A capoeira wheel with an exciting finish after one of the fighters applies an incredible capoeira stroke
#capoeira #fight #martialarts
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THE MASTER
Wesley Gimenez is the founder of EKMC - SCHOOL KRAV MAGA CAVEIRA and the CAVEIRA - PERSONAL DEFENSE AND COMBAT SYSTEM whose mission is to offer ordinary citizens and security professionals a simple, fast and efficient system to defend themselves against the problems of the day to day, in addition to promoting physical and mental well-being.
He is a specialist in personal defense and martial arts, a martial artist since he was 8 years old, where he began his career with karate and over the years he has also graduated in other combat modalities such as kickboxing, hapkido and karate. to practice various other arts such as jiu jisu, wrestling, muay thai, sambo, wing chun, boxing, judo, mma, roman greco and personal defenses
His Trajectory with Krav Maga began in the city of Rio de Janeiro where he met and trained with one of the pioneer Israelis in Brazil. Some years after training and teaching classes in the State of São Paulo decided to found his own method joining the knowledge of Traditional Krav Maga with his experiences of fighting the other martial arts that practiced and graduated, thus arising the Krav Maga Skull Master Wesley Gimenez
The master is constantly in search of evolution, so he studies and develops / adapts new techniques so that the CAVEIRA SYSTEM remains updated and efficient for the reality that the citizen faces, because his vision is that the dangers are constantly changing and those who do not evolve become obsolete.
LEARN MORE ABOUT CAPOEIRA (martial art discussed here in the video - Wikipedia source)
Capoeira or capoeira is a Brazilian cultural expression that mixes martial art, sport, popular culture, dance] and music. Developed in Brazil by descendants of African slaves, it is characterized by agile and complex strokes and movements, primarily using kicks and creeps, in addition to headers, knees, elbows, ground or aerial stunts.
One characteristic that distinguishes capoeira from most other martial arts is its musicality. Practitioners of this Brazilian martial art learn not only to fight and to play, but also to play the typical instruments and to sing. A capoeirista who ignores musicality is considered incomplete.
Capoeira is considered to have arisen at the end of the 16th century in Quilombo dos Palmares, located in the then Captaincy of Pernambuco
The capoeira wheel is a circle of capoeiristas with a musical battery in which the capoeira is thrown, touched and sung. The wheel serves as much for the game, fun and spectacle as for capoeiristas to apply what they learned during the training. Capoeiristas appear on the capoeira wheel singing and clapping in the rhythm of the berimbau while two capoeiristas play capoeira. The game between two capoeiristas can finish at the command of the berimbau player or when some other capoeirista of the roda "buys the game", that is, enters between the two and initiates a new game with one of them.
In general, the purpose of the capoeira game is not to knock out or destroy the opponent. The greatest goal of the capoeirista when entering a wheel is the fall, that is, to knock down the opponent without being struck, preferably with a creep. Most often, between the game of a more experienced capoeirista and a novice, the experienced capoeirista prefers to show his superiority "marking" the blow in the opponent, that is, stopping the blow a moment before completing it. Between two experienced capoeiristas, the game could be much more aggressive and the consequences more serious.
The ginga is the basic movement of capoeira, but besides the ginga, also are very common the kicks in rotation, creeping