Brother killed that lick and then says to himself, "Whoo!", LMAO! Great video man, sounds beautiful!

Fantastic video. Really found this fascinating, even though I'm not a trumpet player. Thank you for helping us to understand and appreciate your craft. Those who are good at their game are generous with their knowledge.

I've ALWAYS wanted to learn this lick. Thanks so much. I didn't realize there was so much repeated of the same note like in the first part of the bar. Dizzy really truly is a hero of mine.

Blue Mitchell quotes this lick on the Spinning Wheel solo on the Jimmy McGriff Electric Funk record.

My god and I thought I had heard every type of lick out there, I've never heard anything like this! This is awesome!!

Thanks! Its a Los Angeles Olds Ambassador from the 50's or earlier. Great horns.

Charlie -- OUTTA SIGHT, man....Keep it comin'!! You're biggest fan, Brad.

I normally don't rely on pre programmed licks per say in my jazz playing, but something like this I'd love to add.

Thank you so much for this video.

Smokin! This lick was shown to me at Berklee in '88 by George Zonce. I wrote it down, but lost it. I've tried to figure it out, but couldn't. Thank You for sharing Charlie! I also want to thank you for all of your videos, and for turning me on to Willie(Jazz Everyone). Fantastic! I greatly appreciate everything! :)

Thank you for breaking these licks down for us, my arsonal of licks and moteefs is much wider and more interesting because of you!

Thank YOU man. Awesome. You make it so simple. Then there's the Clark Terry lick on Perdido on Ellington's Uptown albun.I'm glad I found out about you.

Love it, thanks man!

Good Stuff! Thanks for this and the other posts you've done. (Also really like your CD!) Next time I"m in NY I'll try to catch you live.

YOU ARE AWESOME

Great tone, Cat.

Yeah, that's pretty damned cool! THANKS! I'm giving this a try!

This is GRRRREAT!!!! I probably listened to this break before you were born, Charlie, and now you show me how he did it!! I am impressed! I actually think he stole it from Roy Eldridge - whom he used to copy. Listening to the old records it could be hard to tell who was who... Roy often used a cup and Diz the harmon. Thank you very much for this, young man! Best wishes from Petter, oldie from Norway

awesome! ou yeah, thanks for show!

I spent years try to figure that one out!! Thanks Charlie!! What threw me off was the alternate fingering and the fact the the E with first and second value don't sound the same. I knew there was a false fingering in it but couldnt pick whether it was the D with 1 and 3 or the E. Then tried it with an Eb before the E to make the rhythm/ note count right with. It's the weird slight pitch difference of the E open and E 1 and 2 and the triplet count that does it! Thanks SO MUCH!!

Its a Monette Prana, B2S3 with a 17 throat.

Great!

The Lewis Armstrong pics in the background tho

Nice Charlie

Yes!!!

Awesome! I always knew it was an alternate fingering thing. Thanks for showing us how! I've caught Oscar Peterson playing this too. I wonder who came up with it first.

Super 🎺🎵🎹🎼

Very nice indeed. I think you forgot to put a natural on the second D in the last line.

I’m very late but he uses a similar lick in about 3 different recordings of a night in tunisia

Very nice Charlie!!!!! What trumpet did you use in this video? Is a "Olds Opera Symphonic Trumpet"?

Hi Charlie, Is that Dizzy lick available for pdf download anywhere? Thanks, Chuck

Hey Charlie- what about Diz’s lick in eternal triangle at 13:08....??

how do you do that

what size mouthpiece do you use?

What tempo is the original at??

What’s this called

what mouth piece do you use what the size

255bpm

When Dizzy plays it in the recording at the beginning it sounds like he articulates each note.

You must learn portuguese and come in Lisbon ;) Thanks man.

Wow I feel so insecure about my trumpet playing abilities:)

hola esta mal escrito