True. Just loop a section and then give a thumbs up and things down when on or off

Can you like, shut up?

This is my least favorite thing music KZfaqrs do. Turns what could be a great video to frustratingly unsatisfying one

Do you guys OCD about everything in life or just guitar videos on KZfaq?? I think he did a great job.

​@@markhamblin8194Man... Are you telling to everyone you disagree with that they're suffering of OCD? They just gave useful advices... And they're totally right! It's much more difficult to hear and learn when someone talks between two piece of audio while there are some subtle changes. The same applies to photography, and other stuff... I think the Dr. will lose audience if doesn't take this insight in consideration. I don't want that for him 'cause the content was nice!

Fantastic!!

Mids that's the secret.

That's me totally too!!

100% I’ve been using de-essers on live gigs on guitars for years.

So is a D.J. doing this ?

@@TheLydian23 I think they subscribe to a music feed. [edit: actually they have videos playing for all the songs, too, so I'm pretty sure it's a feed.] But whoever set up their sound system did this, yea. It's clearly intentional because the vocal frequencies are so low you can barely understand (or hear for that matter) any of the words. The side effect is you can't hear the usual restaurant noise because the music is so loud, but you don't have to shout over it, because your voice is in that pocket. If you go between noon and dinner, the music is quieter and you *can* hear the lyrics, so this is likely a preset.

@@KarstenJohansson Ooh, music without annoying singers, that's paradise!

Great, now do something about those annoying keyboards that I guess are needed because the guitars are so boring...

Can I put 87 ‘likes’ on this, please? I’d like to put 87 ‘likes’ on this. 🤷‍♂️

Speakers are king for guitar tone

The older "marshall vintage" version of those, from the 80's sound warmer AND clearer

Honest question, I have 6505+ 112 people say the vintage 30 is good to clean up the muddiness would you say it's good for this instance?

@@kevinm.n.5158honestly I found the stock sheffield quite nice, and still use one to this day. Your EQ is key, and you can get some amazing sounds with the stock 6505+ combo. Those ones tend to *need* a boost of some sort, and I love using the Boss SD-1 (cheap! sturdy! less nasal than the TS-9!) and use it with the gain at 10 O’clock, the Level at 1 O’clock, and tone to taste The 5150/6505 series & its derivatives are all *super* midrange heavy, and so too much on the dial on the amp can loosen the sound, especially at higher volumes. You can scoop the mids some, or even a good bit, on this amp & be plenty heard, especially if you tighten it up with a drive of some sort. If you rly want some extra juice, use a higher mid setting on the amp, and pull some 750 hz with an EQ in the effects loop - less is more with cutting that frequency, but it gives you that “surgical” precision that really tightens up riffing

Totally agree Peter!

Thanks Bobby.. so do you not also high and/or low pass aswell on these guitars and if so what frequency?

Angus puts his gain on 3

@@hadleymanmusic - there’s no gain knob on a plexi though

Without a whole lot of gain either. Just some nice mid range goodness and well supported by the bass.

You guys ROCK!

you mean cutting below 50 on kick and bass?

​@@albusking2966nah the guitar, that way the guitar low frequenciea don't interfere with the bass and kick

@@jrdoughty13 oh yeah for sure

Thanks Plexidust!

Thanks for watching!

Thanks Dave!

Haha! Thanks Tim!

Thanks Pete! Try it!

Thanks Greg!

Thanks Root!

Another huge part of Van Halen's sound is ONE guitar panned right or left, with subtle reverb and delay in the opposite. The space puts your attention squarely on Eddie's amazing rhythmic talent. Not to mention leaving room for DLR, Anthony and Alex. Ted Templeman could have made the easy mistake of doubling or tripling Eddie's rhythm guitar. But he did not, and that is near genius.

@@guitarmon100 100% 👌 Many producers and guitarists are now doing a similar process.

that’s exactly where the tubescreamer boosts

800hz = TS!

Yeah he was super aggressive with that MXR pedal, but it factored into that early Boston sound in a huge way.

Definitely true, you can hear it so clearly in Boston. I think he needed very defined ranges for each instrument for the big mixes he put together.

@@AJPMUSIC_OFFICIAL I always thought Boston stuff sounded overhyped in a bunch of places.. Sounded good on AM radio though.

Thanks Pickett!

Thanks Ant!

JAAAAAAAVV!! Thank u my friend!

Agreed!

Use a compressor to delay the cymbal attack so that they "bloom". Also, if you're able to isolate them enough, turn them down some.

Thanks Baker!

ABSOLUTELY!!!!!!!!!!!!!!

Thanks Nexus!

Thanks man! David is a great friend, fishing buddy, and super talent. I worked on The Warning record with him and it was a pleasure! Check out Dan Korneffs mixes too. Another fav of mine!

I’m not sure if Dr Bob is likely to comment on his cousin Dann’s guitar tone 😊

@@forthecreator1 heh. you.... are just kidding? 😅

@@doodaddy1454 no not kidding. Bobby Huff and Dann Huff are indeed cousins. Both live in Nashville and both work in the music industry as producers

Haha! It’s not on the guitar it’s a keyboard affect

Hahahaha

And yeah hate me for self promoting but I think this is some turn as loud as you want and it will only sound good guitar: kzfaq.info/get/bejne/pJd9a8mAnLyvhmg.html

Yes hard L/R

Misery Business by Paramore

@@BobbyHuff thanks you very much

Fundamentals in this case would be lower, also he's doing wide boost affecting multiple overtones. Also fundamental/overtones is not really way to think when EQing distorted guitars XD

Low pass = High cut. So you cut everything above 1.5k? Or cut everything below 1.5k? (high pass)

@@danielbentley7117 It's a high cut. There's not really any point keeping the high frequency information above 2k for the rhythm guitars.

@@Pinkybum Cutting everything above 1.5k is just wrong, sorry. Sure, you can tame the highs at 2k with a bell cut like in the video, but you don't want to cut EVERYTHING above 1.5k. A typical low pass on rhythm guitars would be 6k - 8k, then you could have another bell cut at 2k, sure. But you don't low pass at 1.5k, who told you to do that?

@@danielbentley7117 Nobody told me to do it - sometimes it isn't necessary for that information to be there. It depends what instrument voice is providing the mid-frequency information. Sometimes mixes are really dense and if you have, for example, an acoustic guitar providing the high frequency information in the arrangement then maybe don't have them clash.

@@Pinkybum Sure, it's genre dependent. The example of rock though, it doesn't work.

Don't use cymbals. Problem solved.