I (and probably other people too :p ) would love to see these stages in action, how they actually look like while working on a project. By that I mean that it would be amazing if you could make a video where apart from talking about/explaining them we could also see examples taken from real life situations where you are being a part of a certain stage, be it music, floey, adr or mixing. Being a future filmschool sound student your channel is excellent for me and others alike because the level of explaination of techniques, your overall knowledge and experience is through the roof but in videos like this I wish there could also be some "actual work" examples. Kind of like some "behind the scenes" of movies/shows/games where you can see how the sound people acutally work + your explanation of each stage would be unreal. Thanks for hearing me out and thanks for your amazing channel!

I appreciate you helping people for free and going in-depth and explaining the roots of everything properly.

Love seeing a TLM being used as the Podcast mic ❤

I was just asked by a director to do sound engineering for him because I was the location sound mixer. With little knowledge of how to do sound in post, besides what I have done in the past in the actual editing software, not in pro tools or otherwise. This clears up a lot and really gets me excited to learn and hopefully with a bit of research I can accomplish what he asks me to do!

This is a phenomenal resource for any beginner sound editor. Thank you Alex!

Great, informative video, thanks Alex.

this is gold - thank you!

U should doa video on DaVinci resolve Fairlight

Great video, thanks Alex

Thank you for all you share

You're doing amazing work here Alex, thank you! Question: if a picture editor doesn't use all the recorded tracks, but a mixdown, how do you get all the tracks in sync? Given that the slate has already been cut, and the takes are probably all mixed up etc. Thanks again!

Thanks Alex I really appreciate this kind of information!

Good one. More on how the sausage gets made. The devil is in the details.

Great as usual.

Can you please make a video about how to get audio levels perfect the first time when recording?

I have always wondered about how ADR works. Every once in a while, sometimes in fairly big budget films, I'll notice an ADR line stick out like a sore thumb. It seems obvious they were using a fancy studio mic in a sound booth rather than the boom or lav they were recorded with on set. Would it make more sense to at least match the style of microphone? Or is this just an error of not matching the quality of the sound properly? How do you even match two wildly different mics in different environments?

To make that “super proyect” that you talk about, do you merge the different OMF/AAFs in one, or how do you combine all those individual tasks?

Hey Alex, I'm always wondering what is really the difference between using a high pass filter on a microphone (like the RE20) VS applying a high pass filter in post on your preferred DAW.

Location : "Dont worry, they'll fix it in post"

Hello Alex! I would like to kindly ask you a real quick question that bugs me. Does it make any difference in quality of recording if I use: a. A lav mic connected to an iphone (levels set right with an app) b. The same lav mic connected to a field recorder such as the Tascam DR10L? Thank you!!

Alex, it would help me if you would play a short film without folio so that I can understand why folio is important.

Does the mixer do any eq or compression on the finished music mix?

KZfaq recommended me this and I don't even know what it is talked about here lol