Not really. This is super basic and is no different to what you learnt in elementary school (you just were not paying attention). There's a ton of info that was skipped. Q: If Blues are cool colors, then what is a warm blue?

Debi Taylor // The title is literally “Color Theory Basics”. Of course it’s going to be basic; this video was meant for those who are beginners. And to answer your question: in the video, she states that color temperatures aren’t always consistent. For example, blue alone will obviously look cool, but when put next to other colors, it can be classified as warm. Warmer blues typically have more of a red tint while cooler blues have more of a cyan/green tint. Hope this helps, 5 months later lol.

100% agree!

And yet, there are inaccuracies.

Agreed

John Hurley then you're an artist

A

Me too

Sabri'A Price can’t agree more

But the one you never get

My art teacher had us watch this for homework 😂

​@Alastair Valyocsik wdym isnt this accurate

@@tyreseasare9191 it is accurate just I think he means that its rotated because theyre stood different ways around and this one is kinda upside down but if you search colour wheels on google the correc one should be with yellow at the top and violet at the bottom :)

CMEshai will this really work

Ahaha so true. I passed my History test that way with .../drumroll...Casette walkman and headphones :D

CMEshai Works for remembering stuff, understanding is a different issue...

BECOME THE INTERNET

@@oggyboggy8692 and thats why you try experimenting with the info you have afyer memorizing it

fuck indeed

all red are the same in my eyes too...fuck

Awmhlei Entertainment Ixur Cafè​ rip you guys :''(

I'm so sorry you guys

Ixur Cafè im color blind to orange 😁

Matter absorbs the light so it basically does the opposite and the opposite of the RGB rods in your eye are the CMY. You can prove it by taking an image of any of the RGB colors and editing it into negative. Conservative people still can't move on with their childhood primary colors RYB.

Andrey Romashchenko . Correct.. However, you get more of a Scarlet rather than a red...

Andrey Romashchenko RGB is for light, not pigments. CMY is for pigments.

Sadly, i don't have Cyan and magenta

ThisIsPC I have little respect for an article that refers to the “K” in CMYK as “black” and calls gouache paints “tube watercolors.”

Tomorrow will be my 1st day of uni, can you explain whst you meant by graphic notes?

I

@@hifzaarshad3283 See Andrey Romashchenko's comment.

Very good point

awww that is so sweet

How's the art stuff my man? You doing okay?

Hi just wants to ask how is the dream going

Literally never related harder in my life. Finally started my journey....it sucks not having teachers or classes like everyone else did in high school and college but hopefully we'll both get there!

follow your dreams. I wish nothing but creativity, imagination and courage to go after what you really want until you succed.

to much blood just one shade of red all we need

White and black are just shades of grey

lmao

lol i got the reference

@@DragonProtector *mind blown*

Eray Erdin same

269 likes

hahahaha

Ha ha ha ha

I love that colour wheel. Its so helpfull.

Karen Rogeberg lol teachers used to be of value, now they put on youtube, cause those that cant do cant even teach apparently

+Doctor Robotnik lol now teachers teach the same thing in a variety of ways because they know that each student learns differently and using different sourced creates a stronger message to the students and solidifies the ideas in students minds

@@katrinawall4315 and in my college, ranked 151 in the nation at the time, redirected its students to KZfaq. Like what the hell was I paying for...?

I'm not sure what you mean. Are you talking about photography?

Simple Art Tips 😂

Simple Art Tips It seems to be more about video/film than photography. o.o

@@simplearttips382 I'm sorry this is off subject ma'am but I think you are sooooooo Sexy !!🤣 in that beautiful smart librarian teacher way. So damn ADORABLE. I'M FOLLOWING JUST BECAUSE OF "YOU" 🌷🌹

​@@simplearttips382 You have caused some confusion here. You got your primary colors wrong and you fooled everyone else. Judging by your recent "Color Mixing" video, you never got things right. Wonder what it is?

You can make cyan by mixing equal amounts of green and blue, red and green make yellow, and blue and red make magenta

@@pathological8231 you’re talking about the additive colour model, but I’m pretty sure we’re talking about the subtractive one. Yes, cyan can be created by mixing green and blue in light, but not paint. XXOrxngeVibesXX is right as he is talking about paint/subtractive mixing, not light/additive mixing.

I'm still learning about color theory and how to apply it to my work and I will share more as I begin to learn more. For now, you may wan to watch my video on choosing a color scheme kzfaq.info/get/bejne/hL6TdMuIy73MdHU.html

This is best also, i saw it but i already know about all the colors scheme, but i need and may be lot of Designer need to know how to apply these schemes i mean in which situation which scheme is best, thanks for your replay

I'll definitely keep this in mind! Showing other types of design examples will probably be more useful to designers. In general, though, as a designer you decide which colors to use, what level of saturation and what mood to provide based on the purpose of your project. That's why I analyze and explain several works of art on the second half of the video.

kzfaq.info/get/bejne/g9ePapRhvKyslok.html

Printers use white in a completely different way than a painter does. Most printers don't have or use white ink, they simply adjust the opacity of a color and layers it to create various tones over the white surface it prints on. That is an arduous task to perform if you're not a machine. In painting you can just mix a color with white to create different tones.

For printers, it's CMY. For light, it's RGB. For physical art, RYB seems to have been the most popular, possibly because (relative to CMY) red, yellow, and blue are more easily obtainable pigments. There are a lot of red and blue flowers and minerals, but not so many cyan and magenta. Cultures all over the world embraced pigments that were easy to find. RYB was the long-term result. (Non-researched, btw. Don't quote me.)

I think it depends of where you buy the products. The names just change in some countries. When I buy paint, the primary colors are always labeled Cyan, Magenta and yellow. When I was young, I didn't understand why, because for me, they were just a slightly different red, and a very slightly different blue.

Cosmic Lawnmower 1. If we really cared about the secondaries of light then we would only paint with light. Do you follow and actually use the optimal paints closet to CYM? CYMK are not the “primaries” of subtractive paint mixing either-even though they will give us a much wider range of colors given that we have better modern pigments. The printing industry does NOT follow optimal CMYK just like most of us. Even they actually need and use more dyes/paints/inks outside of common printers AND still have trouble hitting peak colors-especially in the Red to YO area. CMYK also starts out “dull”. That is the nature of subtractive paint mixing. 2. From a “scientific perspective” there is not a set of 3 real “primary” paints in subtractive paint mixing that will make the entire color gamut possible-not even close. Essentially every decently chromatic paint in a triadic set of 3 with one each of A red member, A yellow member, and A blue member can mix every HUE. Notice that I did not say that they will match every paint, color, nor VALUE/CHROMA nor did I limit your choosing of paint. A “primary” paint color and color is ARBITRARY and can be real or imaginary-with only an imaginary set of 3 “primaries” able to define the entire color gamut possible. 3. You were taught “half truths” in grade school in part because of learning level and in part because some can not seem to “de-focus” on the “traditional” RYB colors chosen. You need to know though that most artists choose “primary” paints that will get them as close as possible to what they normally paint to start off with and usually have a couple of “Reds”, “Blues”, and “Yellows”. But it would be correct to say that one can not mix back to the chosen “primaries” in their chosen palette gamut of 3 from the mixes made from them nor can they mix one of the other “primaries” from the other two in the set. Normally no “color” is more intensely saturated as when it comes from the tube and normally a paint has properties that can not be matched by mixing from others and some paints can’t be matched in color at all by mixing. 4. The important things you need to know when choosing a palette is: What is your painting style? E.g. are you a colorist who needs to match bright and vivid colors most of the time or are you more of a realist and need to match more natural colors with the occasional need for bright and vivid? You need to keep in mind paint bias-not “temperature” as many teach (which is relative and confusing for many and should not be used in place of bias)-which way the paint leans in color: does your red lean orange or violet...etc. The last thing you need that is basic to know is: the farther apart 2 paints are from each other-the duller and less saturated the mix will be-and the closer they are-the more intense the chroma will be. To mix as much of the color gamut possible one will need more than just 3 “primary” paints plus raw whitest white plus the blackest black on the market. For in depth theory and a starter palette that has the most bang for the buck, may I suggest that you visit handprint.com? It is from a watercolorists point of view but is easily translatable to acrylics and oils-especially the theory. But I do agree...RYB should not be taught (alone).....but neither should CMYK...start from the beginning with the Human sight “primaries” of RGB then proceed to subtractive mixing involving substance uncertainty. Just like we start with RGB in additive mixing we should also start with RGB in subtractive mixing but (as one scientist said to me) our eyes can not detect the bright spectrum yellow in a mix of RG paints so we start with Y (I could be wrong but it has something to do with the YG reflectance waves that our eyes are already “seeing”). We can mix nice reds, blues, greens, and magenta’s and violets all day long but we have trouble with yellow. This is why we start with yellow instead of green then we proceed to the secondaries. Perhaps this is the MAJOR reason RYB in general is still taught but they never teach why...

Volgen Productions there are more than 5 “primary” colors. But let’s ignore that. Let’s also, take white and black out of the theoretical realm of light and dark and out of neutral and into the world of paints and pigments as colored paints. I will definitely give you white since we can not mix it all all but what makes you say black? I say black is also a “primary” but I am curious as to why you think it is?

Do we need to make a distinction between primary colors used in printing and primary colors used in pigments like oil paint?

CMY are more like the virtual primary colors or CMYK are usually used in printers

@@renzo6490 No, because the CMY is the perfect scheme. You can substitute Cyan-Magenta-Yellow with Cerulean-Quinacridone-Hansa and the result will be pretty much the same. Won't see a differance. But it's the CMY scheme you orient on. Both oil-paints and ink ARE pigments and DO follow the same CMY scheme.

@@pc6985 she doesn't need to read that article. She already stated correctly that Cyan-Magenta-Yellow are the true primary colors. Cyan-Magenta-Yellow is what you are supposed to mix on paper as your primary colors. But this youtube video suggests Red-Blue-Yellow instead. This video is advertising the wrong set of colors as a primary ones. Cyan-Magenta-Yellow are the true primary colors.

​@@pc6985 This video is about pigment. We are mixing paint. The primary color scheme for that is CMY. The video suggested RYB for the pigment. And RYB is not a set of primary colors, neither for pigment nor for light. While we are trying to straighten that out, you start nagging about light. Wrong comment section my friend. This one is about paint, therefore pigment, therefore the CMY scheme. Don't involve unrelated stuff. Video suggested R Y B. The video is wrong. The video is misleading. R Y B paints are not primary.

😂😂same

Jackson John McLean because if you mix those with paint it won't look right

Those are the primary colors for light. This video is about pigments.

Don't give attention to the uneducated people. They don't know how colors work and the science behind them. In color, there are only two principles, namely, the additive and the subtractive color principle: * LIGHT (RADIANT ENERGY) - When different light hues combine, it will create a lighter combination. It follows the additive color principle and it uses the RGB color model which creates white light when all are combined. * PIGMENT (MATTER) - When different pigment hues combine, it will create a darker combination. It follows the subtractive color principle and it uses the CMY color model which creates black pigment when all are combined. We have 3 cone cells in our eyes which detect red, green, and blue colors. That's why the screens use the RGB color model. Matter absorbs light and pigment is matter, therefore, the pigment does the opposite, the opposite of RGB is CMY. CMY is the more appropriate primary colors since they have a wider gamut (almost all colors) than RYB and can even make colors that RYB can't make. Also, RYB can't create pure black, they will create a grayish brownish muddy mixture and mix darker colors and its secondary colors are too dark and dull to paint different types of paintings. This RGB color model creates a perfect triangle in our color vision that bases off a white light in the center and by far, the most prevalent and effective since it can create pretty much almost perceivable colors and many electronic devices use it. That's why it is also recommended that we should use brighter CMY in arts and mixing colors in schools. IDK why. We should improve our learning, not just being conservative and sticking to the traditional primary colors learned in our childhood. There is not much difference between printing or layering and mixing. Both still add pigments and "subtract" light, so the resulting mixture will be darker. Layering uses translucent medium allowing the light to pass through the media, but the downside to this is that the last color that is layered on top will dominate and give the resulting color a tinge of the last color. Many didn't even know that mixing colors is like mixing a bag of sand or making a checker of alternating colors and seeing them from afar, not knowing that it's actually a mixture by those colors. Paints, crayons, and inks have hues that mix darker mixture, therefore, they are pigments. There are actually so many pigments, including sand, filters on top of each other, pigments found in organisms, food, plastics, cosmetics, color pencils, pastels, markers, etc. The color doesn't matter, the medium does matter. Inks use translucent medium while paints use an opaque medium. If paints use an opaque CMY medium, CMY will work. Why the heck would you use literally translucent CMY inks for painting? These KZfaq videos also prove: kzfaq.info/get/bejne/eN9yprxel7uVm30.html kzfaq.info/get/bejne/msiTgsaL3JrLXX0.html kzfaq.info/get/bejne/bZpnqLV2rszShps.html This proofs also made me think that why are we so conservative that RYB are still taught in schools till this time.

Yes

mix blue and green

@@hernancuevas2310 true

hernan cuevas cyan is more like blue mixed with white and a bit of green

@@alisonfranyutti5643 cyan cannot be achieved from other colors. That's the point. You can mix cyan with ruby color and you will get BLUE. Because Cyan is primary and Blue is secondary, but not all the way around. Cyan-Magenta-Yellow is what primary colors are called.

And purple is a lie

Cyan is a stripper.

@@mosef312 well, purple is a tertiary colour

Krzysztof Kardaś ikr this is a sham

they are both correct do some research