Ottima interpretazione, una voce molto bella e ricca di armonici , la mia preferita!

Évidemment géniale, incandescente interprétation. La passion à l'état pur. L'âme, le corps, l'esprit, tout palpite et brûle à chaque note. Absolument inégalée, sublime Bartoli.

A great rendition by a splendid singer of my for always favorite solo. Bravo!

adoro questo brano,esprime tanta sofferenza umana,bellissima interpretazione,grande Cecilia

Una signora molto dotato che porta gioia in questo mondo travagliato

One of those singers who seems to feel what she sings and not only how she sings.

The best version I've heard so far.

ich liebe Cecilia Bartoli.ihr Auftretten,ihr Temperament ,ihre explosive Bescheidenhei,und bin dankbar für ihre Kunst die ,der Perfektionsdeffinition ist

Magnifica Cecilia! hay otras interpretaciones muy buenas de otras grandes cantoras liricas, pero la de Cecilia, para esta obra, es mi favorita.

I have just listened to many versions of this song. Every singer brings something great. Coming back to Cecilia's version makes me realise how completely she embeds herself in the historical context of the music. It's like listening to it in another centry. Stunning.

Schön.

Simply beautiful beyond words.Thrilling!

Bravissima Cecilia ! un enchantement par sa voix et le génie d'Haendel !

voce splendida Bartoli sempre molto consapevole della sua bravura!!

uma linda voz. perpetua tão valiosa ária.

she cannot do wrong ! just simply love her ...

this blessed my ears.

Forget the record, and listen this angel (and so poignant) voice!

Simplemente hermoso!

I love how it expands from barely a whisper and then back again.

Una de las mejores versiones que hayan hecho jamas, espectacular

Sooooo good....

So beautiful!!

simplemente sublime, si la mejor

Que voz, excelente interpretación

Just GREAT

LA MEJOR LA MEJOR

Sono d'accordo. Una voce bellissima.

God bless you

Celestial!!!!!!!

Brillant

감사해요 ~~!! merci beaucoup ~~!!

There's a plethora of riches when it comes to great singers and this aria. I can't judge Italian diction, but it seems Cecilia has the edge. I love Patricia Petibon's version, very pure and simpatico (her red stovepipe hat in answer to Bartoli's black one?) And my Canadian "plug" is for Karina Gauvin's ATMA recording, which I listen to repeatedly for her sound . . . oh! her sound . . .

brava Cecilia

molto molto bella indid

Sei stupenda

ooo ya no sabia gracias por la informacion :)

bellissima voce 5***** saluti Kean

Brilliant! I like the Farinelli version a bit better for the acrobatics, but it's her as well.

Antichrist brought me here :) best opening scene of a film, ever!

Die Bartoli ist eine hervorragende Sängerin ohne Zweifel! Doch diese Händel-Arie,gesungen von der Julia Lezheva ist für mich und mein Verständnis in der gefühlvollen Interpretation und der stimmlichen Ausstrahlung einiges besser.

Laissez-moi pleurer sort cruel qui est le mien, Et aspirer à la liberté Puisse le chagrin briser ces chaînes De ma souffrance, par pitié.

me encantaría ir a verla donde actuara o si alguno sabe como averiguo ?

No, este fu cantada de una soprano y un contratenor, y mixado después. Puedes ler su Wikipedia, versión inglés, en el articolo sobre Farinelli (film)

I think the opera is from 1711 but Im not sure, so you might want to research that if you want the year the opera was written/first preformed.

Are you aware that "Farinelli" has been dead for 200 years? And that for the movie, they merged two voices to imitate the castrato sound - as no castrati are alive any more? Farinelli (film) on Wikipedia, the 2nd paragraph in the English version.

"LIVE 1992!" vs. "Paris, 6 January 1999" - how can that be? Nevertheless another excellent example of "La Bartoli" !!!

es de ella la cancion de lascia chio pianga de farinelli!!!!!!

Farinelli's version of this song is the best for my listening pleasure. The other singers don't flourish at the end of the song they way Farinelli does in the movie and for me I thought it was much more powerful and impactful they way he did it.

1992 or 1999?

fb did again im in a instagerm. but you are not there in need to no where you are at

fb did again im in a instagerm. but you are not there in need to no where you are at6

Scheusslich!

Dynamico exiting golavoce...Need better artistical coach...

@hotmail2534 Secondo me gioca meglio da mezzo...

fb did again im in a instagerm. but you are not there in need to no where you are at

fb did again im in a instagerm. but you are not there in need to no where you are at6