This video, we are trying out the mastering workflow and delivery process to H265 HEVC codec since the Action 4 is also set to using H265 natively. In our edit timeline, we set to H265 workflow and render out to H265 as well. Lets see if the hot pixels reveals itself with even more clarity compared to H264 compression.
At the same time, we will be starting some tests to drop exposure timings and ISO settings to work our way around DJI's hot pixel product flaw with their Osmo Action 4 cameras.