July 23, 2013 Ronnie Scott's - London, UK Wynton Marsalis (trumpet); Walter Blanding (sax); Dan Nimmer (piano); Carlos Henriquez (bass); Ali Jackson (drums)
Пікірлер: 55
@jimkost20025 жыл бұрын
Dan Nimmer is BADASS!!! That being said, a musician like KENNY KIRKLAND only comes along once in a generation!
@elderelis75595 жыл бұрын
When I first heard Black Codes I was totally blown away the technique and melody that went into the music. Nice to see Wynton musically reminisce on this track.
@missa75627 ай бұрын
damn....just damn 🔥🔥🔥🔥🔥🔥 loved every minute of this cut. thanx wynton for posting
@peterkaufmann48552 жыл бұрын
I love this performance, but it's so hard for me to hear this song without thinking of Tain's energy and rolling Elvin-like thunderous toms behind the soloists and Kenny Kirkland's incredible piano playing. The album version is etched into my memory for all time.
@AustinCasey5 жыл бұрын
Much more feeling here than on the original recording. Much more wisdom and purpose in his own playing too. I think his best period was early-mid 90s but his playing today is lightyears more soulful than in his earliest years.
@ljbegnaud5 жыл бұрын
Great to see Wynton playing in the quintet setting. Love the openness of that sound and the space it gives all the musicians to interact. Found his groove in the solo.
@paxwallacejazz3 жыл бұрын
Wyntons absolute best work when he was trying to follow in Shorters Footprints. Black Codes
@music-collective9 ай бұрын
This is superb 👏👏👏👏👏
@mediumstudio4 жыл бұрын
I LOVE THIS ALBUM
@Everette123310 жыл бұрын
Simply awesome! One of my favorites from you!
@wvtrumpet10 жыл бұрын
Great seeing this on here....Love these Tunes!!!
@sam896luc7 жыл бұрын
I am amazed that almost all the audience I can see don't move a muscle with all this swing. Are they so mesmerized?
@thomashood2520036 жыл бұрын
I would be jumping out of my seat !!! this is HARD swing...dammit so fucking hot !!
@Dm574110 жыл бұрын
Dan Nimmer doesn't get enough props - imho :)
@thomashood2520036 жыл бұрын
ohh he is a beauty..what chops !!!
@trestresbrel10 жыл бұрын
Walter Blanding is great
@erichuang75245 жыл бұрын
"The Black Codes were laws passed by Southern states in 1865 and 1866 in the United States after the American Civil War with the intent and the effect of restricting African Americans' freedom, and of compelling them to work in a labor economy based on low wages or debt."- Wikipedia
@ziruini50714 жыл бұрын
restored slavery in everything but name
@mrkaycee283 жыл бұрын
Thank you
@fred5921010 жыл бұрын
merci monsieur wynton marsalis pour un moment de musique y love the trompet
@rjfotografo8 жыл бұрын
master piece !!!!
@delicious98245 жыл бұрын
this tune is so rhythmical!! I like it.
@BobsTunes210 жыл бұрын
Awesome!
@kaalima10 жыл бұрын
The Trumpet Master at work !!
@RogerBiwandu2 жыл бұрын
"Black Codes (from The Underground)", I named this album "The Bibble" so it's an important album for my development into the Jazz music, what a cast : - "Skain" - "Steep" - "Doc" - "Netman" - "Tain"
@jalmirdesousasilva825610 жыл бұрын
Very soul !!
@crunchtimebernard10 жыл бұрын
Dang he's good
@Ericstlaurent2 жыл бұрын
LOVE how he quotes the head at 3:30
@RyanGaujot10 жыл бұрын
Great Music! What mics do you use for the horns at this gig?
@honeybiscuitsinc6 жыл бұрын
The syncopation is incredible
@MiguelMilicio10 жыл бұрын
Better the original, with the great Kenny Kirkland (1955-1998) at the piano, and others. Marsalis' solo is better too. Marsalis Wynton - Black Codes
@alexbonahue33223 жыл бұрын
I don’t know man I think this version sounds a lot fresher and Marsalis a lot more mature also I think there’s undeniably more communication and riffing and breaking the song with this group then the original
@mareaumusic10 жыл бұрын
imo the fantastic sound of the monette steps behind poor live micing/mixing. maybe intended to give the mix an authentic live feel, but... - Nevertheless, listening to master Marsalis and all of his stage mates is always a joy.
@superdiscount1006 жыл бұрын
same prob when I saw Blanchard there years ago. Something was not right..!
@antonioalbertojuniorreis9333 Жыл бұрын
How much cost to be there?
@crdxeneize10 жыл бұрын
One day can I be like you ? :(
@fernandolimadelfino244810 жыл бұрын
Originall cool
@ouruhuru5 жыл бұрын
Henriquez swings.
@michaelabbo27795 жыл бұрын
Don’t get me wrong I think wynton is honestly probably the most important and influential jazz musician of today’s musicians and he will certainly keep getting better but this song was way better on the album and this does feel a bit dull in my opinion. Just personal preference but what made the album version better was that it was a tad faster and also it swung way harder
@simhendra23777 жыл бұрын
2:21
@user-cc2sn2yk5q3 жыл бұрын
πολυ καλό,αν και "πολυ τζαζ",για μένα.
@SuperMaDBrothers3 жыл бұрын
1:24 did the pianist yawn? Lol
@limbanimunthali385410 жыл бұрын
I reall need to be trampet player like you.
@lenslemonbenzem69074 жыл бұрын
bravo brava. walters curved-soprano so much cute. if i say wynton then lyrical
@user-cc2sn2yk5q2 жыл бұрын
τα τύμπανα ακουγονται,κ ο σκηνοθετης δεν τα δειχνει.τεραστιο λαθος του.στην αρχη αναφαιρομαι.
@boschblue3 жыл бұрын
The pianist looks like the handsome version of Mr Bean.
@alexgurr21186 жыл бұрын
Piano player yawns at 1:27 caught on video how much he doesn’t wanna be there
@thomashood2520036 жыл бұрын
better than Lee better than Clifford betta than MILES !!
@ziruini50714 жыл бұрын
nahhhh
@baltostar110 жыл бұрын
This tune is from Wynton's very early days -- back when he & Branford first debuted on the national stage -- and back when I actually paid $ to see Wynton. Unfortunately, today Mr. Marsalis can't even play his own music without it sounding like an archaeology dig. The tune has lost any authentic underground feel it once may have had. It just sounds like some rich bored cat noodling away attempting to evoke what someone else's music from long ago might have meant live - except that it's his own music ! Wynton just isn't the right fellow to lead jazz out of the doldrums. Never was and Columbia dropping Woody for Wynton was the most brain-dead move ever in the history of big label jazz.
@patriciagullickson95917 жыл бұрын
Balto Star their isn't any one person gonna take jazz out of the so-called doldrums.... only the music can do that..
@CrowleyStarkey6 жыл бұрын
I couldn't disagree more, Wynton has done more for jazz in the last two decades than anyone else. Through Jazz at Lincoln Center, and getting jazz integrated back into television, he's been reaching more people and bringing somewhat of a respect to the music. He also has a certain authenticity in his playing that is generally in short supply nowadays. I'm not saying he's breaking any new ground musically like Woody did, but I think he's more than qualified as an intelligent, talented, articulate lover of the music. That's just my view on it though :)
@duecejsmooth26 жыл бұрын
I don’t think Woody would agree...
@ilesjazz6 жыл бұрын
I agree, Black Codes is a fantastic record and this performance is no match for that record. Jeff Tain Watts is exceptional and this drummer is fantastic but Tain is a hard act to follow and this all just sounds a bit dull. Still a massive fan of Wynton but his music changed many years ago and maybe this wasn't his best idea to do this. I do love all the House of Tribes videos, they are truly inspirational performances from Mr Marsalis but this doesn't do it for me.
@chuckvedrene7035 жыл бұрын
ilesjazz guys. Simmer down now. Jazz is too old now to be groundbreaking only. It’s a very very very large genre now. These are the keepers of an old flame. Museum curators if you will. Believe me I was there when the next wave of Jeff Tain, Kenny Kirkland, Kenny Garrett, did this exact music and it smoked mercilessly. Mercilessly. 15 minute + burns just cause it was swingin too hot to stop! Terrence Blanchard walked in and I swear it was one of the top 5 performances of my young 5 decades of life. Cats totally forgot we were there. And I’ve been to over a thousand performances. Now if Chris Dave, Robert Glasper, Tivon Pennicott, Esparanza Spalding, and Yelfris Valdé did this music then all you guys would be shedding tears of joy. Glad you flew to the gig you knew you would die if you missed. This here is memory jazz. The jazz that takes flight section is in a different aisle guys. Thanks for shopping though. Nostalgically speaking I’m very fond of this show. As we should all be.