellent live record 'Last Night' - plenty of 'jazz vocabulary' on that one. Another great example of his incredible ability to play over changes is the solo on Christopher Cross' 'I Really Don't Know'. Then come back and try to tell me if he 'can't play over changes'.

He was never in or played with Dream Theater.

Lol

Just love his playing

I think so

..is a Tribe of savages here...welcome to the jungle.🎸🖤🤘