Waxman was exceptionally skilled in orchestration, and his ability to exploit every coloristic resource adds an extra measure of zest to this artful mingling of showpiece and synthesis - that, a fidelity to the essence of “Carmen” that could be expected only in such a sincere homage from one composer to another.

Kogan - the one and only!

Muy bien por Waxman, pero el Maestro Kogan también es espectacular y nadie dice nada