Carl Philipp Emanuel Bach - Keyboard Sonata in G Minor, H. 47 (1746) [Score-Video]

Рет қаралды 6,945

3 жыл бұрын

Carl Philipp Emanuel Bach - Keyboard Sonata in G Minor, H. 47 (1746)
I. Allegro
II. Adagio
III. Allegro assai
Giovanni Paganelli, harpsichord
-----------------------------------------------------
Support this KZfaq Channel: / georgengianopoulos

Пікірлер: 11

@DiegoCOrtizpianista 3 жыл бұрын

CPE's music is amazing, a very underrated composer. Second movement is pure magic

@Tizohip 3 жыл бұрын

massa

@erika6651 Жыл бұрын

CPE had such an element of spontaneity to his music. He'll sound like his Dad one moment than throw wild ideas out the next. You can hear what influences Haydn, Mozart and Beethoven. There are occasional moments that nearly sound like Schoenberg.

@fasciglionemaximiliano4818 3 жыл бұрын

The cadential "resolution" in 5:11 has broken all my expectations. I've seen this resource used in other works of this composer, very intresting.

@alexanderbayramov2626 3 жыл бұрын

Right, he loves to drop random bass notes of some kind of inverted chord which interrupt the flow, j.s.bach did that stuff too maybe, but c.p.e sounds more fresh to me)

@theopaopa1 3 ай бұрын

excelente. muchas gracias.

@Lucius_Chiaraviglio 7 ай бұрын

Love me some parallel octaves.

@codonauta 8 ай бұрын

Interesting, this doesn´t look like an usual CPE Bach´ sonata, I mean a classical sonata as we would see with Haydn and Mozart - looks like more a baroque sonata (Alessandro Scarlatti etc). It has some elements of J S Bach´s Chromatic Fantasia, that rapid figuration in the beggining, and a lot of octave passages. Some parts remember Domenico Scarlatti´s harpsichord sonatas. We must to pay attention to the year when that was composed, 1746. J S Bach was alive yet, but CPE was already working for Frederick the Great of Prussia.

@markwestphal4437 Ай бұрын

I can see that in the first movement, but the second movement is Next Generation from Bach, Scarlatti, Handel, et al. All of them are in the rearview mirror with the third movement. J.S. Bach always had his next place to be, whether YOU expect it or not. With CPE it's like you're there with him, watching him decide as he goes along towards what happens next, with final destination unknown. A different kind of unexpected from his father's. Isn't there some kind of story about J.S. and CPE writing some harpsichord concertos together?