Beethoven: Sonata for Cello and Piano No.5 in D major, Op.102 No.2

Beethoven: Sonata for Cello and Piano No.5 in D major, Op.102 No.2 - Brannon Cho

Рет қаралды 24,166

6 жыл бұрын

NEC Artist Diploma student and prize winner of Queen Elisabeth, Naumburg, Cassadó, and Johansen International Cello Competitions performs in Jordan Hall. #MusicMonday
Sonata for Cello and Piano no 5 in D major, Op. 102 no 2
Composer: Ludwig van Beethoven
Artists: Brannon Cho and Dina Vainshtein
Born in 1994, Brannon Cho has performed as a soloist with several orchestras including the Tokyo Philharmonic Orchestra, Brussels Philharmonic, Orchestre Philharmonique Royale Liège, Orchestre Royal de Chambre de Wallonie, and the Pyeongchang Music Festival Orchestra under world-renowned conductors such as Stéphane Denève, Christian Arming, and Frank Braley.
As an avid chamber musician, Cho has shared the stage with Christian Tetzlaff, Gidon Kremer, Philip Setzer, Stephen Williamson, Barbara Westphal, and went on a chamber music tour with Joshua Bell to New York City, London, Washington D.C., and Miami. His festival appearances include the Verbier Festival Academy, Kronberg Academy Masterclasses, Kronberg Academy “Chamber Music Connects the World”, Music@Menlo’s International Program, the Gstaad Menuhin Festival Academy, and the Chamber Music Society of Lincoln Center’s Encounters.
Cho’s recent solo performance highlights include the Dame Myra Hess Concert Series, Bargemusic Masterworks Series, and the Schubert Club of St. Paul. Next season, the Minnesota Orchestra, Rutgers Symphony Orchestra, New England Conservatory’s Jordan Hall, among others, will feature Cho as a soloist.
Cho received his bachelor’s degree at Northwestern University’s Bienen School of Music under Hans Jørgen Jensen, and is now an Artist Diploma candidate at NEC, where he studies with Laurence Lesser. Cho plays on a rare cello made by Antonio Casini in 1668 in Modena, Italy.
About New England Conservatory
A cultural icon that will mark its 150th anniversary in 2017, New England Conservatory (NEC) is recognized worldwide as a leader among music schools. Located in Boston, Massachusetts, NEC offers rigorous training in an intimate, nurturing community to undergraduate, graduate, and post-graduate music students from around the world.
The only conservatory in the United States designated a National Historic Landmark, NEC presents more than 1000 free concerts each year. Many of these take place in Jordan Hall (which shares National Historic Landmark status with the school), world-renowned for its superb acoustics and beautifully restored interior.
New England Conservatory
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Video Produced by Andrew Hurlbut

Пікірлер: 18

@steveegallo3384 6 жыл бұрын

Excellent performance.....Most enjoyable..... Gracias from México!

@dierotewand3297 6 жыл бұрын

very passionate.

@thomashunter6218 3 жыл бұрын

Please include bios for the pianist :)

@horiaganescu3948 6 жыл бұрын

Great! Thank you very much! Op. 102...

@gasparocelloman9852 3 жыл бұрын

Bravo.

@vanbistrow7145 4 жыл бұрын

Very solid, musical performance. But, why did the cellist change the last note of measure 7 in the first movement from D (as in the Beethoven manuscript) to C#?

@arctozolt8164 4 жыл бұрын

Van Bistrow there are a few copies of the score that misprint the D as a C#. I assume he followed one of these misprint editions.

@oxuri 2 жыл бұрын

According to my Bärenreiter Urtext copy, Beethoven corrected the d to c# for a later edition, but by series of misfortunes the d lived on. So, by recent research, C# is considered the right note.

@vanbistrow7145 2 жыл бұрын

@@oxuri Thank you for that information. I am sure that I can live well with either note! A great piece, beautifully performed!

@derekflanderschang9654 3 жыл бұрын

That little wire music stand plus the extra sheet gives me so much anxiety

@rloomis3 3 жыл бұрын

String players in chamber groups always seem to play with flimsier stands like that, instead of the sturdier black ones, for example. I've never understood that.

@__slayer__ftw8418 2 жыл бұрын

@@rloomis3 easier to carry stands, they usually come in cases, in places where music stands aren't provided. They are foldable while most of the sturdier ones don't. This is just from personal experience... I might not be correct!!

@rloomis3 2 жыл бұрын

@@__slayer__ftw8418 That all makes sense, but in a case like this, the performance is taking place in a setting (New England Conservatory) where there are tons of the sturdier stands available, yet he still opts for the small foldable type. There must be a reason (good or bad), but I don't get it.

@__slayer__ftw8418 2 жыл бұрын

I do understand the extra sheet though, the music has no rests for the page turns as far as I know, the first movement is 3 pages without rests for page turns.

@__slayer__ftw8418 2 жыл бұрын

@@rloomis3 Ah yes, some flimsy stands have the sticks that yiu can unfold horizontally so it can fit more pages! You can see it at the top corner of the stand. He didn't put it out though. Depends on what piece he played before.

@rloomis3 3 жыл бұрын

Obviously he's an excellent player - but I do hope he learns to stop emphasizing accented notes, etc., by enthusiastically tapping his foot. I found the added percussion rather distracting. (Either that, or start playing in his stocking feet. ;-) )

@__slayer__ftw8418 2 жыл бұрын

Head movement too, my teacher says head movement puts emphasis only on the first part of the note.