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A singer in a class of his own, Mukesh was ranked, along with Mohammad Rafi and Kishore Kumar, as one of the greatest male playback singers in Bollywood history. However, his position was unique - while Rafi was perfection incarnate and Kumar was the astonishing yodeller, Mukesh was that man in a bar who would pour you a drink and would sing you a song for friendships' sake. His voice held a haunting, melancholic quality that could reach into your soul and move you to tears.
He was born Mukesh Chand Mathur on 22 July 1923, into a small middle-class family living in Delhi. He was first heard noticed by an actor and distant relative, Motilal, when he sang a song at his sister's wedding. Deeply impressed, Motilal brought him to his own house in Bombay and had him groomed by the noted singer Pandit Jaganath Prasad. During this time Mukesh tried his hand at acting, but his first acting film, Nirdosh (1941), was a flop. However, he got his big break as a singer with Pahali Nazar (1945) - picturised on Motilal, the song became a success.
Initially, his voice did seem to be imitating K.L. Saigal, but he acquired his own style in Andaz (1949). The film, a passionate love triangle, became a runaway hit and so did all of its songs, especially the Mukesh solos. As well as launching Mukesh's career, it created an association with the renowned Raj Kapoor that would last throughout their lives. Starting with Aag (1948) all the way through to Dharam Karam (1975), Mukesh sang for Raj Kapoor and together they produced some of the greatest film songs in Bollywood history, most notably in Awaara (1951), Shree 420 (1955), Anadi (1959)_, _Sangam (1964) and Mera Naam Joker (1970).
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