Command Performance was a radio program which originally aired between 1942 and 1949. The program was broadcast on the Armed Forces Radio Network (AFRS) with a direct shortwave transmission to the troops overseas. It was not broadcast over domestic U.S. radio stations.
The program was produced before an audience in the Vine Street Playhouse in Hollywood, California, and recorded via electrical transcription. The weekly listening audience of military personnel was estimated at 95.5 million.
Troops sent in requests for a particular performer or program to appear, and they also suggested unusual ideas for music and sketches on the program, such as: "Ann Miller tap dancing in military boots"; "a sigh from Carole Landis"; "foghorns on San Francisco Bay"; "Errol Flynn taking a shower"; "a slot machine delivering the jackpot" and "Bing Crosby mixing a bourbon and soda for Bob Hope". Top performers of the day appeared, including Bing Crosby, Jack Benny, Frank Sinatra, Bob Hope, Fred Allen, Ginger Rogers, Judy Garland and The Andrews Sisters.
The first Command Performance was broadcast on March 1, 1942, almost exactly three months after the bombing of Pearl Harbor. It was under the aegis of the Office of War Information and its success paved the way for the creation of the Armed Forces Radio Service in May 1942. Time magazine described Command Performance as being, "the best wartime program in America". However very few listeners in the United States ever heard it and it would appear that the Christmas Command Performance of 1942 was the only programme of the series to be broadcast to a general audience. Variety magazine commented on this saying: "The War Department on Christmas Eve gave domestic listeners their first taste of a series that had been going out to the Armed Forces on short-wave for 43 consecutive weeks. The purpose of the special occasion as Elmer Davis, Office of War Information chief, expressed it in a foreword to the show, was to forge a link between the servicemen abroad and the folks on the Home Front. A recorded version of the show was short-waved, all over the world, the next day... Hope emceed, tossed off a monologue and cross-fired with Crosby. A special treat in the vocal department was the version of "Basin Street Blues" that came out of the tonsil partnership of Bing Crosby and The Charioteers."
At the outset, the AFRS was shortwaving the shows but the reception was often distorted or spoiled by fading and static. Also many servicemen had no access to a shortwave receiver. These problems were resolved when the Armed Forces Radio Service sought permission from the four major radio networks to record favorite programmes on 16" transcription discs. As many as seventy of these programmes were recorded and produced each week, especially for the armed forces, together with Command Performance, Mail Call, G.I. Journal and various other series. At the peak of the war, around 21,000 transcriptions were being shipped to troops in Europe, Asia and the South Pacific and over 800 radio stations, operated by servicemen and for servicemen, were set up to cover all theatres of war, in order to provide music and laughter from home.
An article in a 1943 issue of Tune In magazine estimated the value of the talent appearing on Command Performance as follows: "Presented by a commercial sponsor, Command Performance would have a weekly talent cost of $50,000. For Uncle Sam, there are no charges."
The final episode of Command Performance-the 415th in the series-was produced in December 1949. The program was one of nine AFRS shows that were ended as a result of a budget cut by the Secretary of Defense.
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