Capture timeless portraits with Greg Gorman and Rotolight LED lighting

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Rotolight

Rotolight

Күн бұрын

Renowned fine-art and portrait photographer, Greg Gorman, has shot some of the world's most recognisable faces from Leonardo DiCaprio to Sir Elton John; developing a unique, classic and timeless style. Find out how he uses Rotolight LED lighting to capture classic portraits.
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Пікірлер: 7
@kathraeber8632
@kathraeber8632 5 жыл бұрын
Greg, thanks for sharing the detail of shooting your images.
@eugenekimphotography
@eugenekimphotography 5 жыл бұрын
I have always been a natural light photographer but wanted something that is just soft fill light to make the photos little more interesting and I have been loving using the Neo 2. This video also helped a lot as well cause Jason Lanier is a good photographer, but always wanted to see what sort of images people are producing and seeing Greg Gorman's work with Rotolight is absolutely amazing. About to get the Aeos.
@Rotolight
@Rotolight 5 жыл бұрын
Hi Eugene, that's fantastic to hear, thank you! We're glad this video inspired you and that you're enjoying your NEO 2. Best wishes
@dramatic_visionsbyluis3829
@dramatic_visionsbyluis3829 2 жыл бұрын
Wow 😮🏆🏆🤓🙌🙌🙌
@rp8973
@rp8973 5 жыл бұрын
You are awesome
@c.c.244
@c.c.244 2 жыл бұрын
David
@patrickvaughn9961
@patrickvaughn9961 Жыл бұрын
A ((( Rotolight / Sony Pocket Flash Important Information ))) Hello for all of the individuals that are looking at Rotolight AEOS PRO & the NEO PRO and wondering if this product is for you let me give you some information that might help you make a Better / Proper decision. I will be directing my comments about the AEOS PRO and the NEO PRO. If you are working in a controlled environment like a studio where you have absolute control over your lighting. Or if you are doing videography in a low light situation. Or if you are shooting outdoors in a very gloomy or cloudy day and you are OK with your lights only being 3 to 4 feet from your subject. Then these two lights will work perfectly fine for you. But if you are working in an environment where there is a significant amount of window light or your environment has a sufficient amount of lighting provided. You will find that these lights are extremely limited. If you notice they never use a light meter indicating to their viewers the strength or the lack of strength the lights provide. That all being said I have to give the lights credit where credit is due they do have amazing technology incredible technology wrapped up in these lights. It is the power of the lights that I have an issue with and only the power. I was sucked in by all of the technology and truly did not realize the environment that they were using the lights in. Either in a very dark environment or very low lit environment. Even when they use them outdoors notice that the environment is very gloomy or cloudy. It is never a bright sunny day. I will now give you the Data on why I have expressed such comments. I purchased both the AEOS PRO and the NEO PRO and when I started working with them I was confused by the lack of power coming from the constant light that these lights provided. I thought at first that it was just my imagination maybe I was doing something wrong. So I lowered the lighting in my studio so that my light meter was reading at 1.00 F stop for light in my studio which means the lighting in my studio was extremely low having no effect on my testing. Then I set my camera at 250th of a second and my ISO at 1000. I then put both the NEO PRO and my Sony pocket flash to 5 feet exactly from my light meter that was set on a stand. I set my NEO PRO at 1/50 of a second which is what they recommend and I have it set at max plus Power. And the Calvin is at 4800 and the modeling light was set at 40%. These are the exact settings for every test I made with all of the Rotolights that I tested. I then set the Constant light on the AEOS PRO at 100% and received a F stop of 6.3 I then triggered the flash off on the AEOS Pro, and I received a 7.0 F stop. I then set my Sony pocket flash off at 1/32 of a second to receive 6.3 F-stop to match the power of the AEOS PRO. I then installed the NEO PRO at 100% on constant lighting at all of the exact same settings, never moving from 5 feet and I received a 4.5 F stop. With the data that I have provided I have shown that the AEOS PRO and the NEO PRO are less than half the power of a pocket flash. And if that’s the case then they should notify or inform their viewers or purchasers of such information. So such individuals can make a proper decision on their purchase. ((( I reached out to Rotolight and here was thier response ! Hi Patrick, Depending on your flash meter some do have problems reading LED flash that might be an issue but without knowing what you are using it hard to know. Also where are you taking the flash reading from flash meters are designed to take direct only light so you need to measure from ½ way between the edge of the badge and rim of the light, if you measure from the centre of the light it will give you incorrect results. With the Pro lights we have pushed the constant light, but the flash should still be a bit brighter, I believe it is about 2/3 stop, if you are testing on 1/250s them you will not get the full power of the flash it has a 1/50s duration. Something sounds wrong as at 6ft, I would expect f6.3 at ISO 100 without the dome, we test at 1/60s and mid pit of the light around 4600K. ))) Basically Rotolight is acknowledging that my information might be slightly off but we are still looking at Half of the power of a pocket flash. And if I would have known that I would not have purchased these lights. I personally feel we are being misled to some degree. I have given you a link below of an individual that has pretty much done the same testing as I have. I think mine was a little bit more precise. That being said I would watch the video all the way through so you’re able to come to your own conclusion. kzfaq.info/get/bejne/sKx-esWc0q2Vo4k.html
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