How atmospheric cinematic photos are created.
photographer Pauline Washington
/ polina.washington
polinawashington.com/links
/ @polinawashington
Polina's useful telegram channel t.me/visionroom
13 issue is ready!
Our guest is a photographer who is known all over the world.
Polina has been repeatedly published in foreign communities and magazines, her style is filled with bright harmonious colors and the atmosphere of cinema. Her pictures are bright and recognizable.
Open, simple, easily shares thoughts and secrets. Polina has several interesting educational projects, as well as author's inspiration photo books.
This issue should not be skipped, like all the previous ones.
We talked about how the shooting style was changing and emerging. How cinema influenced the approach of shooting Polina. We talked about working with constant light and how the shooting of projects is happening now. And also about many interesting secrets.
Enjoy your viewing.
00:00 Intro
00: 40 Presentation of the guest
01: 24 How was the cinematic style of night shooting born?
03: 40 About the case that influenced the further path
05: 30 I have been doing night shooting for only about a year
06:46 How did the audience react to the sharp change in approach and style?
09:02 Everyone unexpectedly liked the night photo
11: 07 If the night shooting gets boring, in which direction will you move on?
12: 37 About camerawork training
17: 20 Is there a chance that you will move from the photo to the video?
21: 40 The moment that slows down a greater immersion in the video
23: 17 About the characters for shooting, how do you look for them and are there any criteria?
25: 26 I found a hero for shooting, what are you doing next?
26:26 About shooting still lifes
28: 20 How to change the state of a static hero through color and light.
28: 45 About experiments with light and why constant light, and not pulsed?
30:58 Do you work with an assistant or solo?
32:04 About an inspiration book, for what, for whom?
36:40 Why is everything in English, from where how did it happen that you have an audience from abroad?
40: 28 A couple of tips from Polina Washington for photographers.
45: 04 About the drawing of the photo book from Polina and goodbye.
P.S.
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