God I love your content! I love how you have absolutely zero fluff or bullshit. Straight to the point, fluent, naturally spoken, calm. You guys are the absolute GOATs for this content. Davinci needs to buy all your content for their own resources. Holy moly!

So glad they’ve finally added subtractive saturation with COLOR SLICE - Wicked!

Been playing with Defocus effect this morning, and found a great use for it... Create TWO nodes with the same effect settings, but one with the "inverted mask" checked. You can then keyframe the blend effect of each so it transitions from one to the other. This in effect creates a focus pull over time and if used well on a certain scene, is a neat little post production trick and nice transition into another scene. PS: That colour slices is a game changer. I get sick of colour correcting with the curves pages or hue to sat and sat to lum etc and getting lost. This is a one stop shop where you can see everything clearly now.

I'm so happy that you guys are releasing so many videos. I know you were hard at work on the course, and I am super excited about it. The quality and professionalism of your videos is simply unmatched among resolve trainers.

This is a checkmate software update… Man I appreciate BlackMagic Design so much. Excellent breakdown video as well

Resolve 19 was a bombshell in itself, but then he showed the cameras...

I am amazed by your straight-to-the-point explanation. I sat through two arduous, self-important videos trying to describe what the colour slice does and it hurt. Your demonstration and explanation was just great. Thank you.

Everyone on YT is rushing around and putting out a video just to be first, you guys take your time, but, the videos you produce are very professional and very informative. Thanks, good job!!

Another fantastic how to from Team 2 Films. As usual, to the point. So clear, and easy to understand. Thank you, keep up the good work. (Production value really high, looks great).

Good work T2f. Always worth waiting for your vids to appear.

You guys are quick with quality content! I'm terrable at colorgrading, but this update seems to benefit me greatly. Subscribed!

Nice presentation. You guys have a way of speaking that just seems so confident. I think when presenting new information that's a really important trait. Just a few notes from me - People should still in my opinion use the film look at or very near the end of the node tree. It is tempting to do that earlier and I have actually seen some youTubers suggest it to be up front - but anything that has texture should always be after any smoothing, including blurring or smoothing ( even power windows with smooth edges. It's simple to see with Resolve's regular film grain because you can turn just the grain on in the OFX. Anyone that wants to see the result on the grain of blurring or smoothing etc. - try turning that on and putting it on the first node and it is obvious right away that any smoothing after - completely ruins the grain. The check box to make it 3d LUT compatible - not sure if all your viewers are aware that stuff like Film Grain, Contrast pop, Midtone detail, NR, Blur, Texture Pop,Highlights,Shadow etc, can't be written to a LUT. So having that checkbox and being able to make it compatible means that you can hone the overall look that a DP or camera op can apply on set for a display LUT. So really glad they included that to quickly turn it on or off while developing and writing the display LUT for production. The Color slice looks really a good add on. So much so that 5 minutes into Daria's demo - my phone was pinging with my DCTL developer friends with concerns. I would have liked to be able to extract it and move it around. I think that when Resolve adds anything the extract window should be on any new stuff. I already have problems seeing the color wheels on the color slicer already, and was looking for the extract. The defocus background OFX - I don't see any benefit to at all if we have to set a mask with other OFX in conjunction. The example you gave - adding the masked image to a layer mask would do the same thing. And on that layer mask you could use another gradient mask and have the blur intensify as it gets further away. Now what I see little talk about is the one thing that I have mentioned to BMD engineers and people in charge - was to fix the Face Refinement tool - which I think for me is the best thing in this version update but I haven't seen if the editable tracking works because once I updated, I can't find a clip that I know the tracking went off and I couldn't use it before. Was hoping that you had tested it and found if it is now useable. I always thought that was one of the OFX that had the most potential in the past, but doing 20 clips of a person and then all of a sudden, clip 21 won't track, had me ( and others ) have to manually recreate the plug-in with power windows and adjustments. Which made it useless, so myself and others just went back to how we were doing it before - so fingers crossed on that one. Hopefully we can track and when the tracking goes haywire, we can fix it. But again thanks for you input on some of the new updates. cheers

Excelent guide, thank you so much!

An excellent summary of the new color features! 👏🏻

Brilliant as always. Thanks a million!

Once again I find myself watching your channel. Quality stuff people, thx!

Great video and great pacing. You guys do really good tutorials.

Thanks man for ur effort♥

the best content by far, and I love the look of your videos, lens, editing and color. Congratulations!

Charming and professional!

DaVinci Resolve 19 is amazing! Thanks for the info.

Nice review of the new features.

I said it before, but your videos are incredibly useful. Thank you!

I absolute love the film simulation feature! saves me a huge amount of time and assures a more consistent look to my work.

Hi, Thanks for great review! ❤ Could you use the color slice tools with your Resolve Mini Panel? Does it updated to the Resolve 19?

Подробно с примерами. Было интересно😎

I also have to say, the thumbnail for this vid is fire, great job

Thanks for the review. Could you tell which lenses were used to shoot this video?

Muito bom!

drs19 will be my new adobe camera raw :DDD

I hope that the color slice works in a different color space than HSL or HSV

What is a display trim? Very good content!!

How this new implemented tools Would work on Davinci panels ?

Do you happen to know how long it takes for a version to get out of beta historically? Looking forward to using v19 but have to wait for the official release

Where your music com from mate? Can you tell please the one you used at the intro?

This a better version of 3x3 matrix? Can we use color slice for a Look Dev?

Hey. Great explanation, Man... Although I know the Blackmagic's trait. But still, has they confirmed Resolve 19 Studio to be available free for 18 users?

Great video as usual! But your chapter titles are all wrong. Seems to be copy and paste from your video regarding the new audio features.

Love the animation with resolve 19 logo. Was it made in davinci? Will the course include the new features ??

Auto balance RGB mixer is huuuge.

19 is still kinda buggy on playback and does weird color shifts, hopefully fixed soon. Still, good on export. The look creator tool is nice for quick bleach bypass.

Do these tools render things like Dehancer obsolete?

i put 19 beta over studio 18.6.6 and I'm getting the red 'no media', i researched and used all the fixes i could find but no luck, my licence key didn't copy over either, is 19 out of beta now ? i noticed the beta download was about half the size of the 18 one, I'm on windows 10.

are theese feature only available for paid versions?

Resolve 19 has not been released for me... i have Resolve Studio v18.6.6 why didn't i get the Resolve 19 update??

On film creator i don’t have all the settings im on the studio version??

Davinci Resolve Public Beta is out* see I corrected you

Did you try this in 8bit footage?

did they fix the bugs that have persisted over the years

"Cheap film cameras have poor registration" really expensive film cameras are affected by gate weave, this is a well known phenomenon that gets better when increasing celluloid size, but really expensive 16mm and 35mm cameras can have bad gate weave.

Wait what? The M1 Max is NOT powerful enough for realtime playback on Ultra NR?!! Jeez! and I was thinking of getting one! What machine would be “powerful enough”

keep everything aside i want davinci transition animation template please "maakada" meaning (you have to ask it to bhopali boi)

You copy pasted the time stamps from your Audio update video

why color changed here? 10:52

For me, it's a bit of disappointing because I was waiting for some improvement in fusion like time displacement node, shatter effect etc.

Thanks for the video. I would really appreciate it if you didn't use those weird effects you used in the showcase with that window shadow the slight turn... it was really off-putting.

What weird music is that I was looking for mosquitos around ears. 😅