Color Correcting: Crushing the Blacks

  Рет қаралды 17,542

Filmmakers Academy

Filmmakers Academy

Күн бұрын

bit.ly/3GUnuQQ
Introducing Master Colorist David Cole as one of the newest additions to the Filmmakers Academy platform. David sits down in the color bay to teach the fundamentals of color grading, beginning with essential terminology, showing what each term means, along with his professional approach. David imparts his passion together with crucial information and concepts to give you the confidence you need to become an expert colorist. Then, he takes that terminology and applies it directly to the screen providing you with real-time examples to help you understand even the most complex of techniques.
Purchase the course for $399 or become an all access member with over 800 hours of content for the same price! bit.ly/302orWv
Check out our blog filled with career advice, gear talk, and on set stories:
bit.ly/3CzwFn2
Test your cinematography knowledge with our weekly Friday quiz on our IG Story (Also follow us for awesome BTS/Lighting Setups)
bit.ly/3kR5JIO
Want weekly inspiration, cinematography tips, discounts, life lessons, lighting schematics and more? Subscribe to our weekly newsletters:
bit.ly/3s3XkTc
0:00 Intro
2:35 Crushing the Blacks

Пікірлер: 21
@HaloUnion
@HaloUnion 2 жыл бұрын
Love this so much. I always argue with my colorist friends that crushing the blacks isn’t always a bad thing
@BastiMark
@BastiMark 2 жыл бұрын
Really good video, would be very interested in seeing more color grading/correcting videos
@sknol
@sknol 4 ай бұрын
Thank you so much for this. As a photographer, It's more common to look at an image, and be fine with a style that involves completely crushing the blacks, and calling it a day. Now, that I'm moving more towards video color science, it's great to see good base information on how to massage that data into the look you need, while retaining the data you need for every node (and delivery) down the line.
@ThePartimeVideomaker
@ThePartimeVideomaker 2 жыл бұрын
Can't wait for more videos like this to come out
@claudio6032
@claudio6032 2 жыл бұрын
Thanks for sharing this information!
@marcelo.vargas
@marcelo.vargas 2 жыл бұрын
One of the huge things about anything but in my case filmmaking, you never stop learning, the moment you think you do you lost the game
@MediaFXNoosa
@MediaFXNoosa 2 жыл бұрын
Good tutorial Dave ,
@ejwalton
@ejwalton 2 жыл бұрын
Seems like a very long and arduous process so I can only assume it pays quite well!
@LaurentiuRobu
@LaurentiuRobu 2 жыл бұрын
I am sure this was dp by sean Holburn I think I just saw a video of a his while he was setting up the scene
@carson294
@carson294 2 жыл бұрын
Are you still using the mini color surface?
@auxiliarylens3876
@auxiliarylens3876 2 жыл бұрын
This question has been burning my brain for the longest time: Is it okay to crush the blacks for Internet videos? I used to go below 0 IRE because I like the look, but I read somewhere to never let it go below 0, especially if it's going to be played on TV, but my stuff doesn't play on TV, so does it matter to keep it at 0?
@desotaku5202
@desotaku5202 2 жыл бұрын
If the opportunity comes around, that you need to be "broadcast legal" you could just go back to the project and save an above 0 IRE copy.
@ScribblebytesWorldwide
@ScribblebytesWorldwide 2 жыл бұрын
They always crushing blacks.
@component8107
@component8107 Жыл бұрын
Skip to 3min25
@xiggy2414
@xiggy2414 2 жыл бұрын
Imagine paying 10s of thousands of dollars to go to film school when you can pay less than 1K a year for F.A. LOL
@bentonpix
@bentonpix Жыл бұрын
No matter what I do, I cannot get my blacks to hit absolute zero. : ( They always have some residual tone which is fixed a few points above zero. FX3 - DaVinci 17. Any suggestions to overcome this limitation?
@skyharmer1251
@skyharmer1251 9 ай бұрын
Hey! I do not know for sure, but I figured I would offer an idea to help perhaps. Perhaps in your picture profile on your camera you can change that. I've noticed that changing my gamma settings, too, in my picture profile helps when I color correct later. Does that make sense? Hope this helps to some extent, friend
@LeeHarris
@LeeHarris 2 жыл бұрын
Good video but the music jars
@jonphen
@jonphen 2 жыл бұрын
I imagine so much work went into delivering this valuable content but unfortunately can’t hear what he is saying… can we turn down the jams a tad?
@angelthman1659
@angelthman1659 2 жыл бұрын
Doing long intros is so 2012.
@ShowCat1
@ShowCat1 Жыл бұрын
Your background music is too lout and totally annoying. Could not continue watching.
Pro Colorist Explains Clipping
17:16
Cullen Kelly
Рет қаралды 9 М.
Every Hollywood Colorist's Go to Tool in Resolve
14:52
Waqas Qazi
Рет қаралды 106 М.
Sigma Kid Hair #funny #sigma #comedy
00:33
CRAZY GREAPA
Рет қаралды 38 МЛН
Finger Heart - Fancy Refill (Inside Out Animation)
00:30
FASH
Рет қаралды 28 МЛН
IQ Level: 10000
00:10
Younes Zarou
Рет қаралды 10 МЛН
Why Great Movies use the 60-30-10 Percent Color Rule
7:53
wolfcrow
Рет қаралды 2,1 МЛН
False Color has BIG Issues! - Why EL Zones is Taking Over
10:54
Kevin Talks Filmmaking
Рет қаралды 2 М.
"NO CGI" is really just INVISIBLE CGI (1/4)
16:30
The Movie Rabbit Hole
Рет қаралды 1,2 МЛН
How LUTs Can Elevate Your Cinematography
13:01
In Depth Cine
Рет қаралды 39 М.
Why colorists prefer THIS saturation trick?
5:20
Colorist Foundry
Рет қаралды 131 М.
Common Log Grading Mistakes & How to Avoid Them
28:55
Gerald Undone
Рет қаралды 325 М.
Pro colorist explains rolloff
12:01
Cullen Kelly
Рет қаралды 22 М.
Recreating the Look of The Batman
10:36
Film Riot
Рет қаралды 173 М.
How Filmmakers Make Cameras Disappear | Mirrors in Movies
13:05
Paul E.T.
Рет қаралды 5 МЛН
Sigma Kid Hair #funny #sigma #comedy
00:33
CRAZY GREAPA
Рет қаралды 38 МЛН