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Berlioz: Grande Symphonie funèbre et triomphale - Odense Symfoniorkester

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Odensesymfoni

Odensesymfoni

Күн бұрын

Hector Berlioz: Grande Symphonie funèbre et triomphale
Conductor: Alexander Vedernikov
Odense Symfoniorkester
Rødovre Concert Band
Recorded: Odense Koncerthus - 22.03.12

Пікірлер: 8
@davidwright8432
@davidwright8432 10 жыл бұрын
A precise, acoustically clear performance of a piece of work which too often dissolves into a schmaltzfest. Nicely judged, beautifully performed! Kudos to conductor and performers.
@virgars.jakobsen6118
@virgars.jakobsen6118 11 жыл бұрын
Fantastisk musik. Godt spillet af et superb orkester.
@davidwright8432
@davidwright8432 8 жыл бұрын
Wonderful! Probably only Berlioz, with his mastery of orchestration, and flair for the dramatic, could have pulled this off without descending into bathos and schmaltz. O the bombast! O the Tragedy! O Mortal, attend! And he loves every moment of the pain. If you haven't already, try his 'Grande Messe Des Morts' -AKA 'Berlioz' Requiem'. In particular, the 'Dies Irae' and 'Tuba Mirum' sections. Cast of thousands, choir and orchestra! My favorite performance, available on You Tube, is by Charles Munch and the Boston symphony.
@ThePatsend
@ThePatsend 8 жыл бұрын
you're right but one must not forget that Berlioz Requiem has very soft and very quiet and peaceful pieces, specially a cappella; Hector has not only composed noisy stuff, he's THE post Révolution Romantic, he appreciated a lot poets
@liszacho6679
@liszacho6679 12 жыл бұрын
Fantastisk
@angel75020
@angel75020 10 жыл бұрын
Trop rapide...pas assez tragique, pas assez dramatique.L'esprit français de l'époque romantique et post napoléonienne n'apparait pas.Dommage, cela aurait pu être beau.
@davidwright8432
@davidwright8432 8 жыл бұрын
+angel75020 Oui. Un marche funebre doit etre presque lugubre, et solonelle.
@angel75020
@angel75020 8 жыл бұрын
+david wright , absolutely, this music is composer for ancient instruments,before the "revolution" of Adolphe Sax and his new cooper wind instruments, and Berlioz call for help the Bavarian horn players (then of passage in Paris), and all musicians reached 200 people during the ceremony, and 1800 the 24 july1846 at the great racecourse of Paris for a public concert. Berlioz Managed his music solemnly and with moderation.
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