The three Chorales by César Franck performed at Notre-Dame de Paris by titular organist Olivier Latry. Recorded on September 25th, 2018.
Пікірлер: 54
@rogercarroll25513 жыл бұрын
The architecture of this chorale is astounding: a cathedral in music.
@Highinsight73 жыл бұрын
my favorite of the three
@annakimborahpa3 жыл бұрын
Yes, and filled with wonderfully singing melodies.
@freddyharvey24054 жыл бұрын
This music gives me hope for the future of the church and organ music which I love so much, thank you Monsieur Latry
@Highinsight73 жыл бұрын
well... this was written well over 100 years ago...
@53aleksandra4 жыл бұрын
Glorious music from the beloved Notre-Dame de Paris. Thank You Maestro Olivier Latry
@MrAOC19954 жыл бұрын
I love the Great Organ of The Cathedral of Notre Dame of Paris. It a wonderful instrument
@pastorsalvo58093 жыл бұрын
Escuché este coral por primera vez a los 17 años. Y me fascinó. Ahora me topo con él. Hermosa pieza de César Franck.
@mr.booker92632 жыл бұрын
magnificent playing and recording!
@dallinbissett19924 жыл бұрын
I'm one of the biggest Olivier Latry fans out there and I thought this was spectacular.
@hadleyhillyer853 жыл бұрын
I am not, but I also thought this was spectacular
@dallinbissett19923 жыл бұрын
Oh, hey Hadley.
@hadleyhillyer853 жыл бұрын
@@dallinbissett1992 hi Dallin
@joespeciale58758 ай бұрын
A vox humana on this organ so perfect that could make you weep. Spectacular.
@bkarosi3 жыл бұрын
Beautiful!
@darthlinathegreat74894 жыл бұрын
My prayers for the people of paris and the “The Great king of Notre Dame and of Paris”! Long live the King! ❤️❤️❤️✝️😇.
@briananderson84282 жыл бұрын
Stunning beyond words. Unfortunately, even listening on Bose headphones does not reproduce anywhere near the fidelity required to truly enjoy this life-affirming piece.
@keplergso83692 жыл бұрын
The main problem is that the recording is monophonic.
@ulrichdannenbaum4472 Жыл бұрын
kzfaq.info/get/bejne/ZsuKlql-t7e8lnk.html here you can listen to him with this piece in a audiophile recording quality (Deutsche Grammophon 2005) .... i guess it is even the same organ !!!
@tubamagna644 жыл бұрын
Cher Olivier et Chère Mme Lee: ¡J'espère que vous allez bien tous les deux! ¡Mes meilleurs voeux d'ici, Madrid! ¡À bientôt!
@robertowarren70072 жыл бұрын
Omg the climax will make you see God!
@chrisraffen59802 жыл бұрын
I love this particular organ music, from years ago, when I listened to my organist brother, as a very young woman.I am now 75 yrs if age, & still have a great affection for this 'delicious ' music.I am in love with Notre Dame cathedrals organ Thankyou., which I must say, I did once visit this Cathedral while in France with my daughter in 2016.
@charlesrae37933 жыл бұрын
What a splendid, full-bodied sound; beautiful.
@gerardbedecarter3 жыл бұрын
Beautiful playing.
@michaelnavez71303 жыл бұрын
Magnifique ❤️
@gemmacoebergh80623 жыл бұрын
Beautifully played, and what a real Cavaillé - Coll - sound! Franck would have liked that very much!
@ludix7474 жыл бұрын
Très jolie et par coeur!
@HubertTrojanek4 жыл бұрын
Beautyfull performance! :)
@leonardschonbohm61404 жыл бұрын
Wonderful!
@martihammel32713 жыл бұрын
Exquisite ❤
@MrGiorgioFederico2 жыл бұрын
The great reference organist of our time
@gemmacoebergh80623 жыл бұрын
I have played it many times in St. Joseph's Church (I am retired now). It sounds very well there, as you know!
@ThePraecentor3 жыл бұрын
Bravo Maestro Latry!
@michaelgamble2963 жыл бұрын
How are things getting on with the rebuilding? It seems only a little while ago I watched the arrival and installation of the new Console at Notre Dame de Paris. Olivier Latry is an amazing Organist - he plays so much from memory as well. He also has big hands! I wonder what his compass of notes is? Good youtube to watch: "Rachmaninoff had big hands" - true on all counts!
@elkemichel-blagrave70304 жыл бұрын
Mercy!
@heikemariadroste Жыл бұрын
What a wonderful organ and its outstanding timbres. I would like to thank you very much for your fantastic playing and the beautiful impressions of Notre-Dame Cathedral and especially the organ.
@barbarawilson48674 жыл бұрын
Thank you so much! Is that the salvaged organ of Notre Dame?
@Tierheiler4 жыл бұрын
The recording is from Sept. 2018 and as far as I'm informed the main organ wasn't burned, likely has some smoke and possible water damage...
@NielsvanderGiessen4 жыл бұрын
Only a big layer of dust...
@tinkaluisa85404 жыл бұрын
They can't play the organ at this time because the vibrations could cause the building to fall. Not to mention the organ needs to be taken apart and all the lead dust cleaned out.
@charlottewhyte9804 Жыл бұрын
this and Doug Marshal are the 2 best versions for these chorales ,for sure
@davidmace3716 Жыл бұрын
Whenever I listen to Franck's music, particularly his quieter more reflective pieces, I am always left with the impression that there was a man entirely at peace with himself and his God.
@brucewilliams87143 жыл бұрын
This brings to mind an Australian radio doco on Notre Dame, in whiçh Latry played. The producers were allowed to place a microphone inside the organ, synchronised with the main one in the nave. Latry commenced playing with the sound picked up by the inside mic. It was thin and lacklustre. Slowly, the nave mic was mixed in, and the transformation was wondrous. It demonstrated the saying that 'perhaps the most important stop on an organ is the space into which it's sounding'.
@Ken_Weber_organist3 жыл бұрын
anybody know if the GREAT at NDP is assigned to the LOWEST manual or does that console have a great/choir manual interchange feature?
@elgar572 жыл бұрын
It is a French organ what do you think ??????!!!!!!!
@Ken_Weber_organist2 жыл бұрын
@@elgar57 that configuration is most ergonomically friendly to play
@SirReginaldBlomfield12342 жыл бұрын
Yep, Great is lowest is Great, then Positif, Recit, Solo and Grande Choeur. Great and Pos. are interchangeable.
@markbell99732 жыл бұрын
Not an easy feat to achieve this level of performance-- particularly of No. 1. It seems one must 1) "breathe the very air" of Paris to get there with 20/20 marks. The Seine close by with its centuries of history going back to some original settlement with the two "Buttes" in view and this sense that we are inside the very beating heart and lifeblood of European, Latin and French civilization. Civilization that has taken its beatings, all the better to display that ever-so modest, not drawn out "rayonnement" that *almost* abruptly ends the piece. After all, two more such monumental "songs" are to follow. The b minor into the deepest (aesthetically representable) depths and upward into a believable sense of human calm that maybe only Bach's written notes have been able to transmit before or since. Then the A Major; no words can do justice to the clear premonition of an eternal state where an individual and a whole community has "overcome the world" and its xxyyzz--and *somehow* not been overcome by it. Helped along by goodnesses of codeword "Paris;" and not overcome by its opposing potential cruelties. But also!: An adequate, powerfully emotional performance of the E major must also require having lived with and thought over many times the two strains of Franck performance, namely, Vierne-Tournemire-Langlais-Flor Peters on the one hand...and let us simply say Dupré on the other. Far be it from an American to try even to describe both in terms that risk being not-French. What perhaps the Ricain 😁 outsider can say is that those two strains of performance are the only places to look to maximize Franck since the good "Pater Seraphicus" left us. Franck does not tolerate individual, perhaps stereotypically national flights of fancy. Let's not mention names or countries, right? Mais Olivier: je veux le dire en français mais n'offensons pas l'unité de langue dans une appréciation si brève et passagère. You to my ears and to my emotional makeup achieved a very intelligent synthesis of both schools, but with a certain surplus that is all you. Amid the rigor and also the necessary gives and takes (not rubato), shot UP a volley of arrows--not unlike Cupid's arrows--that can only be French. A "French" that has given me an alternate universe since the age of 18. A universe on which so many of us of all nations can rely. You and Notre Dame and Ile -de-la-Cité and Cavaillé-Coll added to that "reliance" pretty big time tonight as I listened yet again to #1 beginning to end. Merci bien hein, Mark (Arizona) ===== Et à coup sûr: Vive la France (!)
@keplergso83692 жыл бұрын
Olivier Latry monitors the Bornemann score, revisited by Marcel Dupré, which has some differences with the Durand score, especially about the registration. I think that the Durand's is closer to original Franck's phrasing and registration. Olivier Latry suit la partition de Bornemann, révisée par Marcel Dupré, qui a des différences avec l'édition Durand, surtout en ce qui concerne la registration. Je pense que l'édition Durand est plus proche du phrasé et de la registration d'origine de Franck.
@charlottewhyte98042 жыл бұрын
quite different to Germanni version may be better
@jameswalton37962 жыл бұрын
0:06
@eog50382 жыл бұрын
Notice his habit of lengthening the sixteenth in a dotted-eighth/sixteenth figure. This stands in contrast to the practice heard in e.g. Tournemire's recordings of Franck, in which time is redistributed, instead of being added. Constantly adding incremental duration -- heard here in other ways as well -- distends the pulse and constantly interrupts flow and losing much of the needed continuity. OTOH, his completely ignoring the composer's clearly indicated ritardando on the penultimate page (ms. 231-232) is completely baffling.