مو خطير اخطر ولا شي عازف عادي اهذ شهره فقط هو يعزف صولهات بس عزفه كويس بس مافيه احسااس عادي اذا ما تفاهم لا تتكلم بشي ما تفهم فيه وبعدين الكمنجي اذا ما يوصل الاحساس مابيتسما خطير يتسما عازف فقط

مو خطير ولا شي عازف عادي ومتمكن هو يعزف صولهات بس عزفه مافيه احسااس اذا ما تفاهم بالكمان لا تتكلم وبعدين الكمنجي اذا ما بيوصلك الاحساس مابيتسما خطير يتسما عازف عادي فقط زيه زي اللي بالفرقه

I completely agree with you! I lived for some years in an European country and as a oud player I made friends interested in Arabic music. One of those friends was an "Oriental belly dance teacher" along with other traditional dances and the flamenco. I was shocked to see her and her students performe a really good dance/choreography on the song "Ya msafer wahdak" by Mohammed Abd Elwhab... especially the second part على نار الشوق أنا حاستنى وأصبر قلبي واتمنى /من مقام البيات نوا / صول) ...إحساس يدمي القلب. They were dancing joyfully on the instrumental version of many great Egyptian songs (Alf Lila ou Lila, Aziza, Batwanes beek...) with the focus only on the rhythm and moving according to it (Baladí, Saaidi, Malfouf, Zar, Masmoudi, Maqsoum....). The "Belly dance" teacher asked me to help her do a research on Badia Masabni, Samya Gamal, Tahiya Kariuoka, Naima El Masriya.... She had watched almost all available videos of the greatest belly dancing schools and style and had studied all the moves and techniques (not to mention the inspiration of dancing suits and accessories from old Egyptian movies). The great performance of Sir Mahmoud El Guercha is unbelievably good... it's like listening to Oum Kalthoum's voice incarnated in the violin 🎻