Brahms - Variations on a Theme of Robert Schumann, Op. 9 - Katchen

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cantseetheforest

cantseetheforest

12 жыл бұрын

Brahms - 16 Variations on a Theme of Robert Schumann, Op. 9
Julius Katchen, piano
By May of 1854 Robert Schumann was an asylum inmate, and Clara had given birth to their seventh child. The family began to increasingly rely on the friendship of the young Johannes Brahms, who helped to care for the children and manage Schumann's business and artistic affairs. Over the course of that summer, Brahms brought to Clara in piecemeal a series of variations on a theme from Schumann's Bunte Blätter, Op. 9, which Clara had previously used as the subject for her own Op. 20 variations.
The theme, which is presented unaltered, is so characteristic of the ailing Schumann; and Brahms' treatment of it is extremely sensitive and poignant, twisting through various shades of melancholy and despair before gently and gradually coming to a quiet, and, one feels, hopeful resolution.
The set is full of allusions to Schumann's work. Variation IX is patterned after Schumann's Album Leaf in B minor, Variation X subtly recalls Schumann's A minor quartet as well as a theme from another composition which Schumann had 'borrowed' from his wife, and Variation XIV derives its texture and contour from the Chopin movement of Schumann's Carnaval. It is a deeply moving tribute to the Schumann family, and an extraordinary display of the 21-year-old composer's intellectual power and emotional maturity--and few indeed are the pieces in the repertoire with such a central and personal place in the living history of the art.

Пікірлер: 83
@Hubert-Winczewski
@Hubert-Winczewski 5 жыл бұрын
0:00 - Temat 1:25 - Var. 1 2:45 - Var. 2 4:03 - Var. 3 [Tempo di tema] 4:30 - Var. 4 [Poco piu moto] 5:20 - Var. 5 [Allegro capriccioso] 6:00 - Var. 6 [Allegro] 6:45 - Var. 7 [Andante] 8:00 - Var. 8 [Andante] 9:24 - Var. 9 [Schnell] 10:00 - Var.10 [Poco Adagio] 11:45 - Var. 11 [Un poco piu animato] 12:38 - Var. 12 [Allegreto] 13:19 - Var. 13 [Non troppo presto] 13:52 - Var. 14 [Andante] 15:05 - Var. 15 [Poco Adagio] 16:53 - Var. 16 [Adagio]
@FilippoGorini.pianist
@FilippoGorini.pianist 11 жыл бұрын
This piece is a wonder. Absolutely a masterwork, I hope I get a chance to play it someday
@bontempo01
@bontempo01 12 жыл бұрын
This really is something special. Variation 2 is so simple, yet such a powerful demonstration of Brahms' mastery in pleasantly confusing the ear with non-simultaneously resolved cadences... I could listen to that variation alone on repeat for hours. The way he changes colour and mood in Variation 4, etc... a true masterpiece. And he was only 20-21 years old...
@jasperb7980
@jasperb7980 Жыл бұрын
Been obsessed with this peace for the last days and heard many interpretations. This one sticks out to me. It is just sublime in so many ways. You can feel the burning intensity in every note and the humbleness at the same time considering how exact he performs the expressive markings. One other thing I'd like to point out is his Phrasing. On of the major reasons why I prefer his interpretation above other ones. Especially in the last two Variations it is just breathtaking how clear the structure of the phrases is. Every moment I know exactly where he is going. His small subtle rubatos are off the charts. Listen to that first phrase of the second last variation... It's just shocking how natural it comes across, which is NEVER easy with Brahms melodies. And gosh his dolce and pianissimo... Tempo choice for the final adagio is brilliant as well as all those suspensions. Could go on but have to listen to it again now.
@MB-pm4xe
@MB-pm4xe 5 ай бұрын
I don't have your technical knowledge or enough ability to play this piece, but I have heard dozens of recordings of Brahms and always come back to the Katchen set as what feels like home and the best.
@ironmaz1
@ironmaz1 4 жыл бұрын
Last variation makes me cry :'( ... such beauty :') It is a properly cathartic piece
@ethansaltmere
@ethansaltmere 7 жыл бұрын
what a musician katchen was!
@kweicee
@kweicee 11 жыл бұрын
The theme also uses the note substitution for spelling that Schumann and his circle of friends used amongst themselves. In this case, C# B A G# A spells out "Clara", Schumann's wife's first name. This figure is known as Schumann's Clara theme, and Brahms uses it too to reference Clara Schumann in his works.
@victorialeeable
@victorialeeable 3 жыл бұрын
Simply amazing! Truly breath taking use of the pianoforte
@jonjon1957jonjon
@jonjon1957jonjon 12 жыл бұрын
Thank you, this piece is new to me and is interesting for the demonstration of the 20-something Brahms' extended piano technique. I spot another reference to Schumann in variation XIII akin to the older composers Tocatta.
@racheloliver17
@racheloliver17 2 жыл бұрын
Thank you very much for sharing:)
@01jemph
@01jemph 11 жыл бұрын
The pianist is Julius Katchen. He died some time ago, and was not very old. He is wonderful on Brahms. Not sure if he's that well known in the U.S. but we heard recordings of his on one of the NYC FM stations years ago...made a note of his name, and bought many of his recordings.
@eblackbrook
@eblackbrook Жыл бұрын
Wonderful pianist! His work with Suk and Starker is great too.
@steveegallo3384
@steveegallo3384 Жыл бұрын
@@eblackbrook -- True......BRAVO from Acapulco!
@PaulHummerman
@PaulHummerman 7 жыл бұрын
No-one seems to have made the obvious remark that both Robert Schumann and Brahms loved Clara, and that Brahms was probably paying adoring and melancholic tribute to both through these variations (in particular to Robert's theme and Clara's variations thereon). Katchen in turn pays magnificent tribute to all 3.
@DonDonadio
@DonDonadio 7 жыл бұрын
No reason to mention it since everyone knows it
@pianosenzanima1
@pianosenzanima1 7 жыл бұрын
nmharleyrider i didnt knew it
@khool63
@khool63 7 жыл бұрын
au fond personne ne sait ce qui passa entre brahms et clara ,, amour platonique ou plus ,, je passerai peut être pour un naif mais je sens que clara aimait vraiment schumann ,, bien sûr elle éprouvait des sentiments pour le jeune yohannes ,, elle était plus agée et il s'agissait d'une autre époque et brahms lui même avait une admiration immense et sincère pour schumann qui souffrait composant enfermé dans une folie qui l'emporta ,, cette mort loin de rapprocher clara et brahms causa leur séparation définitive ,, sur le jeu de katchen je suis assez partagé d'autres pianistes me donnent plus de frissons ,, katchen réputé spécialiste de brahms s'en alla trop jeune ,, l'interprétation demeure émouvante toutefois
@khool63
@khool63 7 жыл бұрын
les musicologues se battent pour savoir ce qu'il se passa entre brahms et clara ,,qui aimait schumann qui admirait brahms qui ???? c est leur vie privée et laissons rêver les mélomanes que nous sommes ,, passionnés par schumann et plus encore par brahms ,, quelle magie
@cantseetheforest
@cantseetheforest 11 жыл бұрын
Ah, I've learned several of Schumann's codes but have somehow missed that one. Beautiful--thanks.
@archcorenth
@archcorenth 8 жыл бұрын
Brahms was just the wonderful at variations.
@Superaurelio19
@Superaurelio19 4 жыл бұрын
Gracias!!
@broiledhobbit
@broiledhobbit 11 жыл бұрын
Variation 2 is very similar to a variation in Schumann's Impromptus on a Theme of Clara Wieck, op. 5. Variation 4 recalls the Pedal Studies. Thanks for posting this exceptional performance of a beautiful piece.
@ausi5720
@ausi5720 2 жыл бұрын
Another variation is that Ferran Lopez Carrasquer composed
@cantseetheforest
@cantseetheforest 12 жыл бұрын
@jonjon1957jonjon You're right--the figuration in XIII is very similar in motion to the first theme of the Schumann Toccata; in XI, the right hand also has a motive which might be derived from one of the secondary themes (although the tempo is much slower here).
@anferlo
@anferlo 10 жыл бұрын
It's a variation-augmentation from the piano concerto's motif C-(H)-A-A
@kevinmantu
@kevinmantu 7 жыл бұрын
Variation 2 ❤❤❤❤❤
@hippotropikas5374
@hippotropikas5374 7 жыл бұрын
Some chords sound jazzy :)
@SY-cn4sk
@SY-cn4sk 3 жыл бұрын
09:58 the best variation❤️
@janek3455
@janek3455 Жыл бұрын
this is the variation in which Brahms said, "Clara speaks!!!" because in it he included a theme that Clara wrote originally for her op. 3 romance... and i agree with you
@bernalum
@bernalum 3 жыл бұрын
Brahms, Wunderbar !!!!
@felixdevilliers1
@felixdevilliers1 10 жыл бұрын
No, I'd say it was a reverent interpretaion. (See Hemmling below). I was interested in the references people see, but have they missed the most obvious? Variation 9 is entirely based on a piece form Bunnte Blaetter. No this has been noticed by cantseetheforest. In Variation 10, in the very last bars you can hear very clearly a thene from Clara's girlhood in a middle voice, Schumann used this theme of Clara's for hsi Vriations op. 5. He begins this work with the bass line only, which accounts for Brahms emphasisi of the has line at the end.His Variation 12 is based netirely on a piece in Schumann's Phantasiestuecke op. 12. Sfter a fight with Clara in later years, brahms wrote to her that she and her husband were the two people he had loved most.
@AvntXardE
@AvntXardE 4 жыл бұрын
Theme reminds me of Schubert's "Arpeggione Sonata in A minor"
@zamyrabyrd
@zamyrabyrd 8 жыл бұрын
I played this piece many years ago but if I were to rework it now, I would take faster tempi in general. Otherwise the whole work just plods along until an explosion of energy here and there.
@darrenfreeman4936
@darrenfreeman4936 3 жыл бұрын
When I heard the first chord I immediately thought I was hearing the first chord of the second movement of mozarts 23rd piano concerto.
@jhparkmusic
@jhparkmusic 5 жыл бұрын
What is this edithion?
@nathams1705
@nathams1705 6 ай бұрын
_intéressant_
@wb5267
@wb5267 Жыл бұрын
Het mooiste !
@Thormenta11
@Thormenta11 9 жыл бұрын
Variation 14
@nousernamewhatsoever
@nousernamewhatsoever 11 жыл бұрын
who is the pianist?this is absolutely WONDERFUL!
@khool63
@khool63 7 жыл бұрын
julius katchen parti trop un amoureux de brahms
@mostsickestvideos4483
@mostsickestvideos4483 8 жыл бұрын
What's the name of the original Schumann piece?
@superhabp2577
@superhabp2577 8 жыл бұрын
Bunte Blätter, Op.99 (Albumblätter: No. 1)
@joeboyle5864
@joeboyle5864 7 жыл бұрын
"Colorful leaves", auf Englisch.
@sergebayet4833
@sergebayet4833 7 жыл бұрын
probably :)
@andreauribe6454
@andreauribe6454 11 ай бұрын
Meine abend music...
@juneaino8708
@juneaino8708 7 жыл бұрын
Var. 14: 13:51
@calebhu6383
@calebhu6383 3 жыл бұрын
9:23, 11:45
@asd-bm9rj
@asd-bm9rj 7 жыл бұрын
13:18
@imangry4073
@imangry4073 2 жыл бұрын
Clara's "Variationen": kzfaq.info/get/bejne/d7h8lNWpsJ3Hm58.html.
@robertvalentinoscolaro7394
@robertvalentinoscolaro7394 3 жыл бұрын
beautiful...perhaps i like it faster.but beautiful all same
@asd-bm9rj
@asd-bm9rj 7 жыл бұрын
6:44
@Disarm_
@Disarm_ 9 жыл бұрын
Do not laugh at this song : Schumann write that song when he was in Asylum :(
@katbullar
@katbullar 9 жыл бұрын
Yunko BlakGuitar I visited "by accident" the Asylum he was in Endernich in Germany. Now it´s a library and a museum. Somehow I felt heartbreaking.... there are letters between him and Clara, some compositions, his piano and some personal belongings..... soooo sad...
@Disarm_
@Disarm_ 9 жыл бұрын
***** He was brokenhearted...he died for that...love is a beautiful pain :'/
@katbullar
@katbullar 9 жыл бұрын
Yunko BlakGuitar I don´t know if love is a beautiful pain, but I believe that pain can make us create beautiful things...
@Disarm_
@Disarm_ 9 жыл бұрын
***** i know what love could make : its can make good things, but when you are in trouble with your girlfriend, she hate you. She could'nt see you. You too, but you continue to love her. Don't ask why.
@SpicedSkooma
@SpicedSkooma 9 жыл бұрын
Yunko BlakGuitar Watchout ! It is NOT Schumann who wrote this song ! It's Johannes Brahms ! He was a very good friend of Schumann and indeed, he wrote those variations in his memory. I think it's the beautifulest way to honour Schumann. He's also my favourite composer, but those variations are also really emotive... Such feelings *0*
@BretislavStasa
@BretislavStasa 8 жыл бұрын
I dont get it, Clara made her own variations of this extraordinary theme, and they are so genial. I dont like these Brahms ones, however, I love his work except this particular piece.
@jansnauwaert1785
@jansnauwaert1785 4 жыл бұрын
Incredible, since this is a great masterpiece.
@__414.88b_
@__414.88b_ 4 жыл бұрын
Fasteeer
@CarlBowlby
@CarlBowlby 5 жыл бұрын
Don’t care for the interpretation, regardless of what Brahms wrote...I mean ‘ppp’? Really? I couldn’t damn well hear the thing! Too precious in spots, and too bravado in others. Perhaps Brahms’ intentions, but who the hell really knows, eh? Could do without the way too many E #’s in the piece, but oh well, can’t love everything Brahms wrote! Plus this was an early piece and written for Clara via Schumann’s depressed theme. I feel part of Schumann’s madness stemmed from him lauding Brahms as the “next genius” and Brahms then going into a retreat of sorts afraid to come out with his first concerto, or something like that, but then Brahms playing the alpha-male and young Turk attempting to take over Schumann’s wife! I would go mad, too! These variations are a symbiotic connection with Schumann’s illness, with Brahms lying in wait, ready to assume the role of husband at any minute. A queer menage à trois if there ever was one.
@homesicknight
@homesicknight 3 жыл бұрын
This piece is a wonder. Absolutely a masterwork, I hope I get a chance to play it someday
@albertoaka
@albertoaka 3 жыл бұрын
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