OK, this is the king of pianos.

And at only 120cm. This isn't even its final form, they have a 130cm upright.

@@ralphrestubog5519, oh... in my fascination I didn't realize it. I thought it was a 130. I did not expect that at all. But yes, those uprights are made under the same principle of the "Big Boys": Resonance Case Principle, same Bass Strings, Individual stringing, Sand Cast... That is what a respectful brand must do: every instrument is made under the same great principles! People can't be punished because they lack the resources for acquiring an Imperial. Ok, a 120 will never be a 290, but hey, it will be a premium upright. Too bad they stopped the 155. It would give a formidable Vienna Concert, even being a Baby.

@@JohannaA.5013 Bösendorfer does not use individually hitched stringing for their uprights. Only their grands. The uprights only get plain ‘ol loop stringing.

@@ralphrestubog5519 yes... 130 is quite good... But Steinway k 132 is great... And C Bechstein Concert 8.... and other top brands...I think get a piano and voice it....

It is the best. Bosendorfer's tone has no equal in my opinion.

Gounot

This is the full name and the composer of the piece: Johann Sebastian BACH, The Well-Tempered Clavier: Book 1, 1.Prelude C Major, BWV 846 All the rest are arrangements of this.

It’s the first prelude from WTC 1 by Bach

@@anjaeckert2846 I was taking about the second piece he played

LOL, this is Bach. The Maria stuff came much later.

bach prelude no. 1

Ha yes - that first piece is clear - what I actually meant: the Vavilov/Caccini piece that he plays after that (starts at 2:17).

It’s a pretty decent sound for an upright… I play a square grand with a phenomenal tone and this piano makes it sound less than of..

I’m not impressed with your opinion

@@thomasg321 I will try again sometime. You May beg to differ. Or not