Upon reflection, the oeuvre of Seiji Ozawa, particularly his interpretations of Berlioz, Bartók, and Brahms, imprints an indelible mark upon my consciousness. Intriguingly, these composers share the initial 'B,' a letter that also commences the name of the Boston Symphony Orchestra, a notable coincidence given Ozawa's frequent engagement with Berlioz's compositions from an early age. This serendipitous alignment of 'B's extends a whimsical charm to the narrative of Ozawa's illustrious career. It is a matter of speculative contemplation that had Ozawa ascended to the role of principal conductor for the Berlin Philharmonic, another entity under the 'B' aegis, he, alongside Toru Yasunaga, might have embarked on a global dominion of musical excellence.