Bonnie and Clyde Break Hollywood

  Рет қаралды 682

Dustin Reckling

Dustin Reckling

11 ай бұрын

They're young, they're in love, and they changed cinema forever.
Sources:
- Bosley Crowther review: www.nytimes.com/1967/09/03/ar...
- B&C Ending, “Dance of Death” cinephiliabeyond.org/bonnie-a...
- Pauline Kael New Yorker writeup - www.newyorker.com/magazine/19...
- Roger Ebert interview - www.rogerebert.com/reviews/bo...
Music:
- Take the Money and Run - Steve Miller Band
- Talk to the Animals - Sammy Davis Jr
- Pineapple Rag - Scott Joplin
- Somewhere in Your Heart - Joe Reichman & His Orchestra
- Eye 2 Eye (Sharingan Bump) - Marcell2aG

Пікірлер: 6
@scottstallings5029
@scottstallings5029 10 ай бұрын
Fantastic 🎬movie! Thank you so much 💓
@anthonyanderson2405
@anthonyanderson2405 11 ай бұрын
Brilliant analysis of a brilliant film, thank you!
@teddyfurstman1997
@teddyfurstman1997 10 ай бұрын
This Movie was so iconic for its time. A true start to the New Age Hollywood system.
@DustinReckling
@DustinReckling 10 ай бұрын
No wonder it's stuck with me all these years! So layered and beautiful.
@WestVillageCrank
@WestVillageCrank 11 ай бұрын
Crowther had long past his sell-by date for the NYT, but Kael was not his replacement at the Times. Kael was the film critic for THE NEW YORKER. Fun fact: the undertaker's (Gene Wilder) girlfriend was played by Evan Evans, wife of John Frankenheimer.
@bobbyjosson4663
@bobbyjosson4663 10 ай бұрын
This video is woeful, making grand statements that can't be backed by a cursory look at the films. It's too black and a white. The New Hollywood didn't create the auteurs, they've been around since time for decades. Nor were they ushering in a gritty and pushing out the escapist, for they always travel side by side. What changed everything was the repeal of censorship in '68. As for bringing in feminism - you may want to do a search for how the Banking Foundations that backed it and what their purpose was in undermining the family unit.
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