C. Saint-Saëns - PIANO QUINTET in A Minor, Op. 14 (With Score/Sheet Music)

  Рет қаралды 35,588

Carl Christiansson

Carl Christiansson

Күн бұрын

Composed by Camille Saint-Saëns around 1853-1855.
Performed by Fine Arts Quartet and pianist Cristina Ortiz.
00:00 - Allegro moderato e maestoso
10:31 - Andante sostenuto
16:38 - Presto (attacca)
21:56 - Allegro assai, ma tranquillo
"The Piano Quintet in A minor Op 14, Saint-Saëns’s earliest cyclic composition, was composed in 1855, but only published ten years later. It is dedicated to the composer’s great-aunt Charlotte Gayard Masson, who lived with him and his mother and gave him his first piano lessons. The piano plays a dominant virtuoso role, often in opposition to the string quartet, but also engaging in dialogue, ensemble, contrapuntal, and unison passages.
The first movement, Allegro moderato e maestoso in common time, provides a chordal introduction, repeated within the movement, followed by the statement and development of three portentous themes, and a recapitulation featuring a cadenza for the piano. The lyrical second movement, Andante sostenuto in F major in 3/8 time, presents a serious, noble chorale-like theme on the piano answered by the strings, joined by a second cantabile theme initiated by the viola followed by the quartet, and then a reprise of the first theme. The third movement, an A minor Presto in 6/8, consists of a moto perpetuo using two active motifs, a more expressive middle section, and a coda suggesting the opening of the quintet. The final movement, Allegro assai, ma tranquillo in A major, contains a fugato built on a scale-like theme for the strings followed by a second lyrical theme for the full ensemble, then enmeshes the two contrapuntally, and finally invokes the second theme of the first movement. This youthful work projects a frank and confident mood." (From notes by Sabina Teller Ratner, © 2005)
Notice that I do NOT own the original audio or sheet music.
Sheet music: imslp.org/wiki/Piano_Quintet,...)

Пікірлер: 28
@marcalexandrefontenay9801
@marcalexandrefontenay9801 3 жыл бұрын
Œuvre inédite jamais entendue et pourtant recherchée du grand maître. Très accessible et mélodieuse ici magnifiquement restituée ici ! Merci KZfaq.
@carlose.johansson739
@carlose.johansson739 2 жыл бұрын
Wonderful 🎹🎹🎹🎹🎻🎻🎻🎻💐
@valerieheinderyckx4506
@valerieheinderyckx4506 5 ай бұрын
Très belle version. Merci infiniment. ❤
@seaoggo9574
@seaoggo9574 3 жыл бұрын
LOVE IT♡︎♡︎♡︎
@cminor3016
@cminor3016 Жыл бұрын
Anybody that says he lacked experience was a hater!
@dhsadara7363
@dhsadara7363 3 ай бұрын
Berlioz said that he lacked 'inexperience'.
@aleksandersoloviev9044
@aleksandersoloviev9044 Жыл бұрын
Sounds like real tango
@akramnajjar
@akramnajjar 3 жыл бұрын
Berlioz said this about Saint-Saens: He has a lot of knowledge but lacks "inexperience"
@steveegallo3384
@steveegallo3384 Жыл бұрын
Akram Najjar -- Priceless.....Thanks...from Acapulco !
@trismegian2410
@trismegian2410 Жыл бұрын
Molto bello, peccato per l'intonazione dei due violini che sono stonati quando sono in unisono o in ottava
@stevehinnenkamp5625
@stevehinnenkamp5625 3 жыл бұрын
So expertly written without a meaningful word to say. A damn shame from a remarkable composer.
@sorabji1
@sorabji1 3 жыл бұрын
An astute assessment, I must say. Having listed to this work for the first time just now, I cannot agree more. However, I'm willing to be more charitable than you to the 20 year old Saint-Saëns, a young man rich with ambition, though clearly wanting of maturity (on the other hand, Mendelssohn composed his Octet at sixteen, a work with far more to say than this).
@schubertuk
@schubertuk 3 жыл бұрын
@@sorabji1 although the Octet of Mendelssohn's we hear performed is NOT the version he wrote at 16 - but a substantially revised version made when he was much older...
@sorabji1
@sorabji1 3 жыл бұрын
@@schubertuk Thanks, I wasn't aware of that, though it certainly sounds right. Indeed, there are many such "genius" early works by composers that were much less compelling in their original iteration(s). You can't rush maturity!
@sorabji1
@sorabji1 3 жыл бұрын
@violamateo A fair comparison. I definitely agree with your regarding Saint-Saëns, only partly so regarding Mendelssohn's oeuvre. What could have been if only Mendelssohn had lived as many years as Saint-Saëns...
@prliveconcerts
@prliveconcerts 2 жыл бұрын
Exactly so...😀
@gamingmusicandjokesandabit1240
@gamingmusicandjokesandabit1240 3 жыл бұрын
All movements: (start with low register notes) The rest of the human hearing spectrum: Am I a joke to you? (no offence).
@e.hutchence-composer8203
@e.hutchence-composer8203 3 жыл бұрын
Im deeply offended!...
@gamingmusicandjokesandabit1240
@gamingmusicandjokesandabit1240 3 жыл бұрын
@@e.hutchence-composer8203 How come (please explain)? I of course didn't refer to more than the beginnings of each movement.
@e.hutchence-composer8203
@e.hutchence-composer8203 3 жыл бұрын
@@gamingmusicandjokesandabit1240 I'm on offended, it was a joke. No one could possibly be offended by your first comment.
@gamingmusicandjokesandabit1240
@gamingmusicandjokesandabit1240 3 жыл бұрын
@@e.hutchence-composer8203 Maybe you meant you were joking that you were deeply offended (the point of which I don't understand). Theoretically anyone could be offended, so I put no offence there just in case. And finally, why, Baroque Oboema, did you heart that deeply offended comment?
@anthropomorphicpeanut6160
@anthropomorphicpeanut6160 3 жыл бұрын
@@gamingmusicandjokesandabit1240 I mean, I don't think anyone would be offended by pointing out the first notes in each movement
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