I was an extra on Tomorrowland, and I can attest to Brad Bird's playfulness in his daily work, at least from my limited exposure to him. Our first day on set we're all dressed in period costume, milling about before shooting begins, and in the background is this older guy with glasses and a backwards baseball cap running around filming everything with his iPhone, with a big smile on his face. Not knowing what Brad Bird looked like at the time, I thought this was just an enthusiastic grip or gaffer or somebody. Then we all sit down for some announcements from the first AD, who gives us the schedule for the day, then hands it off to Brad Bird, who wants to talk to the extras (feature directors very rarely interact with the extras). We all sit up and look around, and up to the stage runs the guy with the backwards baseball cap-Brad Bird. He's filming the crowd and has a huge smile on his face. He introduces himself and tells us about the film, reminds us of our importance to the atmosphere of the film, the context of the scene and so on, again not something you usually get from a director. He treated us as professionals, not just "extras" but background actors, and made us feel a part of the film. Throughout the couple days we were shooting, he just seemed like a kid with the most expensive toys in the world-clearly living his dream. Very professional still, but he just exuded this pure joy, you could tell he absolutely loved what he was doing. The way he directed young George Clooney, he didn't talk down to him as a child, he crouched down to his level and spoke to him as a peer, he levelled with him, and I can't think of any better way to get a great performance out of a child actor. I only spoke with him very briefly, just exuding praise and admiration cause I couldn't do anything else, but everything about him just seemed genuine and playful, as this essay so eloquently illustrates, and that comes across in his films. That's just my perspective from my experience on set.

Brad Bird came to a Q&A that was mostly filled with animation students and he stressed the importance of studying film, not just animated ones, but all film. Animators are film makers as well, ... we just have to spend a little longer on our final cut.

I've always loved that shot compressing the space between Edna and Helen.

Maybe that's why I felt that the characters in The Incredibles were more like CGI actors than, well CGI. I've never seen an animated movie feel so real.

Brad Bird is one of my all-time favorite filmmakers because he so consistently treats the medium of animation with such respect and legitimacy. It's really inspiring and makes for some fantastic films.

PAST: used to think that Brad Bird was just a good director. NOW: Completely mesmerized how AMAZING this guy is!!!! The way he makes cinema and loves this artform is absurd. Thanks for bringing this up!

He's right, it's not a genre. This mentality is the reason people in the west only see animation as stuff for comedy and kids.

Questions ; - Where can I learn more about Brad Bird? - Where can I get his notes in color? - How do I chose a film aspect ratio? - How does Brad Bird compose still shots? I loved video this, Brad Bird is the best director.

Brad Bird is someone Hollywood needs more of. Especially in modern day Disney who is doing nothing more than just recreating their old movies for the live action. He's the definition of a man who sees animation as art much like Walt did back when he was alive. I hope one of these days he can become a leader in the field of animation.

When I was picking up a copy of Ratatouille, I let my mum know when we were getting into the car why I wanted us to watch the film again. And I said, and I quote, 'it was directed by one of the greatest directors of all time; Brad Bird'. And honestly, a LOT of people have inspired me, but Brad Bird is something else. He not only makes fantastic films, but he's everything I aspire to be. Because when you're thoroughly enjoying you craft, the final result will turn out amazing and something that will always bring a smile to yours and others faces. So, in whatever you're doing. _Whatever_ project you are working on- make it _your_ project. Make it personal. Make it represent *you.*

This 1-2-3 structure is fantastic. It’s what makes his work so dynamic, tough to get bored or distracted as he demands your attention. Very elegant stuff

For me, the scene in the Incredibles where Syndrome sends missiles to Helen’s plane will forever be unforgettable. The tension, the voice acting, the perfect capture of facial expressions of the characters... it is one of the best scenes in animation history.

Was literally about to call you out on the 'animation genre' thing but you did it yourself - perfection. Excellent work on this channel!

Another great, thoughtful essay. Bird understands story. That's why his shots and movies feel so perfect and organic, and why his elaborate moves work whereas those of J. J. Abrams and other 'lens flare' directors don't. Bird is telling a story. Everybody else is planning around effects. I have a pet theory that directors like Bird read a lot of real novels, classics and new--things with complex, layered stories. It shows in how writer-ly his movies are, full of nuance, the visuals communicating as much as the soundtrack and the dialogue.

Brad Bird is my favourite director ever, I sent a letter to Pixar in California and received a signed Incredibles poster. I dream of working with that guy someday.

I really enjoyed this video. In particular, the edit from The Incredibles to Tomorrowland at 2:18, is just super slick and well done.

As an animation student, Brad Bird brilliantly shows how animation doesn't need to get confided into one spectrum, and the way he plays with the rules of cinema just proves that sometimes keeping it simple is the best way to go... Great job, loved the essay!

This channel is an absolute delight. Well-researched, wonderfully edited, pertinently written. Thank you so much for this amazing analysis!

Brad Bird is THE BEST! Love this video.

FINALLY! Someone who knows animation should be treated as a medium, NOT a genre. As an artist aspiring to work in the animation industry, you have no idea how refreshing that is to hear.

I feel like he didn't get enough acknowledgement for working on the Simpsons. Especially for Sideshow Bob and the Bartman

i agree Brad Bird doesnt get talked about enough. He's a great director. Thanks for this video. Very useful for me as a director and also a video essayist making videos about the film work in my home country. You get your points across very well. Love this channel.

You punch that guy Brad. He absolutely deserves it. I think the same thing about anime. The conception that it's a separate genre is harming most of the work in the "genre". Too many anime shows and movies have become obsessed with idolizing the status quo, which isn't that good to begin with. Not to mention a horde of fans who don't know how to tell good storytelling from bad. They only know what's different and what's not. I remember an incident where fans complained when the animation in a few episodes of Naruto got BETTER. I know I've gotten off topic, but I love how anime has a constant stream of creative settings compared to American film. But it all too often gets stained by bad practices.Most of Studio Ghibli's movies are a great example of the creativity without the negative aspects common in most anime. If you've gotten this far, thanks for being willing to read through my rant.

Sounds suspiciously similar to Tony Zhou from Every Frame a Painting.

Thank you so much for this!! I've been trying to put my finger on what helps Brad Bird's films feel so distinctive and I think this captures some of it.

I always wanted to become an animator. But still, after years of dreaming, I had a thought. I like animated films so much, but I don't enjoy animating that much. What I enjoy is writing, or more- directing. I only like animation because it includes acting and drawing, but I love writing and directing for reasons that honestly, remain unknown to me, other than creating other worlds that people can watch. But now I know what I want to do, and I know Brad Bird has inspired me so much to stop worrying about what people are thinking, and as long as I create something I'm proud of and have *fun* doing it and working with people, I have nothing to lose. (Except maybe money, but people that work out of passion always have an audience, even the biggest animation studios started from that like Pixar. They may have lost some of their dream and will-and by that I mean Disney got their grubby little hands on it-but there was always an audience for playful cinema.

I never thought a video could summarize all the aspects I love about my fav director. Turns out you've nailed quite the most of them. Cool

This video deserves so many more views. So well done!

So good, man! Brad Bird is one of my favorite filmmakers.

Well told and interesting thing about the 1..2..3.. flow. Maybe next is to follow up on this with the speed and rithem of the easing in and out of the camera but that could be too technical

Are you Tony Zhou?

There is something so satisfying about how the camera is in sync with the eye roll at 3:55

wonderful video, made me appreciate Brad Bird a lot more. He really does not get enough recognition from film fans . Great work Andrew, please keep em coming.

Very interesting your perspective on Brad bird's choice of shot placement. Although I have always admired his interpretation of character development, little actions that lead to me getting super interested on their personalities.

Great work man!!! Awesome!! very observant and well researched!!! i love your video essays!!! Always interesting and informative and something (skill/tool/technique) new to be learned everytime!!! how you analyze and pinpoint the style of certain filmmakers is a testament to your skill and attention to detail!!!! 🖒🖒🖒

I was about to dislike this video when you said “animation is a genre” but then I calmed down when you played Brad Bird’s clip I’m calm now and I’m now subscribed to your channel and gave you a thumbs up!

Good work Tony

Great video! Love Brad Bird's works!

The ending is a masterpiece for this type of content, thank you for this video Brad is the best

Brad Bird is up there with Edgar Wright when it comes to impressive story telling.

*Sees another KZfaqr (Dan Floyd from "Extra Credits") share this video* *Watches the video* *Throughly impressed* *Sees view count* Me: WHAT?!?!? That can't be right!!! I feel like I need to go on a crusade to help you get views for your quality videos man lol

Doubt you guys will read this, but I've got a fair bit of experience in screenwriting a lot of the study of film - this video essay was really, really good. You've just shaped someone's writing.

You're channel is incredible.

finding your channel made my day, thanks :)

Fantastic video, great analysis of Brad’s form!

This one made me smile. Another favourite of mine is the Every Frame a Painting essay on Satoshi Kon on Editing Space and Time.

Beautiful video!!

One of the best videos I’ve seen in a while

I find interesting how those speed up camera movements on the first scene of Ratuatuille used to explain the three part scene, looked like it had been directed by Guy Ritchie.

Brad Bird is my favorite director and inspiration to make animation what I want to do for a living. His work is the best.

Interesting video. Thanks for making it.

I love your humor A+ on not taking your video essays too seriously lol

Great video, thanks for making this content.

loved this

I like the way you analyze Brad Birds films

I'm pretty sure you are youtube's cinematography hidden gem..I am going to use all of your tips. Your perspective has mad film fun again. (IT'S NOT ABOUT THE CAMERA!)

Really well done!

I never realized how similar Brad Bird and Wes Anderson are... Because they're so very different in so many ways you don't notice the similarities. Depending on what you look at they're either polar opposites or extremely similar. Interesting.

Amazingly made essay to one of the directors I consider a mentor. And major props for a funny way to end this essay! =D

A few people in these comments have praised the Incredibles/Tomorrowland cut at 2:18. But I like the moment at 2:47 when it cuts from Hogarth in The Iron Giant saying "Bad robot!" to a shot by J.J. Abrams. (Because Bad Robot is the name of Abrams' production company - the company under which Bird directed Mission: Impossible - Ghost Protocol.)

Excellent video!

Did I just find my new favorite youtube channel?

This was REALLY good. Not just a verbal wank-off about something popular in pop culture. I really feel like I learned something, and your editing matches your points superbly. Bravo!

wow. i just fell in love with your videos. great job!

Amazing analysis!

Lovely videos! Great work !

Incredibles rules, I need to see Tomorrowland now.

PLAYFUL. THAT'S the word I've been looking for! Great video!!!

You had me at "Oh." Subscribed.

As an aspiring hand-drawn animator as myself, it would be so awesome to one day see one of these videos talking about my "style" and cinematic techniques to make me realize what I am. Sometimes you don't know how unique you are until some essay-writing film student makes a video like this!

This is so odd, because I've been thinking about how I would direct films and this video, at least with camera and tone, has shown me that Brad Bird's style of filming something is very similar to how I would do things. Except I don't like the idea of putting rules in there. Rules are for people for are too concerned if they're doing it "right".

This is fantastic!

As a student who just took up film as a major, this got me even more excited for my future classes >3< Subbed!!

Thank you. SO much.

That was fantastic! Thank you!

Awesome video man

Awesome Video, thanks!

I'm in love with your channel. I can't stop watching.

WOW! Great video!!

Wow that ending shot! :3

Great video, i subbed, you deserve more!

This video made me tear up for some reason... I love it!

About R-rated and war animation films, I highly recommend Waltz with Bashir

Nice job. Great comentary.

I love Brad Bird's cinematography

dude! you are amazing! great great essays!

thanks, I loved this

2:18 I've seen this video so many times and I only now notice the overlap in this transition

I love this video, you make some very solid points. Any chance you can upload those 1-2-3's in their original speed, as a little extra? They work in this video as they are but I'd love to see and study 'em all together.

I love tomorrowland too and I'm fucking proud of it

Great video! Really made me appreciate Brad Bird more. The music you're using, is that El Ten Eleven?

that shot in king of the hill is supposed to be bland, it reflects the life in that town.

amazing breakdown !

Great video and very well verbally and visually composed. I enjoyed Tomorrowland as well much more so then John Carter (not that that was bad). Look forward to more of your videos. Best day & Best wishes to you & yours. :)

You're so brilliant! Your videos are amazing!

I know at least one or two other directors that can be described as playful, but my number one pick would be Seijun Suzuki. From the most serious stick in the mud film to his most absurdist comedies, the guy just has this knack for highly inventive filmmaking that was really the result of someone who loved to experiment with his films and just.... do stuff. Like even a super archetypal film like Tokyo Drifter takes on a whole new level by just how much love and passion the guy puts into making every frame this wild almost pop-art style. He never was a very deep filmmaker, but an highly effective ones, because all of this stylisation often made information flow in a very striking manner. You could often immediately get what's going on even with subtitles turned off.

great commentary!

@ around 6:30 you shift towards a discussion of composition, which probably has more in common and originates with comics & cartoons regarding regarding their rules for lines, frames, and cuts than it does with film. A valid points, but a discussion all of it's own when comparing cartoons with live action films.

good job dude

This is incredible