A viewer request tutorial made to answer questions about rhythm and melody.
Пікірлер: 96
@Dolmio247 ай бұрын
This piece is my goal piece, honestly the most beautiful thing I've heard on piano.
@Sitbon085 жыл бұрын
“I don’t play the guitar” Then plays the guitar. Lol.
@brentontalcott59394 жыл бұрын
I am a guitarist and often say that after i get off the drum kit... ;D
@TwelfthRoot29 жыл бұрын
Excellent video as always! Seriously, your service is very much appreciated.
@abhikmazumder13 жыл бұрын
Paul, I am getting addicted to these tutorials! They are GREAT!
@ipoodaily11 жыл бұрын
this is the type of teacher everyone learning an instrument needs
@cjl3289 жыл бұрын
Beautiful as always, Paul! LOVE these tutorials!
@smb1232116 жыл бұрын
I have been playing this for years and always find room for improvement. Your videos are pure gold not only for those learning a piece for the first time but also for those who want a deeper understanding of something they already know. (It cannot be said often enough - LEARN IT CORRECTLY THE FIRST TIME!!) I've heard this played with the stress on the first note of the second triplet and it was beautiful. Thanks again.
@EssamTheMan5 жыл бұрын
Paul! After a year of on and off practice, I can finally play it. Your video was a reference to me and I used it often. I'm now finalizing my performance and using your melody ideas to practice all possible phrasing. Thanks a million!
@pianohero72729 жыл бұрын
I hadnt realised I had been playing this song quite incorrectly until coming across this tutorial. Thank you very much as always.
@ScottWarnerOnline10 жыл бұрын
BEAUTIFUL
@dragonsanonymous Жыл бұрын
This was incredibly useful, not just for this piece but for the techniques that he uses in many others. Thank you SO much!
@pianogirl9811 жыл бұрын
Always a joy to watch you teach! You are an excellent teacher!!!
@HerrMichaelKohlhaas11 жыл бұрын
A very good video. I like how much you emphasize an understanding of the context of the music/composer.
@HymnSite4 жыл бұрын
Thank you. Excellent tutorial, and great example of building from the simple frame of the prelude to the full performance.
@peterbohdanko7 жыл бұрын
incredibly clear tutorial, well done!
@lukeholmes29997 жыл бұрын
Excellent interpretation of the piece at the end!
@Victoria593913 жыл бұрын
Thank you - such a generous contribution to music! Much appreciated
@pianoham12 жыл бұрын
As someone new to Chopin, and tackling this Prelude without the benefit of an instructor, this was immensely useful. I came hunting on youtube for help with the rhythm that occurs in m18-20, but got so much more. Thank you!
@CyrilleV2613 жыл бұрын
Congrats and thanks for this tutorial, Paul... What would we become without you and your so useful clear and interesting explainations... Beautiful helpful video. Cheers ! Cyrille.
@amirojaghi58242 жыл бұрын
Thanks Paul . great lessons 🌿
@lauro17119 жыл бұрын
fantastico.....obrigado, Paul....
@mauriceamaraggi80989 жыл бұрын
Thank you for this lesson. i am starting to study this prelude on my own.
@Twirretwarre13 жыл бұрын
Ah, that was great to listen to! You are such an enthousiastic teacher who is really able to be clear! I love to listen to you, Paul! Ofcourse the pianoplay, but also these kind of tutorials are wonderful. Roeleke
@ClairePiano201112 жыл бұрын
Simply amazing..., have learned so much from this tutorial. Thank you.
@simondurrant113 жыл бұрын
Really excellent job, and good performance at the end of it too. Top marks.
@kerripace6 жыл бұрын
Just amazing Paul. Thank you. Just starting to learn this.
@danieltkach23304 жыл бұрын
Wow the sound of that piano... and thank you for the video.
@passionstorm13 жыл бұрын
you are amazing, Paul, thank you!!
@davidmayhew69183 жыл бұрын
Brilliant. Thanks helps a lot.
@thepianoroad8168 жыл бұрын
thank you paul for your tips.... it's very welcome...
@camomile98812 жыл бұрын
You are a great pianist and musician. I'm impressed .
@denisekarenhenderson90702 жыл бұрын
I really value your teaching.
@kerripace6 жыл бұрын
Thank you! Just beginning to learn this. Your insights are extremely valuable.
@sunsun39steps3 жыл бұрын
I love all of your videos. Thank you!
@pauldav1d11 жыл бұрын
SO good, Paul!
@larryblustain95508 жыл бұрын
Lovely, informative, too. Thank you.
@stanleyspottswoodjr10 жыл бұрын
GREAT. Thanks for the help
@johnmerlino1617 жыл бұрын
Thank you. You are as good a teacher as you are a player.
@nach000x9 жыл бұрын
thanks for your tutorials
8 жыл бұрын
I always love your tutorials, they are very well made. Sometimes i am not interested in learning a piece, but i'll watch your tutorial anyway because you explain the backstory of the piece, and some other interesting things that may add up to my studies. Nice job!
@angeladarista241711 ай бұрын
😊
@angeladarista241711 ай бұрын
Admirable teaching😂❤🎉
@tonideblasi12 жыл бұрын
Thank you. Cortot's performance of this prelude always impressed me, but, simply looking at the score, i was missing what's really going on in it. Now it's really clear. Thank you again.
@Arth727213 жыл бұрын
Thanks for this tutorial!!!
@Alexcantsee13 жыл бұрын
You're an awesome dude, thanks for the upload.
@e9sus42 жыл бұрын
Thank you very much!
@Joris1008 Жыл бұрын
Thank you very much 🙏💝
@qiqiyu56734 жыл бұрын
Very interesting. Thank you!!
@carlosgustavomunozrodrigue39602 жыл бұрын
Me parece magnífico!!!
@user-gh3zg6wy5u9 жыл бұрын
Thank you so much so much
@pstraightclownin7 жыл бұрын
Watching you play the guitar, is like watching myself play the piano :D
@grampinator2 жыл бұрын
great stuff
@ilwmb13 жыл бұрын
@StarWarseu good idea, i agree! Ballades Nos. 1 and 4 are some my favorite Chopin pieces!
@_circuitry_47386 жыл бұрын
this would sound absolutely incredible on classical guitar, my goodness
@AquaFX2 жыл бұрын
3:39 another example is in Chopin's Etude Op. 25 no 5 in the middle section (Bar 58-60), where the melody is also on the second note of each triplet.
@MASAIMANIC13 жыл бұрын
excellent!
@Domy-xq8fu4 жыл бұрын
Thanks you
@maryjohnston93292 жыл бұрын
Very helpful
@WiseCookie7413 жыл бұрын
Thanks for addressing my question, Paul. Great tutorial. I just need to work on stressing the thumb notes in the right hand and softening the other notes. Nice guitar playing too. :-)
@agostinxfino54498 жыл бұрын
Greate!! :D Thank you, gracias
@Mukundanghri8 жыл бұрын
Thank you sir.
@alicemckinley47756 жыл бұрын
I would love to see you do a tutorial on Scherzo Op 31, Chopin.
@mauriceamaraggi80985 жыл бұрын
Thank you for your tutorial. What is strange is the accentuation on the second beat of the first triplet which is not the strongest of the three beats. Really difficult to play especially with small hands.
@millert140912 жыл бұрын
Thank you so much for this! I was fine on the rhythm, but I needed the melody part. It sounds MUCH better now. Also, you mentioned Fantasie - Impromptu in there. I played that before this piece (which is why I didn't have trouble with the rhythm, as the rhythm in the impromptu is quite difficult), and I can play it through pretty well, but it could still use a little work. It would be AWESOME if you could do something like this for that song. Please get back to me and thank you!
@anthonyc60174 жыл бұрын
Anyone else have 0 clue how to play this without listening to it or watching a tutorial😹😹 the rhythm is like wtf
@Jogab3710 жыл бұрын
May I ask you if your piano is electronic of traditional piano with strings, because it sounds terrific..Thanks in advance.
@basedwalrus12 жыл бұрын
Could you please do a tutorial on Mad Rush by Philip Glass? I have trouble keeping the opposing rhythms in sync and seeing it visualized would really help me.
@JamesCoPiano13 жыл бұрын
@ilwmb They're among my favourites too, hopefully it will be done as a viewer request, albeit the tutorial would be pretty long due to the length of the 4th ballade, but one would be very helpful indeed for such a challenging piece.
@zbigmanVEVO6 жыл бұрын
Nice :)
@1991Q10 жыл бұрын
fuckin sick
@gerardbedecarter13 жыл бұрын
A most interesting and useful tutorial, Paul. This piece is actually quite difficult to bring off successfully.
@ytyt39225 жыл бұрын
Hmm. I’ve always emphasized the higher G->A in each bar (and so on) instead of the lower G->A. Clearly I was completely wrong. Will shift the emphasis as suggested here.
@JamesCoPiano13 жыл бұрын
Great video, very helpful, please can you do a Chopin Ballade no 4 tutorial next?
@jukeban6463 жыл бұрын
Are u still there 10 years later ?
@JamesCoPiano3 жыл бұрын
@@jukeban646 yes haha, hi
@jukeban6463 жыл бұрын
@@JamesCoPiano what are u playing now ?
@xingzhiwang32344 жыл бұрын
Great tutorial, thank you, Paul! I was only wondering whether or not you are playing bars 27 and 28 in a way that differs from my score. At 5:42 you seem to play the melody on the beat. At the end of the video (~ 7:49) it sounds similar to me. My Henle Urtext edition has a rhythmical change between bars 25/26 (on the beat, quintuplets) and 27/28 (after the beat, two triplets).
@wilfredwood81702 жыл бұрын
Also wondered about this as my edition confirms Chopin's intention - having reached the mounting climax with the melody leading on the beat, in the subsequent bars there's a transition back to the relaxed off-beat melodic line, achieved by twice alternating between the two effects. None of the recordings I've heard play what's written except for Llyr Williams which seems a pity - though written as a quintuplet for the R-hand, the key thing is to play 2 against 3 for the 1st beat which feels and sounds great!
@u5290085 Жыл бұрын
Wow! Love it. This prelude is so difficult at first. Now, I got the tips! Thanks Anyway, I’m in thailand. Where do you live?
@LiveUPMedia3 ай бұрын
Hi nice! So where it stars having the "5" across treble notes is that simple 2 over 3 like nice cupa tea?
@jeacunag13 жыл бұрын
Hi Paul, I really like your tutorials. right know I have a question, do you know what model/reference is that Yamaha?
@LenCedeno7 жыл бұрын
How to play the music as it is written is still a bit puzzling. Now both the upper and tenor voices have the low G melody note. If we were to write the parts separately, the G would appear as a repeated note. To communicate that the G is not to be played twice the composer would have to tie both notes together (making it a bit messy!). In the upper part it would be written as a 16th note (2nd note of the triplet). The tenor part with the dotted 8th note and a 16th note give a quarter note, or "crochet", in each measure. So it seems that to avoid writing two low G notes, Chopin wrote one. And he positioned it on the second note of the triplet hoping that the reader would naturally infer since the dotted 8th note and a 16th note make a full measure, then the G in the tenor, ought to be played as the first beat of the measure, and held on the second note of the triplet rather than being struck again.
@DLPlanes Жыл бұрын
I can see Nintendo got some inspo from Chopin for Zelda 5:50
@wiseJoehumaneway Жыл бұрын
Thank you Sir for your tutorial. I have one question to ask. In the first bar, the 3rd voice is not triplets but a dotted quaver(G) plus a semi-quaver(A), and the semi-quaver rest is for the top voice, not for this voice. So this voice should begin with the bottom voice at the same time. Then should the G be played twice?
@wayxine9 жыл бұрын
Bonsoir Monsieur Paul Barton, Pourriez vous refaire, éventuellement, cette vidéo en langue française, je vous en serai très reconnaissante :pour tous les conseils utiles que vous donnez et montrez. D'avance merci. Christine
@65583699 жыл бұрын
there is simply a mistake in your edition (first bar). Cortot is right
@fdsaman1239 жыл бұрын
Given that the sustain pedal is pressed across each bar, is it ok to lift the thumb early from the first melody note in each bar, for easier technique?
@Themozartthug8 жыл бұрын
i started playing it like that and now after 6 months im holding it down, the journey getting there would have been easier to start with it held down, i have been playing a lot of bach laterly so im getting used to it, its a very hard piece no matter how you pkay it lol but yeah try and hold it down would be my advice
@lawrence18uk3 жыл бұрын
As a chamber instrumentalist (ie not a solo pianist) I atually find these pieces of music really difficult (unpleasant, even?) since the sort of rhythms going on here don't occur in standard chamber music (I don't think it would work in a group of 4 people for instance). I'm not saying anything bad of either composer or perfomer - Just that I'm used to something different. If you just let it wash over you then it's fine - but the the thing is, when you've spent your life playing music with others, you can't help trying to sync to some of sort of inner rhythm - which is virtually impossible to grasp with this piece unless you're intimatly familiar with the music... Ah, well!
@AnarchoHumanist13 жыл бұрын
Its funny how the British and French (kind of) use crotchets, quavers, semiquavers, demisemiquavers, hemidemisemiquavers, etc., whereas the Americans and Germans use quarters, eighths, sixteenths, sixty-fourths, etc. One would think that the divide would be along an Anglo-American versus Continental divide.
@65583699 жыл бұрын
Look at the Paderewski edition.
@gabriele65963 жыл бұрын
10 years ago 🤣 paul u still watch comments over here?
@metteholm48334 жыл бұрын
The fingering presents the worst problem.
@775987mb8 жыл бұрын
That rhythm is wrong! When he plays guitar (and then the piano), he does a pause of 1/16, not a 1/16 OF TRIPLET. The outcome is really different.
@eleezemckenna67873 жыл бұрын
You are the only person on You Tube that plays this piece like an extremely beautiful piece of music. Far to many of the other's play it like a mini Chopin Etude are a fancy Hanon Exercise.