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Loved your analysis of this movement. I've also always felt that 9:23 is the most beautiful part of the movement. Thank you for sharing!! Keep it coming!!

It’s so refreshing to see someone dig into the music and try to decipher the emotion in each part. So many people just hear the notes without feeling them. You can actually feel his love, hope, sadness, despair. It’s all there. It’s breathtaking in complexity. I mean It’s no “Große Fuge” which is incredible in its raw power and anger but it’s beautiful none the less

7:17 has ALWAYS been my favourite part of the piece. It’s like his heart shatters on that one note

Henrik, you do an excellent job in explaining the musicality of the composer's writing. My favorite part of your videos is watching you play. You do so with such finesse and beauty that you make it look so effortless as your fingers just "float" over the keys, something I admire. I love watching you play these beautiful classical pieces. Thank you.

There was this amazing analysis of this piece on some classical musical blog which I can't find - he found the connections between Don Giovanni's murder scene in act one and the dotted eighth note over triplets which comprise the basis of the entire piece. Look up youtube video titled Don Giovanni, K. 527, Act I: "Ah soccorso!... " You'll see the genesis of the triplet and dotted eighth motif. Of course that dotted eighth is famously the main rhythmic motif of Chopin's funeral march. It seems to be very effective in musical ruminations on death. Perhaps all these were all evocative of a tolling bell, signifying fate, and the inevitability of death.

For me, the most emotional chord change is the {surprisingly simple} IIm-V7 at 9:11 (from f#m to B7), just before what you assume to be the most beautiful one...

Moonlight Sonata is my favourite piece. I got so immersed in the piece when you played it ! Loved it 🤍

Very helpful for students, great job making this!

Outstanding analysis - such lovely playing - I really appreciated this!!

It literally joys my heart to see I’m not the only one thinking so deeply into pieces like this one I thought I was weird aha

Henrik I love your analysis of this one. Quite amusing but true. You sound like you speak from experience :)

Really a wonderful analysis. Captured my feelings perfectly. Thank you!

I love the way you explain and give the examples and the relation with the feelings of the author. Man: You are amazing 💖👏👍

Those suspensions are also the most beautiful part of the piece for me as well.

I am a heavily blues inspired guitar player but I love your videos immensely.

My favorite piece in the world.

Absolutely great interpretation, thank you

Learning this on guitar right now (transposed to Am) such a beautiful piece, it honestly sounds just as amazing on guitar as it does on piano, and I'm sure many other instruments. Thank you!

Great analysis and explanation Henrik! Your channel is very unique. Thanks 🙏

Excellent job! This is exactly what I wanted to watch! Thank you so much ..

Fascinating analysis plus virtuosic demonstration.

this is a great analysis. thank you

Your insight and interpretation is incredible. Very enjoyable watch, thank you.

Really like the format you analyze the music first and perform it in its entities. Well done!!

This is one of my most favourite pieces ever! It is so soulfilling and moves me to tears everytime I hear or play it. The chords sound perfect for my ears and this 1sr movement is pure perfection to me Thank you so much for this awesome video

I managed to play the whole piece after watching your analysis. It is really helpful. Before it, I always get lost In the middle of the piece. Thanks a lot for your comprehensive explanation. Love it.

Great interpretation Thanks 🎼❤️ Your technique is perfect 👌

Many thanks for another wonderful analysis Henrik. I have been playing this piece for 40 years but youstill managed to give me a few new insights into this extraordinary music.

Thank you. Please keep doing this job for us!!!!!!!

So interesting analysis as always… with the difference that I’m currently working on this piece and your explanations are useful to “feel” the piece more deeply and certainly help me to play better.

Great channel 👌

Super!!

This is brilliant. I need to finish off watching it tomorrow...

Henrik Kilhamn,vielen Dank für die hervorragende , professionelle und emotionale Erklärung von Beethovens Sonate.

I'm learning to improvise from John Mortensen's book. It's very helpful to see many of the building blocks John describes in the music. Your analysis really brings them out. Lots of your videos to watch. Nice playing as well. Thankyou.

Amazing!

just found this video and it helped a lot with my gcse work on the piece. thank you this video was really good!!!

Thank you Henrik for this lecture of explaning how the emotions of such beatiful music is written !!

Very nice emotional job. I am learning by ear. Very nice piano sound. Thank you

I love this channel

Beautiful.

Great vidéo ! Beethoven was really a genuis !

"...Art and Music can express tragedy, and we can experience tragedy in the music instead of our own lives..." You are not only blessed with talent with an instrument, but have wisdom as well! When I learned this piece 40 something years ago, I found at least two instances of the symbol X in the place of where a sharp would be. It would be many years later I found it to be a DOUBLE SHARP, and even more years later to understand why, in the chromatic scale, such an invention is required. Thank you again, Henrik, I look forward to spending too much time on your channel hahaha!

Moonlight is a word that distorts the feeling of the movement, imho the music is about something very dark and not in the sense of a cloud obstructing the moon.

New subscriber here, Thanks so much for these videos, enjoying your playing through and analysis of the music. This sonata is one of my absolute favourites. Never tire of hearing it or playing it. The fact that it is so widely known and stood the test of time is testimony to how Beethoven's musical genius can touch the human heart. Without words, without pictures, it can move one to tears.

I have recently started arranging Beethoven sonatas. Actually, I started doing it 2 years back, arranging the Pathetique Sonata for an orchestra. But I lost my previous drafts of it. I am working on it for the third time now, and I have a pretty good idea of where I want to have the brass instruments enter and what I want to do for each of the themes of the first movement. And after a few Mozart arrangements(including arranging Eine Kleine Nachtmusik for orchestra) and arranging Beethoven's Fifth Symphony for a chamber ensemble(which wasn't as hard as I expected it to be), I feel much more confident that I can go from piano score to orchestra than I did 2 years back. Here is the orchestra that I plan to arrange the Pathetique Sonata for: Piccolo Flutes Oboes English horn?(all the other woodwinds come in family pairs, so should I do the same for the oboe?) Bb Clarinets Bass Clarinet(I added this in the case that the orchestra only has 3 bassoons, but I still need the 4 note bass chords) Bassoons Contrabassoon ------------------------------ Horns in F(They will get the whole note bass line in the second theme of the exposition, where the left hand goes into the treble clef) C trumpets(standard orchestral trumpet) Alto, Tenor, and Bass trombones?(I have been told to just do 2 tenors and a bass if I am writing for 3 trombones, but would Beethoven approve that or would he prefer I use Alto, Tenor, and Bass trombones?) Tuba ------------------------------ Tympani ------------------------------- First Violins Second Violins Violas(sometimes supporting the melody in the violins, sometimes acting as a high bass instrument) Cellos(Both the cellos and the bassoons would sometimes be divisi) Double Basses(notating an octave above what Beethoven wrote to make sure it isn't out of range and still get that deep bass) ------------------------------- What do you think of my plans here? And would you want to hear my orchestration of the Pathetique Sonata once I am finished with it?

Thank you... You're good! Your enthusiasm is very nice... Every teacher should be like you in this manner. Thanks for your time and effort for sharing all of your videos. (I am writing this after watching 4 videos)... P.S.: How I would wish you could prepare some Clementi and Kuhlau sonatinas for beginners. 🤔

Very nice

Another fabulous vid. Thanks so much more these inspirational pieces. BTW. Who is the little guy who always sits in the corner of the keyboard?

great analysis - hadn't thought of the 'looking around' bit with the steady bass. Even though I've played it for 20 years. Your score doesn't have the una corda bit - that's the only really interesting part of the whole thing for me. However, your comment abut the 'looking around' bit might just change my mind! Thanks!

Love it

I'm learning this piece so thanks for this explanation‼ (-:

Gracias

did you see the video where Seymour Bernstein shares his findings and thoughts about the usage of the hairpin signs in the Romantic period music? It's quite interesting, basically they are not necessarily equivalent to cresc/decresc. He was explaining this in his video about the E minor Prelude by Chopin, should be easily searchable on YT. I wonder what you would say about this, since the Moonglight sonata's Adagio sostenuto has a lot of hairpins, and at the same time it has cresc/decresc as well.

Brilliant channel. You deserve more subscribers.

G sharp may have some meaning or symbol. if it is absolute music, left hand G sharp doesn't need to be inserted but he put it in when return to beginning.

it was originally named, "Fantasy for Harpsichord Sonata"

Hi! I am also learning this sonata, and my application to your analysis. I am heartbroken 💔 because my piano mentor quit his assignment in my area, moving away.

Hi Henrik, how do you manage to bring out the voice when you play so many notes together. What technical exercises do you recommend for this.

Lake Lucerne is Swiss countryside ;) but that doesn't change anything about the video, so just #caryon.

🔥🔥🔥

Hi - can you please do one for Schubert;s op 142 (d935) no 1 in f minor.? thanks! Great channel!

I LOVE all your analyses! Maybe my ear is off, but in both this one and the 3rd mvt, which also centers on the G# octaves, I feel like the lower register of the instrument is out of tune.

👏👏👏❤❤❤

Hello mr Snowden , your loyal fan again. Is lake Lucerne in Germany ? What happened ?

09:23 this reminds me so much of Handel.

Introspective? Thats how u would describe that ? I mean from the start you can can understand that what he feels is that the world has ended the damage has been done and he cant do anything about it and there so many things into this piece its amazing.he was really hurt poor guy ehhh what can you say at least he gave the world this amazing piece of music

my personal feeling is that it should be slower... the ones on iTunes... I feel if they are 6 minutes and 30 seconds or slightly longer, that's the speed I was thinking about... but that's my personal interpretation and feeling

Lake Lucerne is NOT in the German country side but in SWITZERLAND!

Sidenote: Lake Lucerne is in Switzerland and not in Germany

Very good but you ignored the most obvious anomaly of this piece, which is triplets and 4 beats combined, making is a bit hard to think of 3 measure and 4 measure simultaneously. That was the first thing I noticed when I first save the score

It's a prayer ...

Hi, seeking help in analyzing the G#sus in 4th measure. Why is the 5th also sharped? Need to know what's it called/reason behind it (music theory). Thank you.

I don't think I agree with the emotional interpretation - after all, it's not uncommon for a piece in a minor key to return to the minor key - but the musical interpretation is perfection - I would love to hear you preform it all the way through. A lot of the dissonance may just be Beethoven being "metal" - he loved his Neapolitans, and this movement is loaded with them. To me it's more of a reflection (not of moonlight!) than an essay about romantic disappointment. Perhaps reflection on mortality and acceptance of death.

You know everyone in my house hates this Sonata because of the somberness

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Hmmm. Was expecting an analysis. Sounds more like review.

This is everything. But why have you played so fast...

I do not hear the time difference when a dotted eighth - sixteenth is played on top of the triplet. Are my ears just too slow?

I love your analysis very much also your emojis. Your upright piano sounds great, although it is a little bit out of tune. Please avoid making any arpeggio like - during your analysis - in bars [18], 49 (twice) and 58. Sounding out of tune is romantic enough ;) The last two bars you play very different compared with your colleagues like Barenboim, Lesitsa, Arrau ...

Well My fam hates it because of the heavy bass and sadness

Or maybe...nah...not really... :) rofl

Why not just play it as you like it, or if you (not really) can't, just listen to recordings or fiddle with MIDI, a player piano... No deep analyses needed ;-)

learning it on the classical guitar i really wish I had been a pianist but the classical guitar comes very close to the piano

it has to be played VERY slowly

Gracias