This movement has a clear Structure of two Parts; the First Part carries a more Sad & SufferingAtmosphere where I believe RAVEL wonted to be close to CHOPIN’s OP 10 Études here Nr. 3(Tristesse) and 6 (Lament).
The Second Part is more connected to DEBUSSY’s (Suite bergamasque - Claire de lune) which I believe is also a more Spiritual Composition. I called it LOVING RAIN symbolizing a positive form of Enlightenment.
As A frame for all serves a Painting of KLIMT which has a multiple Layer addressing tension in the Subject LOVE. And Paintings of BROWN & FRAGONARD addressing the different view on time; one pointing at the despair that Event will come not to be changed and one still in Believe that all can be changed. Because they are placed at the beginning and the end you could say they know that they will be doomed which makes less sense but if you exchange the Movements 1 & 3 the Direction of looking at the whole Process is exchanged. Which means the People don’t know what they are looking at.
MADONAS calls the Dream in the Ironic Song I’M STUPID Fussy. MONROE complains that she only gets the Fussy end of Live. Even when both addressing the OppositeSide of the symbolic LOLLIPOP then the other, both are connected to the tasty SweetSide which should never end but which sadly vanish at one Point. The Point is that both Women are addressing that you are not stupid to look for sweetness but when you won’t to look for Love it has nothing to do with the LOLLIPOP everyone is focused on.
MONROES Quote; THAT SHE CAN STOP AT ANY TIME SHE WANTS is true like She proved at the End of the Movie as she is following here inner call for Love and Desires and underlines that She is at the top of her Time regarding Social Criticism . That we don’t see this is connected that we still only see the LOLLIPOP. I agree to this as I would also won’t the LOLLIPOP and it is no shame to wont it. Infect everyone wonted it but the Point is ones it vanishes You should be able to connect one and one as Life is what matters and the World of the LOLLIPOP was meant to make life better and not stickier.
The first Part is focusing on naming the Pain as well as that all is known and less hidden then we might believe. The second is showing the solution and this is to live in the HERE and NOW and focusing on each other and that without end and not end this attention when we might believe we got what we wanted. This Attention starts with one Person but when you understand KARMA You also understand to give attention to all Timeframes and this also includes the FIRTST LIGHT captured by the PYRAMIDES. Though feeling connected to the PAST and the Wisdom created in it we can heal the Wounds we created to our PRESENT and become able to walk in a better FUTURE for all.
BROWN has a focus on describing ArcheCharakters which are degenerated though KarmicAbuse so that they Texture has a unhealthy not smooth Skin like it is a product of Decay and Chaos.
DEL KATHRYN BARTON describes the same Degeneration through Karma but where all are infected. As She is a Painter more focused on Female Characters this ALL appears to be connected more to the Female side but this should not be seen as this as in our Mess we maneuvered our Cultures to a NetworkKind Existence were we lost to experience ourselves as an Individual but as Group of People enhancing ALL from the Group or even worse feel as one gigantic being.
A important Element is BROWNS upside Down Painting of a Boy which I see as a genius attempt to connect the metaphysical Word of FRAGONARD 17th Century with ours.
I used it to create a YIN YANG Constellation as I see all ArcheCharakters not as singular if healthy. To do this I add a Painting of the Painter JASMIN REIF. Her Painting I in general use as a Painting describing ANGELA WHITE and here Symbolic Function regarding DESIERS. We have the Boy in his healthy Skin with purity in his face able to Dream , more YIN related and we have the unbound energy of the Girl more YANG related and able to act. The result of this state is to see where the Girl is looking at which is the Work of BARTON.
Now as I’m a Fan of Fusion you could become the Idea that this is the Recipe for all but this Concerto is more about understanding Yourself in sense of Individualism and tray to focus on achieving a state of Dualism. Fusion is artificial and meant only to be established for a minimum on Time related to a Work. To build a KarmicRelationship where the Live of both align with the Circles more and more to each other is natural. A State where the individuality of each is kept but where always the Dualism is present. This state is what is described in the YIN YANG Symbol that the other Part is always integrated regardless where you are and this is what enhances us to achieve higher goals.
"I've always been mad, I know I've been mad, like the
most of us...very hard to explain why you're mad, even
if you're not mad..."